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ویرایش:
نویسندگان: Michelle Marder Kamhi
سری:
ISBN (شابک) : 9780990605706, 2014913258
ناشر: Pro Arte Books
سال نشر: 2021
تعداد صفحات:
زبان: English
فرمت فایل : EPUB (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود)
حجم فایل: 487 Kb
در صورت تبدیل فایل کتاب Who Says That's Art?: A Commonsense View of the Visual Arts به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب چه کسی می گوید این هنر است؟: دیدگاهی عام از هنرهای تجسمی نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
کارشناسان دنیای هنر امروز تقریباً هر چیزی را به عنوان \"هنر\" می پذیرند
Today's artworld experts accept virtually anything as "art"—from all-black paintings and facsimiles of supermarket cartons to dead animals preserved in formaldehyde. Many art lovers reject such fabrications, however, arguing that they are not art. This book explains why those ordinary people are right and the presumed experts are wrong.
Museums and galleries of contemporary art around the world are filled with "cutting-edge" pieces that art lovers largely detest, while painters and sculptors whose work the public would appreciate are ignored by the cultural establishment.
How did this happen? What mistaken ideas have led to it? Who is responsible? And what can be done to reverse the situation? Who Says That's Art? answers such questions—in commonsense terms that non-specialists can readily understand.
Many books have attempted to bridge the controversial gap between the public and the contemporary artworld. What makes this book different? Other writers claim that people need to know the theories behind "advanced" work in order to appreciate it. Who Says That's Art? debunks those theories. Moreover, it reveals the cultural forces that collude to promote pseudo art in the contemporary artworld—from art educators and wealthy collectors to museum administrators and the media.
Drawing on evidence ranging from cognitive science to cross-cultural studies, the book explains how and why the traditional fine arts of painting and sculpture profoundly move us by embodying important human values. In contrast, it demonstrates the emptiness of the "installations" and "conceptual art" that dominate the postmodernist artworld. Further, it documents the shallowness of collectors who pay huge sums for notorious works of contemporary "art," such as a dead shark in a tank of formaldehyde. Surprisingly, however, the author—unlike most conservative critics—argues that the breakdown of the visual arts actually began with the invention of "abstract art" in the early twentieth century, because it rendered art unintelligible.
In conclusion, Who Says That's Art? highlights the pleasures and rewards of genuine art, both old and new, and suggests how to restore sanity to the contemporary artworld.