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ویرایش: [1 ed.] نویسندگان: Ian Christie, Professor Richard Taylor, Richard Taylor سری: ISBN (شابک) : 041505298X, 9780415052986 ناشر: Routledge سال نشر: 1994 تعداد صفحات: 484 [485] زبان: English فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود) حجم فایل: 17 Mb
در صورت تبدیل فایل کتاب The Film Factory: Russian and Soviet Cinema in Documents 1896-1939 به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب کارخانه فیلم: سینمای روسیه و شوروی در اسناد 1896-1939 نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
اولین بار در سال 1994 منتشر شد. Routledge اثری از Taylor & Francis، یک شرکت اطلاعاتی است.
First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Cover Title Copyright Page Contents Illustrations General Editor's Preface Preface Preface to the Paperback Edition Introduction Translator's Note 1896-1921: Introduction 1896 1 Maxim Gorky: The Lumière Cinematograph (Extracts) 1911 2 Leonid Andreyev: First Letter on Theatre (Extracts) 1913 3 Vladimir Mayakovsky: Theatre, Cinema, Futurism 4 Vladimir Mayakovsky: The Destruction of 'Theatre' by Cinema as a Sign of the Resurrection of Theatrical Art 5 Vladimir Mayakovsky: The Relationship Between Contemporary Theatre and Cinema and Art 6 Leonid Andreyev: Second Letter on Theatre (Extract) 1915 7 Vsevolod Meyerhold: On Cinema 1917 8 Lev Kuleshov: The Tasks of the Artist in Cinema 1918 9 Lev Kuleshov: The Art of Cinema 1919 10 Anatoli Lunacharsky: The Tasks of the State Cinema in the RSFSR 1920 11 Vladimir Lenin: Art Belongs to the People. Conversation with Clara Zetkin 1922: Introduction 12 Vladimir Lenin: Directive on Cinema Affairs 13 Anatoli Lunacharsky: Conversation with Lenin. I. Of all the Arts . . . 14 Anatoli Lunacharsky: Conversation with Lenin. II. Newsreel and Fiction Film 15 Grigori Kozintsev, Leonid Trauberg, Sergei Yutkevich and Georgi Kryzhitsky: Eccentrism 16 Alexei Voznesensky: Open Letter to Nemirovich-Danchenko and Stanislavsky 17 Lev Kuleshov: 'Art' Cinema 18 Lev Kuleshov: Cinema as the Fixing of Theatrical Action 19 Alexei Gan: The Cinematograph and Cinema 20 Lev Kuleshov: Art, Contemporary Life and Cinema 21 Dziga Vertov: We. A Version of a Manifesto 22 Lev Kuleshov: Americanism 23 Lev Kuleshov: Chamber Cinema 24 Vladimir Mayakovsky: Cinema and Cinema 25 Alexei Gan: The 'Left Front' and Cinema 26 Alexei Gan: The Thirteenth Experiment 1923: Introduction 27 Alexei Gan: Two Paths 28 Dziga Vertov: The Cine-Pravda 29 Proletkino: Quasi-Theses 30 Sergei Eisenstein: The Montage of Attractions 31 Dziga Vertov: The Cine-Eyes. A Revolution 32 Lev Trotsky: Vodka, the Church and the Cinema 33 Russfilm Script Competition 34 Viktor Shklovsky: Literature and Cinema (Extracts) 1924: Introduction 35 Declaration of the Association of Revolutionary Cinematography 36 Leonid Trauberg: The Red Clown to the Rescue! 37 Alexei Gan: Recognition for the Cine-Eyes 38 Lev Kuleshov: Mr West 39 Anatoli Lunacharsky: Revolutionary Ideology and Cinema -Theses 40 Resolution of Thirteenth Party Congress on Cinema 41 Dziga Vertov: The Cine-Pravda: A Report to the Cine-Eyes 42 Sovnarkom of the RSFSR: Decree on the Establishment of Sovkino 43 Dziga Vertov: Fiction Film Drama and the Cine-Eye 44 Vladimir Blyum: Against the 'Theatre of Fools' - For Cinema 1925: Introduction 45 Anatoli Goldobin: Our Cinema and Its Audience 46 Zhizn iskusstva Editorial: Theatre or Cinema? 47 Abram Room: Cinema and Theatre 48 Dziga Vertov: Cine-Pravda and Radio-Pravda 49 Viktor Shklovsky: The Semantics of Cinema 50 Grigori Boltyansky: Cinema and the Soviet Public 1926: Introduction 51 Adrian Piotrovsky: The Battleship Potemkin 52 Alexei Gvozdev: A New Triumph for Soviet Cinema (The Battleship Potemkin and the 'Theatrical October') 53 Vladimir Kirshon: Literature, Theatre and Cinema (Extract) 54 Bela Balazs: The Future of Film 55 Sergei Eisenstein: Bela Forgets the Scissors 56 Alexander Dubrovsky: The Soviet Cinema in Danger 57 Dziga Vertov: The Factory of Facts 58 Viktor Shklovsky: Where is Dziga Vertov Striding? 59 Esfir Shub: The Manufacture of Facts 60 Viktor Shklovsky: The Cine-Eyes and Intertitles 61 Anatoli Lunacharsky: Cinema - the Greatest of the Arts 1927: Introduction 62 Vladimir Mayakovsky: Help! 63 Viktor Shklovsky: Sergei Eisenstein and 'Non-Played' Film 64 Viktor Shklovsky: The Temperature of Cinema 65 Viktor Pertsov: Literature and Cinema 66 Viktor Shklovsky: The Film Factory (Extracts) 67 Vladimir Mayakovsky: Speech in Debate on 'The Paths and Policy of Sovkino' 68 Vladimir Mayakovsky: On Cinema 69 Kirill Shutko: Preface to Poetics of Cinema 70 Viktor Shklovsky: Poetry and Prose in Cinema 71 Adrian Piotrovsky: The Cinefication of Theatre - Some GeneralPoints 72 Viktor Shklovsky: Mistakes and Inventions 73 Osip Brik: The Fixation of Fact (Extract) 74 Esfir Shub: We Do Not Deny the Element of Mastery 75 Adrian Piotrovsky: Let Us Be Maximalists! 76 Adrian Piotrovsky: 'Ideology' and 'Commerce' 1928: Introduction 77 Nikolai Yakovlev: The Nihilists from ARK 78 Anatoli Lunacharsky: Speech to Film Workers 79 Vsevolod Pudovkin: S. M. Eisenstein (From Potemkin to October) 80 Dziga Vertov: The Eleventh Year 81 Alexei Popov: The Relationships Between Cinema and Theatre 82 To the Party Conference on Cinema From a Group of Film Directors 83 Party Cinema Conference Resolution: The Results of Cinema Construction in the USSR and the Tasks of Soviet Cinema 84 Anatoli Lunacharsky: Review of October 85 Adrian Piotrovsky: October Must Be Re-Edited! 86 Esfir Shub: This Work Cries Out 87 Sergei Eisenstein and Grigori Alexandrov: We Are Waiting! 88 T. Rokotov: Why Is October Difficult? 89 Sergei Eisenstein: For Soviet Cinema 90 The Lef Ring: Comrades! A Clash of Views! 91 Zhizn iskusstva Editorial: October - The Results of the Discussion 92 Sergei Eisenstein, Vsevolod Pudovkin and Grigori Alexandrov: Statement on Sound 93 Vladimir Messman: Sound Film 94 Viktor Shklovsky: The Soviet School of Acting 95 Adrian Piotrovsky: Is There a Crisis in Soviet Cinema? 96 Sovkino Workers' Conference Resolution: Sovkino's New Course (Extract) 97 Sovetskii ekran Editorial: The Rightist Danger in Cinema 1929: Introduction 98 Leonid Trauberg: An Experiment Intelligible to the Millions 99 Viktor Shklovsky: Beware of Music 100 Party Central Committee Decree: On the Strengthening of Cinema Cadres 101 Sergei Eisenstein and Grigori Alexandrov: An Experiment Intelligible to the Millions 102 Yuri Tynyanov: On FEKS 103 Pavel Petrov-Bytov: We Have No Soviet Cinema 104 Adrian Piotrovsky: Petrov-Bytov's Platform and Soviet Cinema 105 Vsevolod Pudovkin: On the Principle of Sound in Film 106 Adrian Piotrovsky: Westernism in Our Cinema 107 Vsevolod Pudovkin, Leonid Obolensky, Sergei Komarov and Vladimir Fogel: Preface to Kuleshov's Book The Art of Cinema 108 Esfir Shub: The Advent of Sound in Cinema 109 Vsevolod Meyerhold: The Cinefication of Theatre 110 RAPP Resolution on Cinema 111 Vsevolod Pudovkin: Conversation on Sound Film 1930: Introduction 112 'An ARK Member': ARRK Must Be Reorganised 113 Ippolit Sokolov: The Legend of 'Left' Cinema 114 Na literaturnom postu Editorial: For the Reconstruction of Soviet Cinema 115 Nikolai Anoshchenko: Sound Cinema in the Service of the Cultural Revolution 116 Viktor Shklovsky: The Script Laboratory 117 Kino i zhizn Editorial: Film Work and the Mass Audience 118 Dziga Vertov: The Radio-Eye's March 119 Dziga Vertov: Speech to the First All-Union Conference on Sound Cinema 120 Viktor Shklovsky: Sound as a Semantic Sign 121 Ippolit Sokolov: The Second Sound Film Programme 122 Kino i zhizn Editorial: Is There a Soviet Sound Cinema? 123 Viktor Shklovsky: The Film Language of New Babylon 1931-4: Introduction 1931 124 Proletarskoe kino Editorial: What Does 'Proletarian Cinema' Mean? 1932 125 Proletarskoe kino Editorial: We Are Continuing the Struggle 126 Vsevolod Pudovkin, Esfir Shub et al.: To All Creative Workers in Soviet Cinema 127 Party Central Committee Decree: The Reorganisation of Literary and Artistic Organisations 1933 128 Anatoli Lunacharsky: Synopsis of a Report on the Tasks of Dramaturgy (Extract) 129 Vsevolod Pudovkin: The Role of Sound Cinema 130 Sergei Eisenstein: Cinema and the Classics 1934 131 First Congress of Soviet Writers (Extracts) 132 Pravda Editorial: The Whole Country is Watching Chapayev 133 Film-Makers' Letter to Stalin 134 Grigori Kozintsev and Leonid Trauberg: The Youth of Maxim(Extracts) 135 Vsevolod Pudovkin: The Youth of Maxim 136 Dziga Vertov: More on Mayakovsky (Extract) 1935: Introduction 137 Joseph Stalin: Congratulations to Soviet Cinema on Its Fifteenth Anniversary 138 For a Great Cinema Art: Speeches to the All-Union Creative Conference of Workers in Soviet Cinema (Extracts) 139 Dziga Vertov: My Illness 140 Boris Shumyatsky: A Cinema for the Millions (Extracts) 141 Boris Shumyatsky: The Role of the Producer Postscript: 1936-41 1936 142 Boris Shumyatsky: Perfecting Our Mastery 143 Dziga Vertov: Diary Entry 1937 144 Boris Shumyatsky: The Film Bezhin Meadow 145 Yuli Raizman: Seminar at VGIK (Extracts) 146 Vsevolod Pudovkin: The Director and the Scriptwriter (Extracts) 147 Vsevolod Pudovkin: Dialogue in Film (Extract) 148 Alexander Dovzhenko: The Artist's Teacher and Friend 1938 149 G. Ermolayev: What Is Holding Up the Development of Soviet Cinema? 150 Iskusstvo kino Editorial: The Fascist Cur Eradicated 151 Alexei Stakhanov: My Suggestion to Soviet Cinema 152 Reactions to Stakhanov's Article (Extracts) 153 Vsevolod Pudovkin: The Internal and the External in an Actor's Training 1939 154 Sergei Eisenstein: My Subject Is Patriotism Abbreviations Notes to Introduction Notes to Documents Table 1: Cinema Installations and Their Distribution in the Russian Empire and USSR, 1914--41 Table 2: Film Production, 1918-41 Appendice Appendix 1 Films: Russian and Soviet Appendix 2 Films: Foreign Appendix 3 People: Russian and Soviet Appendix 4 People: Foreign Index