The Bloomsbury Handbook of Popular Music Video Analysis

Cover
Contents
Figures
Tables
Examples
Contributors
Acknowledgments
Introduction: Undertaking Music Video Analysis Lori Burns and Stan Hawkins
Part I Authorship, Production, and Distribution
	1 Changing Dynamics and Diversity in Music Video Production and Distribution Mathias Bonde Korsgaard
	2 Low-Budget Audiovisual Aesthetics in Indie Music Video and Feature Filmmaking: The Works of Steve Hanft and Danny Perez Jamie Sexton
	3 The Animated Music Videos of Radiohead, Chris Hopewell, and Gastón Viñas: Fan Participation, Collaborative Authorship, and Dialogic Worldbuilding Lisa Perrott
	4 From Music Video Analysis to Practice: A Research-Creation Perspective on Music Videos John Richardson
Part II Cultural Codes, Representations, and Genres
	5 Framing Personae in Music Videos Philip Auslander
	6 Hullabaloo: Rocking the Variety Show in the Mid-1960s Norma Coates
	7 Détournement and the Moving Image: The Politics of Representation in an Early British Punk Music Video Karen Fournier
	8 Post-Digital Music Video and Genre: Indie Rock, Nostalgia, Digitization, and Technological Materiality Robert Strachan
	9 Katy Perry’s “Wide Awake”: The Lyric Video as Genre Laura McLaren
Part III Mediations: Multimodality/Intermediality/ Transmediality
	10 Dynamic Multimodality in Extreme Metal Performance Video: Dark Tranquillity’s “Uniformity,” Directed by Patric Ullaeus Lori Burns
	11 Tying It All Together: Music Video and Transmedia Practice in Popular Music Christofer Jost
	12 The Palimpsestic Pop Music Video: Intermediality and Hypermedia Jem Kelly
	13 “How Does a Story Get Told from Fractured Bits?” Laurie Anderson’s Transformative Repetition John McGrath
Part IV Aesthetics: Space/Place/Time/Senses
	14 How to Analyze Music Videos: Beyoncé’s and Melina Matsoukas’s “Pretty Hurts” Carol Vernallis
	15 Rural-Urban Imagery in Country Music Videos: Identity, Space, and Place Jada Watson
	16 “More Solemn Than a Fading Star”: David Bowie’s Modernist Aesthetics of Ending Tiffany Naiman
Part V Subjectivities and Discourses: Gender, Sexuality, Race, and Religion
	17 Justin Timberlake’s “Man of the Woods”: Lumbersexuality, Nature, and Larking Around Stan Hawkins and Tore Størvold
	18 Gangsta Crisis, Catharsis, and Conversion: Coming to God in Hip-Hop Video Narratives Alyssa Woods and Robert Michael Edwards
	19 Nicki Minaj’s “Anaconda”: Intersectional Feminist Fat Studies, Sexuality, and Embodiment Anna-Elena Pääkkölä
	20 Going Too Far: Representations of Violence against Men in Pink’s “Please Don’t Leave Me” Marc Lafrance
Bibliography
Index