The Irish Short Story at the Turn of the Twenty-First Century

Cover
Half Title
Series Information
Title Page
Copyright Page
Dedication
Table of Contents
Acknowledgements
1 Introducing the Story
	Notes
2 Theorising and Discussing Ireland and Its People in the Context of the Post-Celtic Tiger Republic: A Theoretical Story
	2.1 Post-Colonialising Irishness: An Anglo-Irish Love-Hate Story
	2.2 Feminising Irishness: Her Story
	2.3 Homosexualising, Lesbianising and Queering Irishness: Their Story
	2.4 Multiculturalising Irishness: The Others’ Story
		2.4.1 Travelling and Romanising Irishness: A Traditional Story
		2.4.2 Immigrating and Expatriating Irishness: A Welcome Story
	Notes
3 Historicising Irishness: Ireland’s Story
	3.1 Shrinking Irishness: A Story About the Great Famine
	3.2 Disseminating Irishness: A Story About Emigration and Exile
	3.3 Monopolising Irishness: A Story About the Making of the Irish Catholic Realm and the Fading of Its Glory
	Notes
4 Short-Storying Irishness: Old and New Ways of Narrating Stories
	4.1 Defining and Delimiting the Irish Short Story Form
	4.2 Describing the State of the Irish Short Story at the Turn of the Twenty-First Century
	Notes
5 Exploring Ireland and Its People Through the Lens of the Contemporary Short Story at the Turn of the Twenty-First …
	5.1 Colouring Symbolism in Claire Keegan’s Rural Ireland From “Walk the Blue Fields”
	5.2 Doubling Morality in Julia O’Faolain’s “The Corbies’ Communion”
	5.3 Seizing the Change in William Trevor’s “Of the Cloth”
	5.4 Taking One’s Relatives From Pride to Shame in Colm Tóibín’s “A Priest in the Family”
	5.5 Silencing Loud Truths in Colm Tóibín’s “The Pearl Fishers”
	5.6 Selling Morality in Éilís Ní Dhuibhne’s “Sex in the Context of Ireland”
	5.7 Tailoring Abuse in Elaine Walsh’s “Midnight Blue”
	5.8 Murdering Humanity in Éilís Ní Dhuibhne’s “Spool of Thread”
	5.9 Shattering the Myth of the Nurturing Family in Claire Keegan’s “The Parting Gift”
	5.10 Raising the Beloved Irish Child in Éilís Ní Dhuibhne’s “The Moon Shines Clear, the Horseman’s Here”
	5.11 Conforming to Social Expectations in Mary Costello’s “The Sewing Room”
	5.12 Finding a Sense of Freedom in Single Motherhood in Claire Keegan’s “Quare Name for a Boy”
	5.13 Rebelling Against the Multi-Layered System of Patriarchy in Claire Keegan’s “Men and Women”
	5.14 Blowing Dreams and Tulips in Anne Enright’s “Yesterday’s Weather”
	5.15 Questioning Social Progress in Éilís Ní Dhuibhne’s “Wuff, Wuff, Wuff for De Valera!”
	5.16 Emigrating Dreams in Emma Donoghue’s “Counting the Days”
	5.17 Starving Identity and Humanity in Éilís Ní Dhuibhne’s “Summer Pudding”
	5.18 Discussing the Shapes of Alienation and Misery in Kevin Barry’s “Doctor Sot”
	5.19 Dining On Irish Spuds and Recalling Past and Present Famines Elsewhere in Roddy Doyle’s “Guess Who’s Coming for ...
	5.20 Refugeeing Childhood in Roddy Doyle’s “New Boy”
	5.21 Measuring the Levels of Irishness in Roddy Doyle’s “57% Irish”
	5.22 Playing the Songs of Multiculturalism in Roddy Doyle’s “The Deportees”
	5.23 Feeding the Other With Crumbs of Love and Respect in Gerard Donovan’s “The Summer of Birds”
	5.24 Going Glamorous and Cosmopolite in Kevin Barry’s “Party at Helen’s”
	5.25 Demystifying Old and New Myths of Irish Society in Kevin Barry’s “Ideal Homes”
	5.26 Making the Misery of Rural Ireland Glitter in Kevin Barry’s “Animal Needs”
	Notes
6 Concluding the Story
	Notes
	References
Index