The Routledge Companion to Indigenous Art Histories in the United States and Canada

Cover
Half Title
Title
Copyright
Dedication
Contents
Acknowledgments
Author Biographies
List of Figures
Preface
Introduction: The Path Before Us: Generating and Foregrounding Indigenous Art Theory and Method
Section I Sovereignty and Futurity
	1 Art, Visual Sovereignty and Pushing Perceptions
	2 Dancing Sovereignty: Reclaiming the Grease Trail Through Protocol, Movement, and Song
	3 Shifting the Paradigm of Art History: A Multi-sited Indigenous Approach
	4 An Inuit Approach to Archival Work Based on Respect and Adaptability
	5 Overclock Our Imagination!: Mapping the Indigenous Future Imaginary
	6 A Manifesto of Close Encounters
Section II Kinship, Care, Relationality
	7 Kitchen Tables and Beads: Space and Gesture in Contemplative and Creative Research
	8 Expanding Relationships: Beyond the Non
	9 Wisdom in Beauty: Respect in Indigenous Curation
	10 Balancing Curatorial Indigenous and Queer Belonging:
	11 Taking Good Care: Collaborative Curating and the Alberni Indian Residential School Art Collection
	12 Betraying the Object: Relational Anxieties and Bureaucratic Care in Indigenous Collections Research
	13 A Brief Conversation on Visiting, Mentoring, The Land, and Art History
Section III Indigenous Ways of Knowing and Being
	14 miýikosiwin: Spirit, Land and Form Among Turtle Island’s Indigenous Artists, Designers and Architects
	15 Indigenous Curation in LA: The People’s Home: Winston Street 1974
	16 The Giving Tree: Methodologies of Generosity
	17 Frontrunners as an Exploration of Indigenous Littoral Curation
	18 A:Shiwi Art History: The Strength of Pueblo Place
	19 Inuit Research Methodologies: Conversations Toward Reclaiming Inuit Protocols with Robert Comeau
	20 A Braided Process: Decolonizing, Indigenizing, and Self-Determination
	21 There are No Metaphors: A Proposal for Dreaming Indigenous Philosophies into Studio Arts Education
Section IV Anti-colonial Practices
	22 From Colonial Trophy Case to Non-Colonial Keeping House
	23 An Ethic of Decolonial Questioning: Exercising the Quadruple Turn in the Arts and Culture Sector
	24 Unsettling Artistic Expectations With Two-eyed Seeing
	25 Decolonizing Representation: Ontological Transformations Through Re-mediation of Indigenous Representation in Popular Culture and Indigenous Interventions
	26 Care Full Discomfort: Engaged Decolonial Practice, People and Admin
	27 Telling the Stories of Objects in Museum Collections: Some Thoughts and Approaches
	28 Art Racism to Indigenography Methodology
	29 A Glossary of Insistence
Section V Stories, Living Knowledges, Continuity and Resurgence
	30 Writing and Sharing Our Art Histories: Storying Histories of Art: Activating the Visual
	31 Bringing Stories to Sites at Shore Lunch Clarkson/Mississauga
	32 “The Words You Choose are Purposeful”: On Inuit Writing and Editing
	33 Beyond Queer Survivance
	34 Indigenous Abstraction: A Vehicle for Visioning
	35 Alaska Native Artistic Reclamation and the Persistence of Indigenous Aesthetics
	36 Foregrounding Pivalliatitsinik/Piggautigijaunikkut: Indigenous Mentorship in Creative Spaces
Bibliography
Index