Visual Participatory Arts Based Research in the City: Ontology, Aesthetics and Ethics

Cover
Half Title
Serie Page
Title Page
Copyright Page
Table of Contents
List of Figures
List of Contributors
Acknowledgements
Chapter 1: Visual participatory arts-based research in the city: Outlining posthumanist approaches
	1.1 Introduction
	1.2 A story to take perspective
	1.3 For a new materialist posthumanist arts-based research
	1.4 Conceptual cluster #1: Speculative inquiry
	1.5 Conceptual cluster #2: Researching with/in force fields and atmospheres
	1.6 Conceptual cluster #3: Thinking the right to the city through affect and the aesthetics of infrastructures
	1.7 Book’s organization
	References
Part I: Ontological Reorientations
	Chapter 2: Relocating the cinema in the city: The case of El Solar de la Puri
		2.1 Introduction
		2.2 From motion to location
		2.3 El Solar de la Puri
		2.4 The right to infrastructure
		2.5 A transfilmic envelopment
		2.6 Conclusions: A relocation
		Notes
		References
	Chapter 3: Fred Herzog’s affective engagements with things in the city of Vancouver
		3.1 Introduction
		3.2 Associative analysis and reading
		3.3 An associative reading of Herzog’s Second Hand Store Boy and Second Hand Shop, Cordova Street
		3.4 Concluding thoughts
		Notes
		References
	Chapter 4: Black life and aesthetic sociality in the Subúrbio Ferroviário de Salvador, Bahia
		4.1 Introduction
		4.2 Black onto-aesthetics
		4.3 Searching for beauty in an unliveable place
		4.4 Towards an aesthetics of sociality
		4.5 A collection to re-materialize the Subúrbio
		4.6 Inhabiting as a more than one
		Notes
		References
Part II: Aesthetic Practices
	Chapter 5: Lively pathways: Finding the aesthetic in everyday practice
		5.1 Introduction
		5.2 The city
		5.3 The thinking
		5.4 The assignment
		5.5 The attunement
		5.6 The aesthetic
		5.7 The student work
			5.7.1 Indeterminacy
			5.7.2 Intimacy
		Note
		References
	Chapter 6: A hauntological enlivening of the Coma Cros archive through pedagogical inquiry and live performance
		6.1 Introduction
		6.2 The recent history of Coma Cros
		6.3 Thinking material performativity through new materialisms and performance theory
		6.4 Encountering archival silence, discontinuity and intimacy
		6.5 The class in the street: The archive as an event
		6.6 Embodied archives as contact zones
		6.7 Conclusions
		Notes
		References
Part III: Ethics of Participation
	Chapter 7: The Lynden Sculpture Garden’s Call and Response Program: To wonder, encounter and emplace through the radical Black imagination
		7.1 An introduction
		7.2 Racialization of spaces and a Black sense of place
		7.3 Utilizing Black geographies
		7.4 The Call and Response Program as a different space of encounter with nature
		7.5 The Call and Response Program constructs place through processes and experiences
		7.6 Relational movements in response to the multisensory and juxtaposed environment
		7.7 Eliza's Peculiar Cabinet of Curiosit ies reconsidered through wonder
		References
	Chapter 8: A poetics of opacity: Towards a new ethics of participation in gallery-based art projects with young people
		8.1 Introduction
		8.2 Youth arts in the city
		8.3 Rethinking participation with Édouard Glissant
		8.4 Creating new sensing bodies in the gallery
		8.5 Cultivating the logic of the relay
		8.6 A durational ethics
		8.7 Conclusion: Relation in the city
		References
Epilogue: The remaking of collective life in (post)pandemic times
	References
Index