The Bloomsbury Handbook of Sonic Methodologies

Cover
Contents
List of Illustrations
List of Contributors
Introduction Michael Bull and Marcel Cobussen
Part I Disciplines, Methodologies, Epistemologies
	1 Introduction to Part I: Sounds Inscribed onto the Face – Rethinking Sonic Connections through Time, Space, and Cognition Michael Bull
	2 Sonic Methodologies in Anthropology Alexandrine Boudreault-Fournier
	3 Sonic Methodologies by Way of Deconstruction Naomi Waltham-Smith
	4 Nature’s Music: Sonic Methodologies in the Study of Environmental Biology Wouter Halfwerk
	5 Hearing With: Researching the Histories of Sonic Encounter James G. Mansell
	6 Sonic Methodologies in Urban Studies Christabel Stirling
	7 Sound and Pedagogy: Taking Podcasting into the Classroom Neil Verma
	8 Sonic Methodologies in Literature Justin St. Clair
	9 Sonic Materialism and/as Method Tyler Shoemaker
	10 Sonic Methodology in Philosophy Elvira Di Bona
	11 Sonic Methodologies in Science and Technology Studies Joeri Bruyninckx and Alexandra Supper
	12 The Sonic Environment in Urban Planning, Environmental Assessment and Management A. Lex Brown
	13 Sonic Methodologies in Medicine Jos J. Eggermont
	14 Soundscape as Methodology in Psychoacoustics and Noise Management André Fiebig and Brigitte Schulte-Fortkamp
	15 Sonic Methodologies of Sound Salomé Voegelin
Part II Sound Arts, Musics, Spaces
	16 Introduction to Part II: Art – Research – Method Marcel Cobussen
	17 Ambulatory Sound-Making: Rewriting, Reappropriating, ‘Presencing’ Auditory Spaces Elena Biserna
	18 Sound Installations for the Production of Atmosphere as a Limited Field of Sounds Jordan Lacey
	19 Fragile Devices: Improvisation as an Interdisciplinary Research Methodology Rebecca Caines
	20 ‘The Music Comes from Me’: Sound as Auto-Ethnography Darla Crispin
	21 Sound beyond Representation: Experimental Performance Practices in Music Lucia D’Errico
	22 Performing Centrifugal Sound G Douglas Barrett
	23 How to Cut Up a Record? Paul Nataraj
	24 Directing Listening: Sound Design Methods from Film to Site-Responsive Sonic Art Ben Byrne
	25 Sound, Space, and Pneumatic Valves: Using Pneumatic Valves as Sound Sources to Create Spatial Environments Edwin van der Heide
	26 The Overheard: An Attuning Approach to Sound Art and Design in Public Spaces Marie Højlund, Jonas R. Kirkegaard, Michael Sonne Kristensen, and Morten Riis
	27 Sound on Sound: Considerations for the Use of Sonic Methods in Ethnographic Fieldwork inside the Recording Studio Paul Thompson
	28 Ecological Sound Art Jonathan Gilmurray
	29 Hydrophonic Fields Jana Winderen interviewed by Stefan Helmreich
	30 Melt Me into the Ocean: Sounds from Submarine Spaces Yolande Harris
	31 Attentive Listening in Lo-Fi Soundscapes: Some Notes on the Development of Sound Art Methodologies in Vietnam Stefan Östersjö and Nguyễn Thanh Thủy
Part III Geographies, Politics, Histories
	32 Introduction to Part III: Listening as Method Marcel Cobussen
	33 Auditory Diagramming: A Research/Design Practice Alex Arteaga
	34 Close Listening: Approaches to Research on Colonial Sound Archives Anette Hoffmann
	35 Sonic Feminisms: Doing Gender in Neoliberal Times Marie Thompson
	36 Sound as City Maker: Developing a Participatory-Collaborative Process to Work with Sound as an Urban Resource; the Case of Mr. Visserplein (Amsterdam, the Netherlands) Edda Bild, Michiel Huijsman, and Renate Zentschnig
	37 Dropping Down Low: Online Soundmaps, Critique, Genealogies, Alternatives Angus Carlyle
	38 Listening as Methodological Tool: Sounding Soundwalking Methods John L. Drever
	39 Sounding Wild Spaces: Inclusive Map-Making through Multispecies Listening across Scales Alice Eldridge, Jonathan Carruthers-Jones, and Roger Norum
	40 The Emergence of Voices in an Indian Bus Stand: An Ethnographic and Acoustic Approach Christine Guillebaud
	41 Historical Sounds: A Case Study Aimée Boutin
	42 Sonic Writing Holger Schulze
	43 Silence of Mauá: An Atmospheric Ethnography of Urban Sounds Jean-Paul Thibaud
	44 Sound Design Methodologies: Between Artistic Inspiration and Academic Perspiration Nicolas Misdariis and Daniel Hug
	45 Listening to the 2001 Argentine Crisis: Soundscapes of Protest, Music, and Sound Art Violeta Nigro Giunta
	46 The Sound System of the State: Critical Listening as Performative Resistance Tom Tlalim
	47 Sonifications Sometimes Behave So Strangely Paul Vickers
	48 The Conflicting Sounds of Urban Regeneration in Liverpool Jacqueline Waldock
	49 Ethnographies Sounded on What? Methodologies, Sounds and Experiences in Cairo Vincent Battesti
	50 Podcast Preservation and the Noise of Saved Sounds Jeremy Wade Morris
	51 The Earview as a Border Epistemology: An Analytical and Pedagogical Proposition for Design Pedro J. S. Vieira de Oliveira
	52 Hacking Composition: Dialogues with Musical Machines Ezra J. Teboul
Index