The Cambridge Companion to Ovid (Cambridge Companions to Literature)

The Cambridge Companion to Ovid (2003)\r......Page 1
CAMBRIDGE COMPANIONS TO LITERATURE......Page 3
ISBN: 0521775280......Page 6
--> CONTENTS......Page 8
ILLUSTRATIONS......Page 11
CONTRIBUTORS......Page 13
PREFACE......Page 17
Introduction......Page 18
1 - RICHARD TARRANT - Ovid and ancient literary history......Page 30
Belatedness and canonicity......Page 31
I’ve got a little list......Page 32
In omnes ambitiosus......Page 34
The same, only different: revising and rewriting......Page 37
Ingenio non ualet, arte ualet......Page 38
Vergilium uidi tantum......Page 40
Self-refashioning......Page 44
The view from Tomis......Page 46
From Ovid rewriting to rewriting Ovid......Page 48
FURTHER READING......Page 49
2 - PHILIP HARDIE - Ovid and early imperial literature......Page 51
Rhetoric......Page 53
Verbal and visual displays. The spectacular. Appearance and reality......Page 55
Make-believe and violence in the arena and in the text......Page 56
Form and content. Paradox and wit......Page 59
FURTHER READING......Page 62
3 - THOMAS HABINEK - Ovid and empire......Page 63
FURTHER READING......Page 78
4 - ALESSANDRO SCHIESARO - Ovid and the professional discourses of scholarship, religion, rhetoric......Page 79
FURTHER READING......Page 92
Introduction: genre and supergenre......Page 96
Defining and exhausting love-elegy – Amores......Page 97
Diversifying love-elegy – Heroides, Ars amatoria, Remedia amoris......Page 99
Elevating elegy – the Fasti......Page 102
Epic, elegy and generic variety – the Metamorphoses......Page 104
Elegy and epistolarity in exile – Tristia, Ex Ponto, Ibis......Page 106
FURTHER READING......Page 110
Unstable categories......Page 112
Who speaks?......Page 116
The masculine order......Page 119
Differences......Page 121
FURTHER READING......Page 123
Ovid on myth......Page 125
Myth as example: love-poetry and poetry from exile......Page 128
Mythical aetiology: the Fasti and the Metamorphoses......Page 132
FURTHER READING......Page 138
Rhetoric, stereotype, archetype......Page 139
Desire, violence, embodiment......Page 147
Art, vision, spectacle......Page 153
Painting, grotto, garden......Page 157
FURTHER READING......Page 166
9 - ALISON SHARROCK - Ovid and the discourses of love: the amatory works......Page 167
FURTHER READING......Page 178
10 - ANDREW FELDHERR - Metamorphosis in the Metamorphoses......Page 180
FURTHER READING......Page 195
11 - ALESSANDRO BARCHIESI - Narrative technique and narratology in the Metamorphoses......Page 197
Mostly diegematikon......Page 198
Relevance and functional status of internal narratives......Page 199
Problems of the narrative voice......Page 202
Story and narrative......Page 203
Narrative voices and levels......Page 204
Coda. Retracing the Trojan war......Page 214
FURTHER READING......Page 216
Beginnings......Page 217
Narrators......Page 222
Erato......Page 224
Journeys and endings......Page 230
FURTHER READING......Page 232
13 - DUNCAN F. KENNEDY - Epistolarity: the Heroides......Page 234
FURTHER READING......Page 248
14 - GARETH WILLIAMS - Ovid’s exile poetry: Tristia, Epistulae ex Ponto and Ibis......Page 250
FURTHER READING......Page 262
15 - RAPHAEL LYNE - Ovid in English translation......Page 266
FURTHER READING......Page 280
16 - JEREMY DIMMICK - Ovid in the Middle Ages: authority and poetry......Page 281
FURTHER READING......Page 303
17 - RAPHAEL LYNE - Love and exile after Ovid......Page 305
FURTHER READING......Page 317
18 - COLIN BURROW - Re-embodying Ovid: Renaissance afterlives......Page 318
FURTHER READING......Page 336
19 - DUNCAN F. KENNEDY - Recent receptions of Ovid......Page 337
FURTHER READING......Page 352
20 - CHRISTOPHER ALLEN - Ovid and art......Page 353
The appeal of Ovid as a source for artists......Page 354
The constraints of decorum......Page 358
The evolution of Ovidian subject-matter......Page 371
FURTHER READING......Page 384
DATELINE......Page 385
SELECTED DATES IN THE RECEPTION OF OVID......Page 386
WORKS CITED......Page 388