The Mummy on Screen: Orientalism and Monstrosity in Horror Cinema

Title Page
Copyright Page
Contents
Figures
Acknowledgements
Author’s notes
Introduction: Death is only  the beginning – Unravelling  the Mummy on Screen
Part 1: The Mummy in the West and in Western cinema
	Chapter 1: The creature’s features: Moulding the Mummy and the Mummy movie
		The Mummy genre: Interest and Disinterest
	Chapter 2: The Mutating Mummy: From ancient artefact to modern attraction
		Mummy medicine: An Egyptian prescription
		The Mummy as memento: A collectable corpse
		The Mummy as public attraction: Exhumed, examined and exhibited
Part 2: The Mummy in literature, on stage and onthe silent screen
	Chapter 3: On the page and stage: The Mummy movie’s literary and theatrical influences
		The rediscovery of ancient Egypt: A pharaoh to remember
		The Mummy’s literary life: Electrifying tales!
		Romance and the Mummy: Amorous archaeologists and comely corpses
		Literature’s monstrous Mummies: Dread, despair and Doyle
		The empire strikes back: Stoker’s Au Revoir to the voyeur archaeologist
		Playing dead: The Mummy in the theatre
	Chapter 4: Preserved on film: The silent Mummy of early cinema
		Egypt and the cinema: Monoliths, mesmerism and Mummies
		The ‘Mummy Complex’ and the preservative nature of film
		The first on-screen Mummies: Short-lived moments of horror in the trick film
		Winding people up: Pretend Mummies and Mummy mix-ups in silent comedies
		Mummy dearest: The Mummy as romantic character
		Tomb raiders: Egypt and early horror
		Teutonic terrors: The first Mummy horror movies
		Grave danger: Tutmania, the curse and the death of the silent Mummy
Part 3: Universal studiosand the Mummy of the1930s and 1940s
	Chapter 5: The Mummy (1932): Overcoming the silent treatment
		The Mummy: Art horror or production line horror?
		The delicate horror of The Mummy: A shudder not a shriek!
		A dichotomized damsel: A 1920s/1930s Eastern/Western woman
		A real lady-killer: The Mummy as Gothic romance
		The Mummy and the Nubian: Yellow peril and black brute
	Chapter 6: The 1940s Mummy film: A decade of decay
		The Mummy returns: The 1940s Mummy as cadaverous copy
		More than the sum of its parts: Innovation and the 1940s Mummy
		The Mummy’s Hand (1940): Reinventing the Mummy
		The Mummy’s Tomb (1942): A memorably murderous Mummy
		Lon Chaney Jr.: Cursing the Mummy!
		The Mummy in America: Fear and roaming in New England
		The Mummy’s Ghost (1944): Escaping bandaged bondage
		The Mummy’s Curse (1944): The female Mummy returns
		The demise and rise of the Mummy: To buffoon and back again
Part 4: Hammer Film Productions and beyond:The Mummy of the1950s–present
	Chapter 7: Hammer’s resurrection of the Mummy: Sex and digs and wrap and roll
		Show me the Mummy: Realism with restraint in The Mummy
		Culture clash: The Mummy’s case and the aftermath of Suez
	Chapter 8: Wrapping up the Mummy: The last sixty years
Bibliography
Index