»Present Continuous Past(s)«: Media Art. Strategies of Presentation, Mediation and Dissemination

Introduction....Pages 13-21
The Artwork as Temporal Form Giving Access to the Historicity, Context and Discursiveness of Media Art....Pages 22-35
Thirty Years of Media Art by Ulrike Rosenbach - Experience in Mediation and Reproduction....Pages 36-45
»Withdrawal as an Artform« - Between Withdrawal and Presentation - The Body in the Media Arts....Pages 46-61
Montage and Image Environments: Narrative Forms in Contemporary Video Art....Pages 62-73
Media storage. On Documenting and Archiving Media Art....Pages 74-81
Global Icons....Pages 82-95
Before and after video art - Television as a subject and material for art around 1963, and a glance at net art since the 1990s....Pages 96-111
Dan Graham’s Designs for Video Presentations: Art, Commentary and Solution....Pages 112-123
Stan Douglas, »Win, Place or Show«....Pages 124-131
T_Visionarium: the aesthetic transcription of televisual databases....Pages 132-141
www.guiton.de....Pages 142-149
Database and Context Artistic Strategies within a Dynamic Field of Action....Pages 150-161
On the development of netzspannung.org - An Online Archive and Transfer Instrument for Communicating Digital Art and Culture....Pages 162-173
Capturing Unstable Media Arts - A formal model for describing and preserving aspects of electronic media art....Pages 174-189
The Digital Mystique: Video Art, Aura and Access....Pages 190-195
»How to deliver what is asked«....Pages 196-201