The Art and Craft of the Blacksmith

A Melbourne conversation at the town hall on art, migration and indigeneity: what happens when cultures meet? --
Introduction to the conversation / Gerald Vaughan --
Playing between the lines: the Melbourne experience of crossing cultures / Jaynie Anderson --
Art in transit: give and take in Dutch art / Ronald de Leeuw --
Found in translation / Howard Morphy --
Hold it away: works of art as citizens and migrants / Michael Brand --
The travels of a Mi'kmaq coat: a nineteenth century world art history and twenty-first century cultural politics / Ruth B. Phillips --
Creating perspectives on global art history --
Joe Burk's Legacy: the history of art history in Melbourne / Andrew Grimwade --
The art of being aboriginal / Marcia Langton --
on global memory: reflections on barbaric transmission / Homi K. Bhabba --
Art histories in an interconnected world: synergies and new directions --
Beyond the national, inside the global: new identity strategies in Asian art in the twenty-first century / John Clark --
Not just images but art: pragmatic issues in the movement towards a more inclusive art history / Howard Morphy --
The world at stake: CIHA after Melbourne / Jaynie Anderson --
Global collections for global cities / Neil McGregor --
The idea of world art history --
introduction 1 / Thomas DaCosta Kaufmann --
Introduction 2 / Peter J. Schneemann --
Methodological ideological perspectives --
Neuroarthistory as world art history: why do humans make art and why do they make it differently in different times and places? / John Onians --
Towards historical art history / Piotr Piotrowski, Adam Mickiewicz --
Global aspects on Johnny Roosval's concept of the Artedominium / Jan von Bonsdorff --
Putting the world in a book: how global can art history be today? / Parul D. Mukberji, Jawaharlal Nehru --
From ideology to universal principles: Art history and the visual culture of the Balkans in the Ottoman Empire / Nenad Makuljevie --
From nation via immigration to world art: concepts and methods of Brazilian art theory / Jens Baumgarten --
Universalism and Utopia: Joseph Beuys and Alighiero Boetti as case studies for a world art history / Nicola Müllerschön --
Genius Loci: the revenge of the good Savage? / Carmen Popescu --
A survey of the current state of art history in China / Shao Dazhen --
Recent study in ancient Chinese art history in China / Yan Zheng --
Objects without Borders: cultural economy in the world of artifacts / Jennifer Purtle --
Fluid Borders: Mediterranean art histories --
Fluid Borders, hybrid objects: Mediterranean art histories 500-1500, questions of method and terminology / Gerhard Wolf --
Building identities: fluid Borders and 'international style' of monumental architecture in the bronze age / Louise A. Hitchcock --
Byzantine art in Italy: sixth-century as a matrix of confluence? / Felicity Harley McGowan --
'image-paradigms' as a category of Mediterranean visual culture: a hierotopic approach to art history / Alexei Lidov --
The 'Golden Age' of Al-Andalus as remembered, or how nostalgia forged history / Avinoam Shalem --
Fluid picture-making across borders, genres, media: botanical illustration from Byzantium to Baghdad, ninth to thirteenth centuries / Alain Touwaide --
Greek painters working for Latin and non-Orthodox patrons in the late medieval Mediterranean: some preliminary remarks / Michele Bacci --
Sailing through time and space: how Cyriacus of Ancona rediscovered the classical past / Marina Belozerskaya --
Multi-ethnic Rome and the global Renaissance: Ethiopia, Armenia and cultural exchange with Rome during the fifteenth century / Christiane Esche-Ramshorn --
Hybrid Renaissance in Europe and beyond --
Introduction / Luke Morgan --
Hybrid Renaissance in Burgundy / Frederick Elsig --
Heterotopia in the Renaissance: modern hybrids as antiques in Bramante and Cima da Conegliano / Lorenzo Pericolo --
'Gran Cosa e Roma': the noble parentage of architecture in early sixteenth century Portugal / Luisa Franca Luzio --
A bastard renaissance? Benedikt Ried, master IP and the question of renaissance in Central Europe / Pavel Kalina --
Difference, reputation and Utopia: early modern print's new worlds / Christopher P. Heuer --
The carnivalesque Renaissance / John Gregory --
'Opinione Contraria': the anatomy of painful as an early drawing by Rosso Fiorentino / Vivien Gaston --
The hermaphrodite in the garden / Luke Morgan --
Reframing of the Renaissance problem today: developing a pluralistic historical vision / Claire Farago --
Do we still need a Renaissance? / Keith Moxey --
Cultural and artistic exchange in the making of the modern world, 1500-1900 --
Introduction / Larry Silver --
Cultures and curiosity / Larry Silver --
Human sacrifice as symbolic capital: images of the violated Aztec body for a changing world, 1500-1900 and beyond / Cecelia F. Klein --
Public identity and the curial culture in Dutch Batavia / Dawn O'Dell --
'exposure to your ways': China, the Dodge and early modern vision / Julie Hochstrasser --
The global Rembrandt / Catherine D. Scallen --
Images of bathing women in early modern Europe and Turkey / Patricia Simons --
Global encounters: conventions and interventions in Hans Burgkmair's images of natives of Africa, India and the New World / Ashley West --
Patterns of domestication: exotic animals, plants and people in Australian and European decorative arts / Dagmar Eichberger --
Dressing up like the cannibals? Adriaen Hanneman's portrait of Princess Mary Stuart in a Tupi feather cape / Rebecca Parker Brienen --
Tupi feather work and the dynamics of intercultural exchange in early modern Brazil / Amy J. Buono --
The visual subplot: local art, global trade and the socio-ethnic of exchange, Amsterdam 1580-1680 / Elisabeth de Bievre --
Visual elaborations: Fausto Zonaro's 'Ottoman' self-portraits / Mary Roberts --
The brush and the burin: Mogul encounters with European engravings / Yael Rice --
Imperial exchanges of goods and national identities: Victorian and and Swadeshi views of crafts under the Raj / Julie Codell --
'a glance into a new world': three approaches to Japan, by Christopher Dresser, Siegfried Bing and Justice Brinkmann / Rüdiger Joppien --
George French Angas: colonial artist at large / Philip Jones --
The wanderer, the slave and the aboriginal: Augustus Earle in Rio de Jeneiro and Sydney in the 1920s / Sarah Thomas --
Exchange, gifting, identity and writing history in Fin-de-Siecle Tahiti / Elisabeth C. Childs --
Representations of nature across cultures before the 20th century --
Introduction / Frederick Asher --
Capturing nature's inner truth: the 'true view' concept in China, Korea and Japan / Khauh Triuh --
Beauty and truth in nature: Japan and the West / Gary Hickory --
Landscape as placeness in the art of India / Frederick Asher --
Exoticism at home: the artist as explorer in nineteenth-century Sweden / Bengt Lärkner --
The sacred across cultures --
Introduction / Robert Gaston --
Plato's dilemma: art, religion and amnesia / Donald Preziosi --
'Strangers in a strange new land': how the immigrant colonizer and the conqueror use sacred architecture to establish identity / Ann Thomas Wilkins, and David G. Wilkins --
Holy topographies: aboriginal art from the desert regions and its spiritual relation to western perceptual painting / Robert Nelson --
Visualizing ancestor spirits: name tablets or portraits? / Insoo Cho --
Houses of God, gates of heaven, doors of grace: changes in perception of Lutheran church interiors as 'holy places' / Marcin Wislocki --
Secular Florentines and sacred images / Dale Kent --
'God is love': representations of Christianity in indigenous art from Ngukurr, Southeast Arnhem land / Cath Bowdler --
Sacred country: ancient footsteps, new pathways / Donna Leslie --
A new conceptualization of Australian religious iconography: the case of David Wright / Peter French --
From silence to multiple incorporation: art and Afro-Brazilian religions / Roberto Conduru --
Trees growing in the wilderness and statues of miracle working madonnas / Zirka Z. Filipezak --
A case of spiritual colonization? The production and reception history of a contentious altarpiece in Jukkasjärvi Church in Lapland, Sweden / Britt-Inger Johansson --
Chartres, Chichester and Ajanta: the neo-medievalism of Eric Gill / Irena Kossowska --
A pantheon rediscovered? / Naman P. Ahuja, Jawaharlal Nahru --
Sanctity at the interstices of fine art and popular culture: a case of Esther Helenius / Tutta Palin --
Intersections of time and place in books of hours / Bronwyn Stocks --
A form of secession / Junko Ninagawa --
A new plague saint for Renaissance Italy: suffering and sanctity in narrative cycles of Saint Roch / Louise Marshall --
Sites of convergence and divergence: private devotional sites in sixteenth century Rome / Glenys L. Adams. Materiality across cultures --
Introduction / John Bomford --
Lapis Lazuli: moving stones at the heart of power / Spike Bucklow --
Materials, origins and the nature of early Italian painting / Anne Dunlop --
Routes and meaning: the use of red marble in medieval Central Europe / Pal Lovei --
Alabastrum Effoditur Pulcherrimum and Candissimum: the influence of imported southern Netherlandish sculpture on the reception of alabaster in Central Europe in the 16th century / Aleksandra Lipinska --
Mosaic and dreaming: materiality, migration and memory / Joan Barklay Lloyd, Alison Inglis --
Outsiders' and Arnhem Landers' material exchanges / Louise Hamby --
Painting practice in the Philippines: two institutionalized practices and their materials and techniques / Nicole Tse, Ana Maria Teresa Labrador and Robyn Sloggett --
A convergence of cultures: Max Meldrum's art theory and practice / Alexandra Ellem --
The Gamelan: melding conservation issues with the Javanese spiritual beliefs / Holly Jones-Amin --
Memory and architecture --
Introduction / Deborah Howard and Philip Goad --
Multiple memories: lives of the Taj Mahal / Catherine B. Asher --
The Alhambra in Granada and the memory of its Islamic past / Francine Giese-Vögeli --
Curzon, Kedelston and Government House, Calcutta / Sten Ake Nilsson --
Remembering the Middle Ages: responses to the Gothic revival in colonial New Zealand / Ian Lochhead --
Traveling within memory: vicarious travel and imagined voyages / Nicole Sully --
Moving Finnish houses: the knowledge of objects in former Finnish Karelia --
Nation, style, memory: the Crakow experience / Jacek Purchla --
Komar and Melamid: the future memory of international modernism / Joe A. Thomas --
Traces of Utopia: on the architectural renderings published in Kunstwissenschaftliche Forschungen, c. 1933 / Justine Price --
Marks and Rembrancers: Alison and Peter Smithson's architectural memory / Ryan Johnston --
A strange case of cultural borrowing: the Australian Pavilion at Expo '70, Osaka / Carolyn Barnes and Simon Jackson --
Analogous landscapes / Hannah Lewi --
Art and migration --
Introduction / Joan Barklay Lloyd and Stephen Bann --
Migration of elements in Islamic art into Italy from Spain and the Balearic Islands in the fourteenth century / Gottfried Kerscher --
Mahmud al-Kurdi and his Italian customer / Stefano Carboni --
The Gypsies and their impact in fifteenth century Western European iconography / Irwin Pokorny --
The Ecole de Paris, inside and out: reconsidering the experience of foreign artist in interwar France / Kate Kangaslahti --
Polish artists in France 1918-39: discussion concerning art / Anna Wierzbicka --
Koji Kamoji: a bridge between haiku and Christian mysticism / Lukasz Kossowski --
The role of international exhibitions in the diffusion of a global memory / Martine Bouchier --
Displaced objects, objects in exile? Changing virtues of Cameroon objects in the West / Alexandra Loumpet-Galitzine --
Landscapes of imagination: migration and place in contemporary Iranian art / Alisa Eimen --
Moving pictures: art, Ireland and migration / Yvonne Scott --
Multiplicity of artistic migration in the representation of return: the Odyssey, Hebdomeros and postmodernity in the art of Giorgio de Chirico / Mayumi Abe --
Art and war --
Introduction / Nigel Lendon andThierry Dufrene --
Bartholomaus Strobel the Younger and the 30 years war / Jan Harasimowicz --
Landscape and the memory of war / Catherine Speck --
Vasily Vereshchagin's campaign: colonial war and representation of Russia's others / Natasha Medvedev --
Feature films and the shock of the real: regarding wartime documents in art-house cinema and beyond / Wolfgang Brückle --
Surviving war: uniting the nation in postwar Finnish mural paintings / Johanna Ruohonen --
Complexities: Abu Ghraib, contemporary art in the currency of images / Morgan Thomas --
Pyrotechnics: from war to art and back / Thierry Dufrene --
Beauty and horror: identity and conflict in the war carpets of Afghanistan / Nigel Lendon --
Media/ting conflict: Iranian posters of the Iran-Iraq war / Christine J. Gruber --
Art in the face of 'the project for the new American Century': a postmodern Rake's progress / Dick Averns --
Art and clashing urban cultures --
Introduction / Peter Krieger --
Manet's Le Dejeuner sur l'herbe: resisting the Parisian 'non-place' during Haussmannisation / Bradley Fratello --
Air travel and omnipresent disaster / Melissa Laing --
Changing politics, changing cityscapes: redesigning, redefining and contesting public space in post-communist Central Europe / Arnold Bartetzky --
Redfern resistance / Catherine de Lorenzo --
Urban bush bashing? Some indigenous artists' responses to the Australian government's emergency intervention in the northern territory / Susan Lowish --
Global modern art: the world inside out and upside down --
Introduction / Andrea Giunta --
Art and nation: to Rome and back / Laura Malosetti Costa --
'That arid feeling for the burnt bush': Giorgio de Chirico's wandering Jew, metaphysical painting and 'Semitic Atavism' / Ara H. Merjian --
Wounded: Lucio Fontana's wartime sculpture in Italy and Argentina / Anthony White --
Surrealism in the antipodes: on James Gleeson's exile / David Lomas --
From constructivism to pop: avant-garde practices in Brazil, Britain and North America between the 1950s and 1960s / Michael Ashbury --
Picasso's Guernica in Latin America / Andrea Giunta --
'Much more than parrots and banana trees': the art of Helio Oiticica in the 1960s / Maria de Fatima Morethy Couto --
'From Reo del Plata to the Seine' and back: Pierre Restany and Damian Bayon / Isabel Plante --
Our old Koroua Picasso: Maori modernist art in Aotearoa, New Zealand / Damien Skinner --
Pilgrimage and periphery: Robert Smithson's Spiral Jetty and the discourse of tourism / Chris McAuliffe --
Indigeneity / aboriginality, art/culture and institutions --
Introduction / Jonathan Mane-Wheoki --
Belonging and homelands: negotiating identity in Aotearoa, New Zealand / Caroline Vercoe --
Between the indigenous and the exotic: landscapes of Hokkaido and the Russian Far East / Hisashi Yakou --
The reclamation of Southeast Australian aboriginal art practices / Vicki Couzens, Kaawirn Kuunawarn --
Indigenous material culture in the digital age / Lyndon Ormonde-Parker --
'My art talks about link': the peregrinations of Yolngu art in a globalized world / Jessica de Largy Healy --
Performing landscape and memory: Gija local and global art circulation / Arnaud Morvan --
Post colonial pasts and post-indigenous futures? A cultural genealogy of museums and 'Maori art' / Conal McCarthy --
Indigeneity and the museum paradigm: contacts and debates surrounding the opening ceremonies and exhibitions at the national Museum of the American Indian in Washington DC, September 2004 / Stephanie Pratt --
A crisis in identity: Australian indigenous culture, primitivism and modernism in 'recent Australian painting' at the Whitechapel art gallery 1961 / Sarah Scott --
Circuit breaking? Indigenous Australian art and critical discourse / Julie Gough and Stephen Naylor --
Aboriginalties and nationalities: Shaping art history in the postcolonial museum / Anne Whitelaw. Parallel conversions: Asian art histories in the twentieth and twenty first centuries --
Introduction / Toshiharu Omuka and John Clark --
The concept of 'art' in Japan and international expositions of the Meiji period / Shimura Shoko --
Takeuchi Seiho, Chigusa Soun, and John Ruskin's modern painters: reconciling realism with Japanese painting, 1900-1910 / John D. Szostak --
Amerita Sher-Gil: transformation of the premodern to the modern in early twentieth-century Indian art / Yashodara Dalmia --
Global consciousness of yoga self portraiture / Bert Winther-Tamaki --
Realism as a tool of national modernization in the reformist discourse of late nineteenth and early twentieth century China / Francesca Dal Lago --
New categories, new history: 'the preliminary exhibition of Chinese art' in Shanghai, 1935 / Hui Guo --
Alternative fashion histories: sartorial modernity in East Asia / Toby Slade --
The impact of censorship, conflict and the Diaz Barack of Vietnamese art history / Annette van den Bosch and Boitran Huynb-Beattie --
Contending with present pasts: on developing Southeast Asian art histories / Michelle Antoinette --
Picturing early 20th century Sino-Japanese art relations in Omura Seigai's 'Shina Rekiyu Dan': an account of making art history in the 1920s / Oliver Krischer --
Why realism? From social realism to non-realism in modern Chinese art / Yiyang Shao --
Interconnectedness of performance art festivals across and beyond Asia / Silvia Fok Siu Har --
Shanghai dream theater: (re)imagining the city, the condition of existence and the new Shanghai surreal / Thomas J. Berghuis --
The artist as image decoder: Ni Haifeng's agency between Europe and China / Kitty Zijlmans --
Art histories at the crossroads: 'Asian' art in Australia / Francis Maravillas --
A kiss to Matisse: strategies for histories of modernism in Central Asia. Uzbekistan in the 1920s, Kazakhstan in the 1980s-1990s / Jane A. Sharp --
Constructing transnational identities: Paik Nam June and Lee Ufan / Youngna Kim --
Contemporaneity in art and its history --
Introduction / Terry Smith --
Writing the history of contemporary Art: a distinction, three propositions and six lines of inquiry / Terry Smith --
Historicity and aboriginal Art: how long will it take for aboriginal Art to become modern? / Ian Maclean --
Contemporaneity in Inuit art through the 20th and early 21st centuries / Cecile Pelaudeix --
Topographies of chance: tracing the 'contemporary' in 1960s France / Jill Carrick --
Periodizing contemporary art / Alexander Alberro --
Global visions, global contemporaneity: video art in Australia / Daniel Palmer --
The Atlas effect: constraint, freedom and the circulation of images / Charles Green --
On the 'evental' installations: contemporary Art and politics of presence / Anthony Gardner --
New media across the cultures --
Introduction / Ross Gibson --
Old traces on a new body / Dirk de Bruyn --
Transients: indigenous, settler and migrant media / Sean Cubitt --
Imagining the future: issues in writing and researching arts histories in a digital age with the DAAO / Vivian Johnson and Joanna Mendelssohn --
Painting as a new medium: the reversed canvas in colonial art / Richard Read --
The fiction of art history: imaginary providences in media art in South Asia / Shuddhabrata Sengupta --
Economies of desire: art collecting and dealing across cultures --
Introduction / Christopher R. Marshall --
The impact of unscrupulous dealers unsustainability in the Australian aboriginal desert paintings market: a view from the high end / Meaghan Wilson-Anastasios and Neil De Marchi --
A fine Romance: white money, black art / Philip Batty --
The paradox of collecting the 'other': Percy Grainger's collecting of non-Western cultures / Belinda Nemec --
Art dealing as medium of cultural transfer / Michael North --
Crossing thresholds: the hybrid identities of late 19th-century art dealers / Christian Huemer --
Small mirrors to large empires: towards a theory of meta-museums in contemporary art / Khadija Z Carroll --
Framing confusion: varieties of collecting and display at the Museo Poldi Pezzoli, Milan / Christopher R. Marshall --
An art collecting in Argentina, or how the pre-Columbian past became an object of desire / Maria Isabel Baldassare --
New museums across cultures --
Introduction / Jonathan Sweet --
The modern museum in China / Zhang Gan --
The uncanny space of Daniel Libeskind's Jewish Museum / Julia Walker --
New museums: institutionalization of contemporary Art in Central Europe. Crossing inspirations / Katarzyna Jagodzinska --
Problematics of postcolonial dislocation in the case of the national Museum of contemporary Art in Bucharest / Cristina Albu --
Out of context: towards presentation of Japanese art in western museums / Chiaki Ajioka --
Constructing tribal architectures and identities in Native American museums and cultural centers / Anne L. Marshall --
Creating cultural citizenship out of contemporary art at the national Museum of the American Indian? / Kyle Message --
The cosmopolitan museum (of art) / Milan Kreuzzieger --
Repatriation --
Introduction / Dario Gamboni --
Art history and repatriation: a case of mutual illumination? / Dario Gamboni --
Shrewd calculations / Kenneth Lapatin --
Repatriating sanctity, or how the Dukes of Bavaria rescued saints during the Reformation / Jeffrey Chipps Smith --
Alexander Newman (Bielitz 1861 --
Wellington 1947): portfolio in exile / Andrew Leach --
Repatriation Anti Patria: repatriating for Tibet / Kavita Singh --
Returning Veronese's the wedding at Cana to Venice: some issues concerning originality and repatriation / Adam Lowe --
Arbitration and mediation is alternative resolution mechanisms in disputes relating to the restitution of cultural property / Marc-Andre Renold.