The Literary Art of Ali Smith: All We Are is Eyes

Cover
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Contents
Introduction
Time, Knowledge and Metafiction in Ali Smith’s Autumn
	Bibliography
‘Small Lives, Easily Lost in Foreign Droughts’: A. L. Kennedy’s and Ali Smith’s Short Stories of Human Interest
	Bibliography
‘Over the Edge’: Orpheus and Eurydice, Myth and Solace in Ali Smith’s Artful
	Introduction – ‘I [need] help with mourning’1
	Re-enchanting a disillusioned, secularised world?
	Figures of the edge: Smith’s aesthetics and poetics of mourning
	Feminist revisions of the Orpheus and Eurydice motif: The inverted mirror
	Conclusion
	Bibliography
New Ways of Seeing and the Role of the Critical Spectator in Ali Smith’s The Accidental
	Bibliography
‘Look into My Eyes’: (In-)Visibility in Ali Smith’s Autumn, Winter and Spring
	Bibliography
Omniscient Narrative Revisited by Ali Smith and Kate Atkinson
	Bibliography
Pythagorean Tradition and Its Modern Echoes in Ali Smith’s ‘Common’
	Pythagoras, his disciples and opponents
	The elements of Pythagoras’s teaching in Ali Smith’s ‘Common’
	Concluding remarks
	Bibliography
Authenticating Women: Ali Smith and Denise Mina
	Bibliography
The Art of Memory in Autumn by Ali Smith
	Forgetting
	The bonds of memory
	Memory and subjectivity
	The art of memory
	Concluding remarks
	Bibliography
‘I Want to Go to Collage’: On Ali Smith and John Berger
	Bibliography