The Routledge Companion to Digital Humanities and Art History

Cover
Half Title
Title
Copyright
Contents
List of Figures
List of Tables
List of Contributors
Introduction
Part I Histories and Critical Debates
	1 Digital Methods and the Historiography of Art
	2 Blind Spot: Information Visualization and Art History
	3 The Digital Transformation of Art History
	4 Feminist Digital Art History
	5 Slow Digital Art History and KUbism: Or, Situation Awareness and the Promise of Open-World Games
Part II Archives, Networks, and Maps
	6 Tangled Metaphors: Network Thinking and Network Analysis in the History of Art
	7 Digital Humanities for a Spatial, Global, and Social History of Art
	8 Mapping Paintings, or How to Breathe Life Into Provenance
	9 Qualitative Approaches to Network Analysis in Art History: Research
on Contemporary Artists’ Networks
	10 Mapping Senufo: Mapping as a Method to Transcend Colonial Assumptions
	11 X-Reception: Re-mediating Trans- Feminist and Queer Performance Art
	12 Digital Methods and the Study of the Art Market
	13 Noise Management in the Archival Ecosystem: Debating Principles for Classification
Part III Museums: Real, Virtual, and Augmented
	14 Digital Imaging Projects for Asian Art and Visual Culture: Transcultural Mediations and Collaborations
	15 A Field Guide to Digital Surrogates: Evaluating and Contextualizing a Rapidly Changing Resource
	16 A Service-Orientation and Open-Source Approach to Developing Virtual Museums
	17 Art History, Heritage Games, and Virtual Reality
	18 Art With a Lifespan: Digital Technologies and the Preservation of BioArt
	19 The Expanding Role of Digitized Collections: The Medici Archive
	20 Digital Languages for Art History: Audience Engagement, Virtual and Augmented Reality
Part IV Computational Techniques for Analyzing Artworks
	21 Curation, Content, Creation: Computer Approaches to the Fine Arts
	22 Computerized Analysis of Paintings
	23 Digital 3D Modeling for the History of Art
	24 Metadata, Material Culture, and Global Art History
	25 Image Processing and Computer Vision in the Field of Art History
	26 Pointers and Proxies: Thoughts on the Computational Modeling of the Phenomenal World
	27 Approaching Aby Warburg and Digital Art History: Thinking Through Images
	28 Analyzing Gesture in Digital Art History
	29 Digital Techniques for the Study of Portuguese Azulejos (Glazed Tiles): Between Alice’s White Rabbit and the Mad Tea Party
Part V Digital Resources, Publication, and Education
	30 The Database of Modern Exhibitions (DoME): European Paintings and Drawings 1905–1915
	31 The Art-Historical Catalogue in the Digital Era
	32 Digital Provenance, Open Access, and Data-Driven Art History
	33 Research, Process, Publication, and Pedagogy: Reconstructing the World’s Columbian Exposition of 1893
	34 Social Media in the Art History Classroom
Index