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ویرایش:
نویسندگان: Maggie O’Neill and Brian Roberts
سری:
ISBN (شابک) : 9781315646442, 9781138182479
ناشر: Routledge
سال نشر: 2019
تعداد صفحات: 291
زبان: English
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود)
حجم فایل: 13 مگابایت
در صورت تبدیل فایل کتاب Walking Methods: Research on the Move به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب روش های راه رفتن: تحقیق در حرکت نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
این کتاب راه رفتن را بهعنوان روشی نوآورانه برای انجام تحقیقات اجتماعی معرفی و بررسی میکند و نشان میدهد که چگونه ویژگیهای حسی و زیباییشناختی آن ارتباط با تجربیات زیسته، سفرها و خاطرات، جوامع و هویتها را تسهیل میکند. این کتاب روشهای پیادهروی را از نظر تاریخی، جامعهشناختی، و در ارتباط با تحقیقات زندگینامهای و مبتنی بر هنر، و همچنین کارهای جدید در زمینه تحرک، دیجیتال، فضایی و حسی قرار میدهد. این کتاب در سه بخش تنظیم شده است: نظریه پردازی. تجربه کردن؛ و تصور راه رفتن به عنوان روشی جدید برای انجام تحقیقات بیوگرافی. تمرکز کلیدی بر مصاحبه پیادهروی بهعنوان یک روش بیوگرافی (WIBM) برای کاوش مفید مهاجرت، حافظه، و مناظر شهری، به عنوان بخشی از تحقیقات مشارکتی، بصری و قومنگاری با جوامع و هنرمندان به حاشیه رانده شده و بهعنوان بازسازیکننده است. و متجاوز کتاب با پیادهرویهای زندگینامهای توسط نویسندگان و بحث در مورد آینده مصاحبه پیادهروی بهعنوان روش زندگینامه به پایان میرسد. روشهای راهپیمایی نظریه را با مجموعهای از نمونههای پژوهشی اصلی قومنگاری و مشارکتی ترکیب میکند. تمرینهای عملی و راهنمای استفاده از پیادهروی بهعنوان یک روش کمک میکند تا این منبع غنی برای محققان علوم اجتماعی، دانشجویان، هنرمندان پیادهروی و محققان زندگینامه باشد.
This book introduces and critically explores walking as an innovative method for doing social research, showing how its sensate and kinaesthetic attributes facilitate connections with lived experiences, journeys and memories, communities and identities. The book situates walking methods historically, sociologically, and in relation to biographical and arts-based research, as well as new work on mobilities, the digital, spatial, and the sensory. The book is organised into three sections: theorising; experiencing; and imagining walking as a new method for doing biographical research. There is a key focus upon the Walking Interview as a Biographical Method (WIBM) on the move to usefully explore migration, memory, and urban landscapes, as part of participatory, visual, and ethnographic research with marginalised communities and artists and as re-formative and transgressive. The book concludes with autobiographical walks taken by the authors and a discussion about the future of the walking interview as biographical method. Walking Methods combines theory with a series of original ethnographic and participatory research examples. Practical exercises and a guide to using walking as a method help to make this a rich resource for social science researchers, students, walking artists, and biographical researchers.
Table of Contents List of figures Introduction Overview of the field: Why this book and why now? Biographical Research: Walking – thinking, experiencing and imagining The Walking Interview as a Biographical Method (WIBM) References Part I Theorising/observing/thinking Chapter 1 Methods on the move: Moving methods Introduction Walking Methods on the move: The Walking Interview as a Biographical Method (WIBM) Senses, emotions, and communicating Mobilities Arts and walking New mobile technologies and the future Philosophy, literature, and walking The psycho-spatial, time, and walking Biographical research ‘on the move’: ‘Moving’ research References Chapter 2 Theorising walking in the sociological imagination: Walking in context Introduction Walking and the sociological imagination Nineteenth century walking and ‘social exploring’ Chicago School of sociology Mass Observation Baudelaire, Benjamin, and the flâneur Social documentary photography Situationism Conclusion: Theorising walking in the sociological imagination References Chapter 3 Walking, art-making, and biographical research Walking, the city, and urban space: Mobilities Walking as an embodied, sensory, and phenomenological practice in social research Walking as a relational, imaginative, biographical method, and an aesthetic practice Theorising the WIBM: Walter Benjamin – Walker, collector, storyteller WIBM: Walking with Donie: Theorising/observing/thinking Note References Exercise One: Walking and theorising: Observing/thinking Part II Experiencing Chapter 4 Migration, memory, and place: Connecting with memory and place in urban landscapes Doing biographical research Biographical methods and migration Doing and experiencing biographical research differently: Walking with Robert Miller across memory, time, and place Walking in Belfast with Robert Miller Home and garden The Botanic Gardens University life Sectarian neighbourhoods and ‘TINKS’ Personal borders and belonging Notes References Chapter 5 Walking as re-formative and transgressive: Health, pilgrimage, trespass, marching History of walking Motivation Re-formation – Health and pilgrimage Health Pilgrimage Transgression – Trespass and marching Trespass Marching Escape and identity formation Re-formation, transgression, and escape and identity formation Note References Chapter 6 Walking in the Downtown Eastside: Experiencing the WIBM as participatory, visual, and ethnographic Context: Borders – Physical, material, and relational Walking biographies of people and place Participatory action research practice and process Arts-based methods – Mapping, walking, sensing, and visualising Step-by-step, community, resistance, and recognition Walking with Amanda Walking with Steve Walking towards a sense of community and mattering Notes References Exercise Two: Walking, sensing, experiencing Note Part III Imagination Chapter 7 Walking, sex work, and community: Towards a radical democratic and imaginative space for addressing sexual and social inequalities A sociological imagination Walking with Nick Mai in Soho Creativity, biography, and imagination Walking with Faye and Open Clasp Biography, memory, and meaning Walking with Rosie Campbell and Shelly Stoops in Liverpool Walking with Kerry Porth in Vancouver: Biography and cartography Biographical imagination, walking, and memory Notes References Chapter 8 The phenomenology of walking in a garden Introduction Garden and the city Nature writing and walking The garden path and bench Garden, walking, and sentencing Garden – Geometries and secrets Garden, identity, and space Garden, the body, and art Garden, auto/biography, and time The garden and the Walking Interview as a Biographical Method Walking in a garden References Chapter 9 Walking artists: Critical dialogues and imaginaries Walking as art practice Walking as a practice, method, experience, and a political force in society Walking as place-making and embodied learning Storytelling and art-making A walk with Clare Qualmann: Walking as imaginative, embodied, relational, and biographical A walk with Dee Heddon in Kelvingrove Park, Glasgow Walking as political and relational Walking as art practice and the WIBM Notes References Chapter 10 Auto/biographical encounters in time and space: Roots and routes Walking and autobiography Walking in Consett – Maggie O’Neill Shopping, conviviality, and the park Protest and memorial walking Walking in a nearby cemetery (2016–17) – Brian Roberts Cemeteries, time, memory A return to the village (2010) Walking as a child in the village in the 1950s A developing childhood in Scrooby Auto/biography: Roots and routes References Exercise Three: Walking and imagining: Time/memory/making Conclusion: The future of the Walking Interview as a Biographical Method Dimensions of the Walking Interview as a Biographical Method Biographical and ethnographic conceptions Walking and biographical research Time/Space/Place Memory Composition Theorising, experiencing and imagining in biographical research References Exercise Four: WIBM exercise: Observing, experiencing, imagining The Walking Interview as a Biographical Method Principles and practice: A framework Theoretical/epistemological underpinnings Notes Index