Value Construction in the Creative Economy: Negotiating Innovation and Transformation

Contents
Notes on Contributors
List of Figures
List of Tables
Part I: Defining the Creative Economy Through Value
	1 Exploring Value in the Creative and Cultural Industries • Rachel Granger
		Introduction
		Deficits in the Creative Discourse
		Values in the Creative Economy
		Viewing Creative Value Through the Performing Lens
		References
	2 Problematising Hidden Culture • Laura Parsons and Rachel Granger
		Introduction
		Defining Culture
			Homogenous Policy Approaches to Culture
			Languages
			Visual Arts
			Economic-Led Considerations
			Culture in Sociology
		Reaching a Cross-disciplinary Definition
		The Emergence of Hidden Culture
		Conceptualising Hidden Culture
			Power Relations and Value Allocation
			Material Culture and Embodied Meaning
			Subculture and Low Culture
		A Hidden Culture Approach to Value Capture
		References
Part II: The Creative Self
	3 Defining Excellence: Value in Creative Degrees • Pinky Bazaz
		Introduction
		The Creative Economy
		The Role of Creative Education
			Black, Asian and Minority Ethnic Students and Differential Degree Outcomes
			The Educational Experience: Understanding the Contemporary Creative Student
			The Learning GAP: How We Are Taught and Who We Are Taught By
		Hard and Soft Creative Skills
		Student Identity and Voice (Value of Identity and Knowledge Diversity)
		Conclusion: Value for All
		References
	4 Problematising Philanthropy in the UK Cultural Sector • Jennie Jordan and Ruth Jindal
		Introduction
		Policy and Social Context
		Leadership for the Future
		Problematising Philanthropy in Cultural Policy
		Conclusions
		References
	5 Value Definition in Sustainable (Textiles) Production and Consumption • Claire Lerpiniere
		Introduction
		Sustainability
		Cultural Capital and Value
			Material Capital and Value
			Circular Textiles and Value Creation
		Design as a Professional and Tacit Value
		Fast Fashion in the Anthropocene
			Transition Design
			Emotional Design
			Phenomenology
		Conclusion
		References
	6 A Cloth to Wear: Value Embodied in Ghanaian Textiles • Malika Kraamer
		Introduction
		Production, Customers and Cloth Use
			Production of Kente Cloth
			Customers and Cloth Use
			Cloth Use
			Geographical Differences and Economic Value
		Constructing and Problematising Value in Kente
			Economic Value
			Changing Value
			Everyday Value
		Dress, Fashion and Identity
		Dress Versus Cloth in Social Identity and Value
			Dress and Fashion
			Innovation and Patronage
		Conclusion
		References
Part III: Collective Creative Spaces and Processes
	7 Intercultural Entrepreneurship in Creative Place-Making • David Rae
		Introduction
		Culture and Its Role in Entrepreneurship
			Introducing Microcultures
			Microcultural and Intercultural Enterprise
		Microcultural Enterprise Leading to Value Creation
			Case 1: Leicester as a City of Intercultural Enterprise
			Case 2: Celtic Colours, Cape Breton, Canada
		Discussion: Towards Intercultural Entrepreneurship
		References
	8 Co-creative Third Space, Maker Space and Micro Industrial Districts • Rachel Granger
		Introduction
		Structural and Spatial View of the Creative Economy
			The Triple Helix Model
			Localisation Economies
		The Working-Learning-Social Nexus of Creative Spaces
			Socialisation and Social Capital
		Structural, Cognitive and Relational Dimensions of Social Capital
			Copenhagen Creative Economy
			Copenhagen’s Lab Movement
			Underbroen Maker Space and Production Lab
		Analysis and Discussion
		References
	9 Cultural and Creative Districts as Spaces for Value Change • Jennifer Garcia-Carrizo and Rachel Granger
		Introduction
		Activism
		The Ouseburn Valley Area
		Cultural and Creative Districts and the Ouseburn Valley
		Cultural and Creative Districts as Spaces for Activism
			Actor 1: Ouseburn Trust and the Involvement of Older Volunteers
			Actor 2: The Ouseburn Farm
			Activist 3: Chilli Studios and Chilli Bizarre
		The Value in the District Brand and Its Brand Notoriety
		Conclusions
		References
	10 Silent Design and the Business Value of Creative Ideas • David Heap and Caroline Coles
		Introduction
		The UK Design Industry
		Silent Design in Business
		Silent Design and Value Creation in Practice
		Valorising Design Through Intellectual Property
			Copyright Infringement
			Remix Culture
		Conclusion: Problematising Value Creation and Design Ownership
		References
	11 The Hidden Value of Underground Networks and Intermediaries in the Creative City • Rachel Granger
		Introduction
		Relational Geographies of Creativity
		Social Proximity and Value
		Relational Views of Leicester as a Creative City
			H1: Leicester Universities Produce Mode 1 Creative Knowledge
			H2: Leicester’s Ecosystem Does Not Support Knowledge Transfer
			H3: Leicester’s Creative Knowledge Transfer Occurs Through Alternative Pipelines
		Legitimating Value Through Cultural Intermediaries
		Value Construction Through Relational Mapping
		References
	12 Value Transformation: From Online Community to Business Benefit • Tracy Harwood, Jason Boomer, and Tony Garry
		Introduction
		Conceptual Framework of Value
		Methodology
		Findings
			Economic Value
			Symbolic Value
			Social Value
			Cultural Value
		Discussion
		Conclusion
		References
	13 Conclusion: Value Constructs for the Creative Economy • Rachel Granger
		Performing Value and Constructs for Conceiving Value
			Part I: Defining the Creative Economy Through Value
			Part II: The Creative Self
			Part III: Collective Creative Spaces and Processes
		Where Does This Leave Us?
		References
Index