Women, Feminism and Italian Cinema: Archives from a Film Culture

Cover
Half-Title
Title Page
Copyright
Contents
Acknowledgements
Introduction
Part I Cultures of Film Consumption: Affective Spectators and Activist Audiences
	1 Searching for Gender in the Audience: Cultural Discourses and Opinion Surveys
	2 The Spectator in the Magazine: Cinema-going, Ideology and Femininity
	3 Feminist Spectatorship and Transformative Publics: Aspirations and Legacies of Feminist Film Festivals
	4 Patterns of (In)visibility: Lesbian and Queer Counterpublics
	5 Feminists and Porn: Protests and Campaigns
Part II Cultures of Representation: Sexuality, Race and Politics
	6 Asexuality and Housework in the Anthological Comedies of the Mid-1960s
	7 Ines Pellegrini: Navigating (Post)colonial Representations in the ‘Sexual Revolution’
	8 The Beginning of the End? Depoliticised Feminism in Fellini’s City of Women
Part III Cultures of Production: Maps, Labour and Archives
	9 Sexism and Women’s Work: Mara Blasetti, Production Manager
	10 A Map of Open Questions: A Feminist Genealogy of Women Directors (1935–70)
	11 A Materialist Trajectory in Feminist Filmmaking: Rethinking Labour and Consciousness-raising
	12 Feminist Spaces and Knowledge Exchange: Adriana Monti’s Archive
Conclusion – Feminist Film Culture(s): Collectivities, Archives and Futures
Works Cited
Index