The Cambridge History of Twentieth-Century Music (The Cambridge History of Music)

THE CAMBRIDGE
HISTORY OF
TWENTIETH-CENTURY
MUSIC......Page 2
Contents......Page 8
Notes on the contributors......Page 14
Preface......Page 19
Trajectories of twentieth-century music......Page 20
1 ·
Peripheries and interfaces: the Western
impact on other music......Page 37
2 ·
Music of a century: museum culture and
the politics of subsidy......Page 59
3 ·
Innovation and the avant-garde, 1900–20......Page 88
4 · Music, text and stage: the tradition of bourgeois tonality to the Second World War......Page 109
5 ·
Classic jazz to 1945......Page 142
6 ·
Flirting with the vernacular: America in
Europe, 1900–45......Page 171
7 ·
Between the wars: traditions, modernisms,
and the ‘little people from the suburbs’......Page 205
8 ·
Brave new worlds: experimentalism
between the wars......Page 229
9 ·
Proclaiming the mainstream: Schoenberg,
Berg, andWebern......Page 247
10 ·
Rewriting the past: classicisms of the
inter-war period......Page 279
11 ·
Music of seriousness and commitment: the
1930s and beyond......Page 305
12 ·
Other mainstreams: light music and easy
listening, 1920–70......Page 326
13 ·
New beginnings: the international
avant-garde, 1945–62......Page 355
14 ·
Individualism and accessibility: the
moderate mainstream, 1945–75......Page 383
15 ·
After swing: modern jazz and its impact......Page 414
16 ·
Music of the youth revolution: rock
through the 1960s......Page 437
17 ·
Expanding horizons: the international
avant-garde, 1962–75......Page 472
18 ·
To the millennium: music as
twentieth-century commodity......Page 497
19 ·
Ageing of the new: the museum of musical
modernism......Page 525
20 ·
(Post-)minimalisms 1970–2000: the search
for a new mainstream......Page 558
21 ·
History and class consciousness: pop music
towards 2000......Page 576
22 ·
‘Art’ music in a cross-cultural context: the
case of Africa......Page 603
Appendix 1 ·
Personalia......Page 634
Appendix 2 ·
Chronology......Page 696
Index......Page 787