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دسته بندی: ادبی ویرایش: نویسندگان: Gregory Nagy سری: ISBN (شابک) : 0674073401, 9780674073401 ناشر: The Belknap Press of Harvard University Press سال نشر: 2013 تعداد صفحات: 749 زبان: English فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود) حجم فایل: 36 مگابایت
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توجه داشته باشید کتاب قهرمان یونان باستان در 24 ساعت نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
گرگوری ناگی استدلال می کند که مفهوم یونانیان باستان از «قهرمان» بسیار متفاوت از آن چیزی است که ما امروز با این اصطلاح می فهمیم – و تنها از طریق تحلیل زمینه های تاریخی آنها است که می توانیم آشیل، ادیسه، ادیپ و هراکلس را به درستی درک کنیم. در سنت یونانی، قهرمان یک انسان، مرد یا زن، از گذشته های دور بود که به دلیل اینکه از یک خدای فناناپذیر است، دارای توانایی های مافوق بشری بود. علیرغم مرگ و میر آنها، قهرمانان، مانند خدایان، اشیاء پرستش فرقه بودند. ناگی این مفهوم مذهبی متمایز از قهرمان را در ابعاد متعدد آن در متونی که از قرن هشتم تا چهارم پیش از میلاد را در بر می گیرند، بررسی می کند: ایلیاد هومری و ادیسه. تراژدی های آیسخلوس، سوفوکل و اوریپید. آهنگ های سافو و پیندار; و دیالوگ های افلاطون همه آثار با ترجمه انگلیسی با توجه به ظرافتهای اصلی یونانی ارائه شدهاند و اغلب با تصاویر برگرفته از نقاشیهای گلدان آتن بیشتر روشن میشوند. هرودوت مورخ قرن پنجم پیش از میلاد گفت که خواندن هومر به معنای متمدن بودن است. قهرمان یونان باستان در 24 ساعت در بیست و چهار قسمت، بر اساس دوره دانشگاه هاروارد که ناگی از اواخر دهه 1970 تدریس و اصلاح کرده است، کاوشی در ریشههای تمدن در حماسههای هومری و دیگر ادبیات کلاسیک ارائه میکند، تباری که همچنان به چالش میکشد. و امروز به ما الهام بخشید
The ancient Greeks’ concept of “the hero” was very different from what we understand by the term today, Gregory Nagy argues—and it is only through analyzing their historical contexts that we can truly understand Achilles, Odysseus, Oedipus, and Herakles. In Greek tradition, a hero was a human, male or female, of the remote past, who was endowed with superhuman abilities by virtue of being descended from an immortal god. Despite their mortality, heroes, like the gods, were objects of cult worship. Nagy examines this distinctively religious notion of the hero in its many dimensions, in texts spanning the eighth to fourth centuries BCE: the Homeric Iliad and Odyssey; tragedies of Aeschylus, Sophocles, and Euripides; songs of Sappho and Pindar; and dialogues of Plato. All works are presented in English translation, with attention to the subtleties of the original Greek, and are often further illuminated by illustrations taken from Athenian vase paintings. The fifth-century BCE historian Herodotus said that to read Homer is to be a civilized person. In twenty-four installments, based on the Harvard University course Nagy has taught and refined since the late 1970s, The Ancient Greek Hero in 24 Hours offers an exploration of civilization’s roots in the Homeric epics and other Classical literature, a lineage that continues to challenge and inspire us today.
Acknowledgments Introduction Part One: Heroes in Epic and Lyric Poetry Introduction to Homeric Poetry Hour 1: The Homeric Iliad and the Glory of the Unseasonal Hero The Meaning of Kleos The Kleos of Achilles as Epic ‘Glory’ A Much Shorter Version of Epic ‘Glory’ The Immortalizing Power of Kleos as Epic ‘Glory’ The Meaning of Hōrā The Need for Heroes to ‘Script’ Their Own Death Hēraklēs as a Model Hero The Labors of Hēraklēs Hēraklēs and the Meaning of Kleos Hēraklēs and the Idea of the Hero Achilles and the Idea of the Hero Achilles and the Meaning of Kleos Hour 2: Achilles as Epic Hero and the Idea of Total Recall in Song The Meaning of Memnēmai Phoenix and His Total Recall The Idea of Kleos as a Medium of Total Recall The Idea of Kleos as Epic Narrative An Epic Tale Told by Phoenix The Form of Epic Poetry To Sing the Klea Andrōn, ‘Glories of Men’ The Klea Andrōn, ‘Glories of Men’, as Heroic Song The Concept of a Speech Act Back to the Epic Tale Told by Phoenix The Emotions of Fear and Pity The Story of Meleager and Kleopatra Plato’s Reading of the Iliad The Epic Choice of Achilles Hour 3: Achilles and the Poetics of Lament The Meaning of Akhos and Penthos A Man of Constant Sorrow Achilles and Penthesileia the Amazon The Essentials of Singing Laments A Conventional Gesture in Women’s Laments A Typological Comparison of Laments The First Lament of Andromache What Achilles Sang The Song of Kleopatra Hour 4: Achilles as Lyric Hero in the Songs of Sappho and Pindar The Meaning of Aphthito- The Imperishable Glory of Achilles in a Song of Pindar The Lyric Glory of Achilles The Imperishable Glory of Hector and Andromache in a Song of Sappho Achilles as a Bridegroom Achilles as a Focus of Lament The Unfailing Glory of Achilles Contrasting the Artificial and the Natural The Unwilting Glory of Achilles Achilles as a Model for Singing Lyric Songs of Glory Models of Lament Hour 5: When Mortals Become ‘Equal’ to Immortals: Death of a Hero, Death of a Bridegroom The Meaning of Daimōn The Expression ‘Equal to a Daimōn’ Apollo as Divine Antagonist of Achilles Arēs as Divine Antagonist of Achilles Achilles as Ideal Warrior and Ideal Bridegroom The Historical Background of Sappho’s Songs Transition to Sappho’s Songs Arēs and Aphrodite as Models for the Bridegroom and the Bride Song 31 of Sappho Song 1 of Sappho The Ritual Background of Song 1 of Sappho The Maiden Song of Alcman A Typological Comparison of Initiation Rituals Song 16 of Sappho Another Song of Sappho Back to Song 16 of Sappho Back to Song 31 of Sappho Epiphany and Death Erōs and Arēs Arēs as a Model for Achilles Achilles the Eternal Bridegroom Briseis as a Stand-in for Aphrodite The Merging of Identity in Myth and Ritual Distinctions between Real Death and Figurative Death in Lyric Apollo as Model for Achilles Fatal Attraction Hour 6: Patroklos as the Other Self of Achilles The Meaning of Therapōn Patroklos as Therapōn Anatolian Origins of the Word Therapōn Early Greek Uses of the Words Therapōn, Theraps, Therapeuein The Therapōn as Charioteer The Therapōn as a Ritual Substitute Arēs as Divine Antagonist of Patroklos and Achilles The Therapeutic Function of the Therapōn Patroklos as the Other Self of Achilles Ramifications of the Idea of Another Self Simone Weil on Sacrificial Substitution Hour 7: The Sign of the Hero in Visual and Verbal Art The Meaning of Sēma The Sign of the Hero at a Chariot Race The Sign in the Visual Arts Selected Examples of Signs in the Visual Arts Hour 7a. Myth and Ritual in Pictures of Chariot Scenes Involving Achilles Hour 7b. Apobatic Chariot Racing Hour 7c. Apobatic Chariot Fighting Hour 7d. Distinctions between Chariot Fighting and Chariot Racing Hour 7e. Homeric Poetry at the Festival of the Panathenaia in Athens Hour 7f. Signs of Alternative Epic Traditions as Reflected in Athenian Vase Paintings Hour 7g. The Apobatic Moment Hour 8: The Psychology of the Hero’s Sign in the Homeric Iliad The Meaning of Psūkhē The Psūkhē of Patroklos in the Iliad The Psūkhē of Patroklos in the Picture Painted on the Münster Hydria Achilles and Patroklos as Cult Heroes of Apobatic Chariot Racing An Athletic Event at Eleusis Achilles and Dēmophōn as Cult Heroes of Festivals Achilles as a Model of Rhapsodic Performance Achilles and Patroklos as Cult Heroes of a Poetic Event The Prefiguring of Achilles by Patroklos Heroic Immortalization and the Psūkhē The Psūkhē as Both Messenger and Message A Fusion of Heroic Myth and Athletic Ritual Back to the Glory of the Ancestors Back to the Meaning of Patroklos Hour 8a. About the Ritual Origins of Athletics Hour 8b. The Meaning of Āthlos / Aethlos Hour 8c. Back to the Panathenaia Hour 8d. Patroklos as a Model for Achilles Hour 8e. The Mentality of Re-enactment at Festivals Hour 9: The Return of Odysseus in the Homeric Odyssey The Meaning of Nostos The Roles of Odysseus The Complementarity of the Iliad and the Odyssey The Heroic Mentality of Achieving Nostos A Nostos in the Making Echoes of Lament in a Song about Homecoming Hour 10: The Mind of Odysseus in the Homeric Odyssey The Meaning of Noos The Interaction of Noos and Nostos The Hero’s Return to His Former Social Status The Hero’s Return from the Cave The Return to Light and Life The Journey of a Soul Hour 11: Blessed Are the Heroes: The Cult Hero in Homeric Poetry and Beyond The Meaning of Olbios Signs of Hero Cult Different Meanings of the Word Olbios for the Initiated and for the Uninitiated How a Homeric Hero Can Become Truly Olbios The Death of Odysseus A Mystical Vision of the Tomb of Odysseus Two Meanings of a Sēma An Antagonism between Athena and Odysseus Conclusion: The Seafarer Is Dead and the Harvest Is Complete Hour 12: The Cult Hero as an Exponent of Justice in Homeric Poetry and Beyond The Meaning of Dikē An Occurrence of Dikē as ‘Justice’ in the Odyssey The Golden Generation of Humankind Hesiod as an Exponent of Justice Metaphors for Dikē and Hubris The Silver Generation of Humankind Two Further Generations of Humankind Hesiod in the Iron Age Back to Hesiod as an Exponent of Dikē A Reconnection of Generations in an Orchard Part Two: Heroes in Prose Media Hour 13: A Crisis in Reading the World of Heroes The Meaning of Krinein A Story about the Meaning of Olbios in the Histories of Herodotus Another Story about the Meaning of Olbios in the Histories of Herodotus Variations in Discriminating between the Real and the Unreal Variations in Discriminating between Justice and Injustice Heroes as Exponents of Justice in Poetry after Homer and Hesiod Hour 14: Longing for a Hero: A Retrospective The Meaning of Pothos Testimony from the Hērōikos of Philostratus Longing for Protesilaos in the Homeric Iliad The Sacred Eroticism of Heroic Beauty The Beauty of Seasonality in a Modern Greek Poem The Beauty of the Hero in Death A Beautiful Setting for the Beautiful Cult Hero Paroxysms of Sentimentality in Worshipping Cult Heroes Back to the Tumulus of Achilles Longing for Achilles: You’re Going to Miss Me Longing for Patroklos: I’ll Miss Him Forever Hour 15: What the Hero ‘Means’ The Meaning of Sēmainein What Protesilaos ‘Means’ The Mystery of a Cult Hero What Herodotus ‘Means’ More on the Mystery of a Cult Hero Back to the ‘Meaning’ of Protesilaos Initiation into the Mysteries of a Cult Hero The Descent of an Initiand into the Nether World of a Cult Hero A Brief Commentary on the Text about the Descent The Oracular Consultation of Heroes An Initiation for the Reader The Personal Intimacy of Experiencing a Heroic Epiphany Ritual Correctness in Making Mental Contact with the Cult Hero How the Cult Hero Communicates More on the Oracular Consultation of Heroes Coming Back Once Again to What the Hero ‘Means’ The Cult Hero as a Medium Part Three: Heroes in Tragedy Introduction to Tragedy Hour 16: Heroic Aberration in the Agamemnon of Aeschylus The Meaning of Atē The Oresteia Trilogy of Aeschylus in the Larger Context of His Other Tragedies The Atē of Agamemnon in Epic and Tragedy An Ainos about a Lion Cub Predators as Agents of Dikē Predators as Agents of Deeds Contrary to Dikē A Sequence of Symbols The Symbolic Wording of the Watchman Three Further Examples of Symbolic Wording Hour 17: Looking beyond the Cult Hero in the Libation Bearers and the Eumenides of Aeschylus The Meaning of Tīmē The Agenda of Athena Pouring Libations for Cult Heroes or for Ancestors What Stands in the Way of a Ritually Correct Libation by Electra Transcending the Spirit of Vendetta A New World Order for Athens Hour 18: Sophocles’ Oedipus at Colonus and the Power of the Cult Hero in Death The Meaning of Kolōnos More on the Meaning of Colonus How to Imagine Colonus Colonus, Land of Running Horses Further Perspectives on the Meanings Connected to the Word Kolōnos and to the Name Kolōnos Oedipus as Cult Hero at Colonus The Mysterious Death of Oedipus Scenarios for Dying and Then Coming Back to Life The Mystification of the Hero’s Tomb in the Oedipus at Colonus Personalizing the Death of Oedipus Hour 19: Sophocles’ Oedipus Tyrannus and Heroic Pollution The Meaning of Miasma The Pollution of Tyrants A Look inside the Psūkhē of Oedipus The Pollution Caused by Oedipus Oedipus as Savior A Second Look inside the Psūkhē of Oedipus Purifying the Pollution in Tragedy The Reaction of Oedipus to His Own Pollution in the Oedipus Tyrannus Hour 20: The Hero as Mirror of Men’s and Women’s Experiences in the Hippolytus of Euripides The Meaning of Telos Two Contexts of Telos for Hippolytus Hippolytus as a Cult Hero in Athens Hippolytus as a Cult Hero in Trozen Comparing the Trozenian and the Athenian Versions of the Hippolytus Tradition Two Conventional Patterns of Thinking about Hippolytus as a Cult Hero in Trozen Hippolytus in Epidaurus Euripides Recapitulates a Trozenian Ritual Love Song and Song of Laments The Trouble with Hippolytus The Complementarity of Artemis and Aphrodite From Native Trozenian Ritual to the Drama of Athenian State Theater Empathy for Female and Male Experiences The Death of Phaedra Epilogue: The Death of Phaethon Hour 21: The Hero’s Agony in the Bacchae of Euripides The Meaning of Agōn The Agōn of Pentheus The Meaning of Pathos Staging the Dismemberment of Pentheus The Staging of Dionysus The Subjectivity of Dionysus Staging the Bacchants Staging Pentheus A Divine Prototype for the Passion of Pentheus Tracking Down the Origins of Tragedy Hope for a Reassembly of the Body after Its Dismemberment Part Four: Heroes in Two Dialogues of Plato Hour 22: The Living Word I: Socrates in Plato’s Apology of Socrates The Meaning of Daimonion The Subversive Threat of ‘the Superhuman Signal’ What Happens to Socrates after Death A Heroic Timing for the Death of Socrates Socrates and Achilles An Odyssean Way for the Journey of Socrates The Swan Song of Socrates Hour 23: The Living Word II: More on Plato’s Socrates in the Phaedo The Meaning of Theōriā The Symbolism of Theōriā in Plato’s Phaedo The Garlanding of the Theoric Ship Revisiting another Theōriā Theorizing about Theōriā Socrates, Master of Poetry as well as Dialogue A New Way to Imagine Immortalization after Death Part Five: Heroes Transcended Hour 24: The Hero as Savior The Meaning of Sōzein and Sōtēr Theseus as a Savior for the Athenians A Metaphorical Use of the Word Sōzein by Plato’s Socrates A Metaphorical Use of the Word Sōphrōn in an Archaic Hymn Achilles as Saved Hero and as Savior Hero Achilles, Hero of the Hellespont Three More Glimpses of Heroic Salvation The Living Word of Plato’s Socrates Core Vocabulary of Key Greek Words Abbreviations References Index Locorum