The SAGE Handbook of Television Studies

Cover
Contents
List of Figures and Tables
Notes on the Editors and Contributors
Introduction
Part I Ownership and Regulation
1 How to Study Ownership and Regulation
2 Regulation and Ownership in the United States
3 Television in Latin America: From Commercialism to Reform?
4 Ownership and Regulation of Television in Anglophone Africa
5 Ownership and Regulation in Europe
6 International Regulation and Organizations
7 Television in India: Ideas, Institutions and Practices
8 Mexican Research on TV: A Tradition Framed by a Powerful Quasi-Monopolistic TV System
Part II Makers and Making
9 How to Study Makers and Making
10 The Division of Labor in Television
11 From Network to Post-Network Age of US Television News
12 Hollywood Story: Diversity, Writing and the End of Television as We Know It
13 Television Cinematography
14 Options and Exclusivity: Economic Pressures on TV Writers’Compensation and the Effects on Writers’ Room Culture
15 A Greener Screening Future: Manufacturing and Recycling as the Subjects of Television Studies
Part III Cultural Forms
16 Television Program Formats: Their Making and Meaning
17 Cultural Forms of Television: Sport
18 Latin American Telenovelas: Affect, Citizenship and Interculturality
19 Television News and Current Affairs
20 Music on Television
21 Reality Television
22 Television Drama
23 Sperm Receptacles, Money-Hungry Monsters and Fame Whores: Reality Celebrity Motherhood and the Transmediated Grotesque
Part IV Audiences, Reception, Consumption
24 From the Networks to New Media: Making Sense of Television Audiences
25 Effects and Cultivation
26 Active Audience and Uses and Gratifications
27 Raced Audiences and the Logic of Representation
28 Classed Audiences in the Age of Neoliberal Capitalism
Index