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ویرایش:
نویسندگان: Joshua Au-Yeung
سری:
ISBN (شابک) : 1800565321
ناشر: Packt Publishing
سال نشر: 2021
تعداد صفحات: 337
زبان: English
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود)
حجم فایل: 10 مگابایت
در صورت تبدیل فایل کتاب The Music Producer's Ultimate Guide to FL Studio 20: Create production-quality music with FL Studio به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب راهنمای نهایی سازنده موسیقی برای FL Studio 20: ایجاد موسیقی با کیفیت تولید با FL Studio نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
Cover Title Page Copyright and Credits Contributors Table of Contents Preface Section 1:Getting Up and Running with FL Studio Chapter 01: Getting Started with FL Studio Technical requirements Exploring the music production landscape The musician\'s career path Steps in composing a song What is FL Studio? Exploring the FL Studio workspace Making your first song Creating a drum beat with the Channel Rack Adding an instrument to the Channel Rack Creating a melody with the Piano roll Routing channels to the Mixer Exporting the song Summary Chapter 02: Exploring the Browser, Playlist, and Channel Rack Technical requirements Introducing the FL Studio workbench Getting the most out of your samples Using the Browser Locating a sample\'s file location Searching for samples Adding your own samples to the Browser Swapping samples Using the Channel Rack Channel Rack option features The Channel Rack Rename, color and icon option Instrument options Detaching windows Installing new instruments Using layers Using the Playlist Playlist Toolbar Element pattern options Using the main header Toolbar features Version control Revert to last backup Audio Stream Input/Output (ASIO) Purge unused audio clips Undo and redo Viewing project info Summary Chapter 03: Composing with the Piano Roll Using the Piano roll Choosing an instrument Adding notes in the Piano roll Selecting multiple notes Deleting notes Muting and unmuting notes Slicing notes Sliding notes Using the stamp tool to get assistance with scales Composing great chord progressions Recording into the Piano roll with MIDI instruments The snap to grid (magnet) tool Quantizing notes Editing note articulations with the Event Editor Using Piano roll velocity Comparing instrument melodies with ghost notes Exporting sheet music Using and exporting MIDI scores Summary Chapter 04: Routing to the Mixer and Applying Automation What is mixing? Routing audio to the Mixer Navigating the Mixer console Understanding the insert mixer track Understanding the master channel Understanding the effects rack Applying an effect Applying automation Applying automation to external third-party plugins Freezing Audio Clips Summary Section 2:Music Production Fundamentals Chapter 05: Sound Design and Audio Envelopes What is sound? What causes a note\'s pitch? How do we hear things? How do instruments create sound with different pitches? Why do different instruments playing the same pitch sound different? Modifying sound envelopes Using Mod X and Mod Y for automation Summary Chapter 06: Compression, Sidechaining, Limiting, and Equalization Understanding compression Applying compression with Fruity Limiter Applying gates and expanders When to use gating Applying sidechaining Using limiters Applying equalization EQ best practices EQ general rules Summary Chapter 07: Stereo Width – Panning, Reverb, Delay, Chorus, and Flangers Panning audio Panning best practices Using reverb Applying digital reverb with Fruity Reeverb 2 Applying convolution reverb with Fruity Convolver Using delay effects Applying delay effects with Fruity Delay 3 Delay effect best practices Using chorus effects Chorus effect best practices Using flanger effects Using phaser effects Understanding mix buses Mix bus best practices Summary Chapter 08: Recording Live Audio and Vocal Processing Technical requirements Understanding microphones Dynamic microphones Condenser microphones Ribbon microphones USB microphones Setting up your recording environment Recording instruments Recording drum kits Preparing to record vocals Recording audio into FL Studio Recording with Edison Using pitch correction with Newtone Pitch correction best practices Vocals effect processing best practices Backing vocals effects best practices Summary Chapter 09: Understanding Vocal Effects Understanding vocoders Understanding MIDI Using vocoders Harmonizing vocals with Pitcher Using Vocodex Vocoder best practices Creating vocal chops Using Slicex to create vocal chops Vocal chopping considerations Summary Section 3:Postproduction and Publishing Your Music Chapter 10: Creating Your Own Instruments and Effects Understanding glitch effects Creating glitch effects with Gross Beat Mapping time and volume effects to a sample Gross Beat sequencer Creating instruments with DirectWave Creating effects with Patcher Creating custom dashboards in Patcher Summary Chapter 11: Mastering Fundamentals What is mastering? Can you master music yourself? When should you master your music? How do I get good at mastering? What equipment do I use to master music? Equalization in mastering Diagnosing frequency problems Understanding spectrograms Adjusting dynamics Using multiband compressors Applying multiband compression with Maximus What are saturators/harmonic exciters? Understanding limiters Understanding stereo imaging with vectorscopes Stereo imaging best practices Exporting audio for third-party mixing and mastering Summary Chapter 12: Branding, Promotion, and Marketing Marketing essentials Creating a brand Choosing your artist name Creating a website Making the most of your live performances Booking your first gigs Filming your shows Streaming performances online Collaborating with others to promote yourself Advice for creating content on social media Getting more views on YouTube What about YouTube video titles and thumbnails? Creating music visuals with ZGameEditor Visualizer Summary Chapter 13: Publishing and Selling Music Online Registering your music Tagging your music in preparation for distribution Selling music on online stores and streaming services DistroKid walk-through Claiming revenue from songs on YouTube using AdRev What are ISRC, ISWC, and UPC codes? Summary Further reading Share your music More from the author Conclusion Why subscribe? About Packt Other Books You May Enjoy Index