The Palgrave Handbook Of The Philosophy Of Film And Motion Pictures

Front Matter ....Pages i-xxvi
Front Matter ....Pages 1-1
 Film Ontology: Extension, Criteria and Candidates  (Frank Boardman)....Pages 3-27
 Medium Specificity  (Noël Carroll)....Pages 29-47
 The Moving Image  (Nick Wiltsher, Aaron Meskin)....Pages 49-69
 The Art of Cinematography  (Patrick Keating)....Pages 71-93
Front Matter ....Pages 95-95
 Silly Questions and Arguments for the Implicit, Cinematic Narrator  (Angela Curran)....Pages 97-117
 Narrative and the Moving Image  (Patrick Keating)....Pages 119-141
 On Rhythm in Film Editing  (Karen Pearlman)....Pages 143-163
 Animation  (David Davies)....Pages 165-187
 Sound in Film  (Paloma Atencia-Linares)....Pages 189-214
 What Is a Screenplay?  (Ted Nannicelli)....Pages 215-234
Front Matter ....Pages 235-235
 Analytic Philosophy of Film: (Contrasted with Continental Film Theory)  (Richard Eldridge)....Pages 237-258
 When the Twain Shall Meet: On the Divide Between Analytic and Continental Film Philosophy  (John Ó Maoilearca)....Pages 259-283
 The Phenomenological Movement in Context of the Philosophy of Film and Motion Pictures  (Shawn Loht)....Pages 285-313
 Ideology and Experience: The Legacy of Critical Theory  (Espen Hammer)....Pages 315-333
 Stanley Cavell: What Becomes of People on Film?  (Paul Guyer)....Pages 335-356
 Film Art from the Analytic Perspective  (Deborah Knight)....Pages 357-379
 Cognitive Theory of the Moving Image  (Carl Plantinga)....Pages 381-408
 Aesthetic Criticism  (Andrew Klevan)....Pages 409-439
 Poststructuralism and Film  (Robert Sinnerbrink)....Pages 441-465
Front Matter ....Pages 467-467
 Thoughtful Films, Thoughtful Fictions: The Philosophical Terrain Between Illustrations and Thought Experiments  (E. M. Dadlez)....Pages 469-490
 Contemporary Philosophical Filmmaking  (Thomas E. Wartenberg)....Pages 491-511
 Filmosophy/Film as Philosophy  (Robert Sinnerbrink)....Pages 513-539
Front Matter ....Pages 541-541
 The Auteur Theory in the Age of the Mini-Series  (Douglas Lackey)....Pages 543-549
 The Question of Poetic Cinema  (Tom Gunning)....Pages 551-571
 Avant-Garde Films as Philosophy  (Malcolm Turvey)....Pages 573-600
Front Matter ....Pages 601-601
 Show and Tell: The Identification of Documentary Film  (Vitor Moura)....Pages 603-626
 The Autobiographical Documentary  (Laura T. Di Summa)....Pages 627-650
Front Matter ....Pages 651-651
 Feminist Philosophy of Film  (Zoë Cunliffe)....Pages 653-675
 Race in Film  (Lewis R. Gordon)....Pages 677-697
 How Do We Look So Far? Notes Toward a Queer-Film Philosophy  (David A. Gerstner)....Pages 699-720
 Film, Art, and Pornography  (Jacob M. Held)....Pages 721-755
 Propaganda and the Moving Image  (Sheryl Tuttle Ross)....Pages 757-780
Front Matter ....Pages 781-781
 Film and Fine Art: Automatism, Automata and “The Myth of Total Cinema” in The Red Shoes and The Tales of Hoffmann  (Kristin Boyce)....Pages 783-800
 The Sonic Art of Film and the Sonic Arts in Film  (John Dyck)....Pages 801-821
 Adaptation, Translation, and Philosophical Investigation in Adaptation  (Garry L. Hagberg)....Pages 823-841
Front Matter ....Pages 843-843
 Imagination and Film  (Jonathan Gilmore)....Pages 845-863
 Empathy and Sympathy: Two Contemporary Models of Character Engagement  (Daniel Jerónimo Tobón)....Pages 865-891
 Affect and Motion Pictures  (Jesse Prinz)....Pages 893-921
 Psychoanalysis and the Philosophy of Film  (Nickolas Pappas)....Pages 923-945
Front Matter ....Pages 947-947
 The Television Medium  (Ted Nannicelli)....Pages 949-970
 Videogames and Film  (Jon Robson, Aaron Meskin)....Pages 971-994
 Virtual Reality as an Emerging Art Medium and Its Immersive Affordances  (Gal Raz)....Pages 995-1014
Back Matter ....Pages 1015-1061