The Fine Arts, Neurology, and Neuroscience: Neuro-Historical Dimensions

Content: 
Series Page
Page ii

Copyright
Page iv

Contributors
Page v

Preface
Pages vii-viii
Finger Stanley, Zaidel Dahlia W., Boller François, Bogousslavsky Julien

Chapter 1 - Vesalius and the emergence of veridical representation in Renaissance anatomy
Pages 3-32
Gül A. Russell

Chapter 2 - Medieval and Renaissance anatomists: The printing and unauthorized copying of illustrations, and the dissemination of ideas
Pages 33-74
Douglas J. Lanska, John Robert Lanska

Chapter 3 - Anna Morandi\'s Wax Self-Portrait with Brain
Pages 75-93
Rebecca Messbarger

Chapter 4 - David Ferrier: Brain drawings and brain maps
Pages 95-113
J. Wayne Lazar

Chapter 5 - Neura, nerves, nerve fibers, neurofibrils, microtubules: Multidimensional routes of pain, pleasure, and voluntary action in images across the ages
Pages 115-160
Eugenio Frixione

Chapter 6 - John Bell (1763–1820): Brother artist and anatomist
Pages 163-183
Christopher Gardner-Thorpe

Chapter 7 - Jean-Martin Charcot and art: Relationship of the “founder of neurology” with various aspects of art
Pages 185-199
Julien Bogousslavsky, François Boller

Chapter 8 - Cajal and the discovery of a new artistic world: The neuronal forest
Pages 201-220
Javier DeFelipe

Chapter 9 - The lead-poisoned genius: Saturnism in famous artists across five centuries
Pages 223-240
Julio Montes-Santiago

Chapter 10 - Frida Kahlo’s neurological deficits and her art
Pages 241-254
Valmantas Budrys

Chapter 11 - Neurological diseases in famous painters
Pages 255-275
Bartlomiej Piechowski-Jozwiak, Julien Bogousslavsky

Index
Pages 277-283

Other volumes in PROGRESS IN BRAIN RESEARCH
Pages 285-286