Yeats Annual No. 2

Front Matter....Pages i-xi
Front Matter....Pages 1-1
The Minstrel in the Theatre: Arnold, Chaucer, and Yeats’s New Spiritual Democracy....Pages 3-24
Yeats’s Ruskinian Byzantium....Pages 25-34
Singing Amid Uncertainty: Yeats’s Closing Questions....Pages 35-45
W. B. Yeats and Norreys Connell....Pages 46-58
“Shelley Plain”: Yeats and Katharine Tynan....Pages 59-92
Yeats’s “Those Dancing Days are Gone” and Pound’s “Canto 23”....Pages 93-95
Dissertation Abstracts, 1981....Pages 96-106
Front Matter....Pages 107-107
Edward Callan, Yeats on Yeats: The Last Introduction and the “Dublin” Edition and David R. Clark, “That Black Day”: The Manuscripts of ‘Crazy Jane on the Day of Judgment’....Pages 109-111
John Pilling, Autobiography and Imagination: Studies in Self-Scrutiny and Daniel T. O’Hara, Tragic Knowledge: Yeats’s Autobiography and Hermeneutics....Pages 112-125
Phillip L. Marcus, Warwick Gould, and Michael J. Sidnell (eds), The Secret Rose, Stories by W. B. Yeats: A Variorum Edition....Pages 126-128
Wayne E. Hall, Shadowy Heroes: Irish Literature of the 1890s and Mary Helen Thuente, W. B. Yeats and Irish Folklore....Pages 129-135
Howard T. Young, The Line in the Margin: Juan Ramón Jiménez and His Readings in Blake, Shelley, and Yeats....Pages 136-137
George Mills Harper, W. B. Yeats and W. T. Horton: The Record of a Friendship....Pages 138-140
Sylvia Legge, Affectionate Cousins: T. Sturge Moore and Marie Appia....Pages 141-143
Bernard G. Krimm, W. B. Yeats and the Emergence of the Irish Free State, 1918–1939: Living in the Explosion and Elizabeth Cullingford, Yeats, Ireland and Fascism....Pages 144-153
V. V. Jain, W. B. Yeats as Literary Critic and Vinod Sena, The Poet as Critic: W. B. Yeats on Poetry, Drama and Tradition....Pages 154-158