1913: The year of French modernism

Front matter\nContents\nList of figures\nNotes on contributors\nAcknowledgements\nIntroduction\nPart I: 1913, French modernism and historical time\n	Introduction\n	Prehistoric Proust\n	Fantômas and the shudder of history\n	Inventing, collecting and classifying in the margins: the work of Eugène Atget, a shift in photographic representation\n	The anxious centre\n	1913, the year of the arrière-garde?\nPart II: 1913, ‘French’ and ‘modernism’ in question\n	Introduction\n	A modernism that has not yet been: untimely Segalen\n	On situating French modernism: the strange location(s) of Le Grand Meaulnes\n	Les Caves du Vatican and the real novel\n	1913, between peace and war: Chagall’s Homage to Apollinaire and the European avant-garde\nPart III: 1913, French modernism and intermediality\n	Introduction\n	Camille Flammarion’s flash-forward: the cinematicization of French thought and aesthetics (1867–1913)\n	How ‘simultaneous’ is it? Revisiting the Delaunay–Cendrars collaboration on La Prose du Transsibérien\n	Mallarmé’s modernity in 1913\n	Poetry displaced: Nijinsky, Delaunay, Duchamp\n	Behind Picasso’s pins\nPart IV: Coda: on modernism, beyond France and 1913\n	1913, the future in the past\n	The paradox and promise of the ‘new’ French Modernist Studies\nIndex