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دسته بندی: ادبیات ویرایش: 1st ed. 2020 نویسندگان: Victoria Aarons (editor). Phyllis Lassner (editor) سری: ISBN (شابک) : 3030334279, 9783030334277 ناشر: Palgrave Macmillan سال نشر: 2020 تعداد صفحات: 828 زبان: English فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود) حجم فایل: 13 مگابایت
در صورت تبدیل فایل کتاب The Palgrave Handbook of Holocaust Literature and Culture به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب کتاب راهنمای ادبیات و فرهنگ هولوکاست پالگریو نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
کتاب راهنمای ادبیات و فرهنگ هولوکاست پالگریو رویکردهای کنونی ادبیات هولوکاست را منعکس می کند که تفکر آینده را در مورد بازنمایی هولوکاست باز می کند. فصلها دیدگاههای نسلی متنوعی را در نظر میگیرند - نویسندگی بازماندگان، نسل دوم و سوم - و ژانرها - خاطرات، شعر، رمانها، روایتهای گرافیکی، فیلمها، شهادتهای ویدئویی، و سایر اشکال بیان ادبی و فرهنگی. به نوبه خود، این دیدگاهها تعاملاتی را بین نسلها، ژانرها، زمانها و زمینههای فرهنگی ایجاد میکنند. این جلد همچنین در پروژه در حال انجام پاسخگویی و گفتگو کردن لحظات گسست و ناتمامی که نشان دهنده فرصتی برای کمک به ساخت معنا از طریق ادامه روایت های گذشته است، شرکت می کند. به این ترتیب، فصلهای این جلد گزینههایی را برای خواندن متون هولوکاست ارائه میکنند و فرصتهایی را برای بحث و کاوش بیشتر ارائه میدهند. بدنه تحقیق تفسیری که به شعاع پاسخ میدهد، خود به یک داستان تبدیل میشود، روایتی که به طور مادی تحقیق ما را در آن تاریخ گسترش میدهد.
The Palgrave Handbook of Holocaust Literature and Culture reflects current approaches to Holocaust literature that open up future thinking on Holocaust representation. The chapters consider diverse generational perspectives―survivor writing, second and third generation―and genres―memoirs, poetry, novels, graphic narratives, films, video-testimonies, and other forms of literary and cultural expression. In turn, these perspectives create interactions among generations, genres, temporalities, and cultural contexts. The volume also participates in the ongoing project of responding to and talking through moments of rupture and incompletion that represent an opportunity to contribute to the making of meaning through the continuation of narratives of the past. As such, the chapters in this volume pose options for reading Holocaust texts, offering openings for further discussion and exploration. The inquiring body of interpretive scholarship responding to the Shoah becomes itself a story, a narrative that materially extends our inquiry into that history.
Acknowledgements Contents List of Figures Chapter 1 Introduction: Approaching the Holocaust in the Twenty-First Century Part I Memoir Chapter 2 Elie Wiesel’s Quarrel with God Wiesel as Protest Theologian A Suffering God Silence The Gates of the Forest, Twilight, the Forgotten Twilight The Forgotten Conclusion—Significance of Wiesel’s Position Bibliography Chapter 3 Primo Levi’s Last Lesson: A Reading of The Drowned and the Saved II III Bibliography Chapter 4 What We Learn, at Last: Recounting Sexuality in Women’s Deferred Autobiographies and Testimonies Bibliography Part II Fiction Chapter 5 Ghetto in Flames: The Warsaw Ghetto Uprising in Early Postwar Jewish Literature Reporting the Revolt “The Battle of the Warsaw Ghetto” The Miracle of the Warsaw Ghetto “Yosl Rakover Talks to God” Never to Forget: The Battle of the Warsaw Ghetto A Flag Is Born and A Survivor from Warsaw The Wall Bibliography Chapter 6 The Nazi Beast at the Warsaw Zoo: Animal Studies, the Holocaust, The Zookeeper’s Wife, and See Under: Love Animal Studies and the Holocaust Diane Ackerman’s The Zookeeper’s Wife The Zookeeper’s Wife at the Movies See Under: Love Conclusion Bibliography Chapter 7 When Facts Become Figures: Figurative Dynamics in Youth Holocaust Literature Introduction: The Dynamics of the Figurative Anne Frank and Wartime Experimentation The Definition of a Genre: Postwar Memoirs Maus as a Fulcrum: The Literalization of Metaphor Fairy Tales and Figurative Dynamics The Holocaust as a Metaphor Conclusion Bibliography Chapter 8 Jewish Boys on the Run: The Revision of Boyhood in Holocaust Fiction and Film The Perils of Jewish Boyhood Masculinity “We Have to Find Somewhere. We Have to.” Women to the Rescue Bibliography Chapter 9 “I Sometimes Thought I Was Listening to Myself”: Identity-Deliberation After the Holocaust in Chaim Grade’s “My Quarrel with Hersh Rasseyner” “Societies of the Mind”: Self-Deliberation Ethical Engagement Through Identity-Deliberation Bibliography Chapter 10 “The Relatedness of the Unrelatable”: The Holocaust as Trope in Caryl Phillips’s The Nature of Blood Works Cited Chapter 11 The Holocaust in Works by Two Yiddish Writers in Argentina: Simja Sneh and Israel Aszendorf Simja Sneh Israel Aszendorf Bibliography Chapter 12 Edgar Hilsenrath’s Novels: Der Nazi & der Friseur and Berlin… Endstation Der Nazi & der Friseur Works Cited Chapter 13 Transit and Transfer: Between Germany and Israel in the Granddaughters’ Generation Bibliography Chapter 14 Holocaust Memories and Polish Catholic Identity: Cultural Transmutations of Warsaw Ghetto Uprising Introduction Miłosz and Andrzejewski’s Literary Testimonials of the Burning Ghetto “Campo di Fiori” and “The Poor Christian Looks at the Ghetto”: The Inadequacy of the Poetic Tradition in the Reality of the Apocalypse Holy Week: The Failure to Save Christian Love Wajda, Błoński, and Their Failed Politics of the Cultural Memory of the Holocaust Błoński and Wajda: The Rhetoric of Moral Transformation Błoński: The “Light of Truth” and the Promise of Polish Catholic Greatness Wajda: Christian Love in Time of the Apocalypse Conclusion Bibliography Chapter 15 Post-Soviet Migrant Memory of the Holocaust Bibliography Chapter 16 Vasily Grossman and Anatoly Rybakov: Soviet Sources of Historical Memory of the Holocaust Introduction: The Holocaust East and West Life and Fate War and Peace Convergence: Stalin and Hitler Heavy Sand: Squaring the Circle Conclusions Bibliography Chapter 17 Refractions of Holocaust Memory in Stanisław Lem’s Science Fiction Substitution in The Star Diaries Ashes of Memory in Solaris Hidden in Highcastle Tapping Out Memories in Tales of Pirx the Pilot Behind the Masking, First Consideration: Censorship, Lem’s Early Novels, and His Turn Toward SF Behind the Masking, Second Consideration: Lem’s Relationship to His Past The First Exception: His Master’s Voice The Second Exception: “The World as Holocaust” and Faux Book Reviews The Future…and the Terminus Bibliography Part III Poetry Chapter 18 Poetry of Witness and Poetry of Commentary: Responses to the Holocaust in Russian Verse Poetry of Witness and Commentary Satunovsky (1913–1982) Slutsky (1919–1986) The Poets as Soviet Jewish Readers Lipkin (1911–2003) Galich (1918–1977) Conclusion Bibliography Chapter 19 “At Last to a Condition of Dignity”: Anthony Hecht’s Holocaust Poetry Bibliography Chapter 20 Wound Marks in the Air and the Shadows Within: A Poetic Examination of Dan Pagis, Paul Celan, and Nelly Sachs Bibliography Chapter 21 The Dark Side of Holocaust Era Poetry: Nazi Poetry Promoting Antisemitism and Genocide Introduction: Innocence Preceding the Deluge Antisemitic Poetry Saturates the German Public Sphere A Bierhaus in Hell Germany as an Occupying Power The Binary Structure of Nazi Antisemitic Poetry Conclusion Bibliography Part IV Film and Drama Chapter 22 Holocaust Drama Imagined and Re-imagined: The Case of Charlotte Delbo’s Who Will Carry the Word? Bibliography Chapter 23 Wresting Memory as We Wrestle with Holocaust Representation: Reading László Nemes’s Son of Saul Re-presenting the Holocaust An Innovative Mode of Representing the Holocaust in Film Standing Apart from Hollywood Influences and Sources The Limits of Representation Representation and Healing—Psychic Integration Bibliography Chapter 24 Troubled Aesthetics: Jewish Bodies in Post-Holocaust Film Invisible Aesthetics: “The Murderers Are Among Us” Aesthetic Outlines: Witnessing in “Marianne and Juliane” “Phoenix”: The Invisible Beauty of the Survivor Bibliography Chapter 25 Screen Memories: Trauma, Repetition, and Survival in Sidney Lumet’s The Pawnbroker Bibliography Chapter 26 Haunted Dreams: The Legacy of the Holocaust in And Europe Will Be Stunned Visual Allusion and Memory Complicating Memory The Multidirectionality of History Art as Countermonument Bibliography Part V Graphic Culture Chapter 27 “Master Race”: Graphic Storytelling in the Aftermath of the Holocaust Conclusion Bibliography Chapter 28 The Challenges of Translating Art Spiegelman’s Maus Introduction Translating Vladek: The Survivor in Spanish and Other Romance Languages Untranslatable Vladek: Auschwitz and Beyond Bibliography Chapter 29 We Are a Long Ways Past Maus: Responsible and Irresponsible Holocaust Representations in Graphic Comics and Sitcom Cartoons Introduction Responsible Holocaust Comic and Cartoon Representations Irresponsible Holocaust Comic and Cartoon Representations Conclusion Bibliography Chapter 30 Claustrophobic in the Gaps of Others: Affective Investments from the Queer Margins Positioning Survivors’ Descendants Feeling Strange “Alan” “Transparent” “Part Hole” “The Diary of Mini Horrorwitz” Conclusion Bibliography Chapter 31 Recrafting the Past: Graphic Novels, the Third Generation, and Twenty-First Century Representations of the Holocaust Drawing the Past in Words and Images Generational Transmission Recrafting the Past Family Stories Mapping Memory Memory Texts, Memory Objects Conclusion Bibliography Chapter 32 X-Men at Auschwitz? Superheroes, Nazis, and the Holocaust World War II and the Emergence of the Superhero X-Men and the Holocaust Mutants, Trauma, and Genocide History as Fiction or Fable as Fact? Magneto at Auschwitz Decoding “Aftermath, Part Two” The Wolverine at Sobibor Conclusion Bibliography Chapter 33 An Iconic Image Through the Lens of Ka-tzetnik: The Murder of the Mother and the Essence of Auschwitz Ka-tzetnik 135633: A Memory and a Name The Key: The Murder of the Mother A Photographic Icon of the Essence of Auschwitz A Closing Reflection Bibliography Chapter 34 Photographing Survival: Survivor Photographs of, and at, Auschwitz Karel Beran’s Documentary Photographs of Traces of His Forced Labor Morris Pfeffer’s Portrait Photographs of Survivor Authority Michael Zylberberg, Judith Perlaki, and Elizabeth Kent’s Portrait Photographs of Survivor Liberation Conclusions: Survivor “Selfies” at Auschwitz? Bibliography Part VI Historical and Cultural Narratives Chapter 35 A Reconsideration of Sexual Violence in German Colonial and Nazi Ideology and Its Representation in Holocaust Texts Colonial Sexual Violence and Impunity in GSWA Sexual Violence During the Third Reich Nanda Herbermann Liana Millu Bibliography Chapter 36 The Place of Holocaust Survivor Videotestimony: Navigating the Landmarks of First-Person Audio-Visual Representation Bibliography Chapter 37 Beckett’s Holocaust i ii iii iii Bibliography Chapter 38 The Auschwitz Women’s Camp: An Overview and Reconsideration Bibliography Chapter 39 Aryan Feminity: Identity in the Third Reich Bibliography Chapter 40 Reconsidering Jewish Rage After the Holocaust Defining Revenge Personal Narratives Psychology of Revenge Gendered Narrative Construction Gender and Revenge Acts The Evolution of Elie Wiesel’s Thought Conclusion Bibliography Chapter 41 Holocaust Shoes: Metonymy, Matter, Memory The “Secret Life” of Holocaust Shoes Shoes as Loot and Evidence: Holocaust Photography Shoes as Memorial Objects: Metonymy and Synechdoche The Pile Redeemed: Abraham Sutzkever’s “A Load of Shoes” Shoes as Postmemorial Teleporters: Transparent Bibliography Chapter 42 From Holocast Studies to Trauma Studies and Back Again The Holocaust and Trauma in Contemporary Literature The Postmodern Condition Bibliography Contributors’ Notes Index