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دانلود کتاب Standard Graded Course of Studies for the Pianoforte
دانلود کتاب دوره استاندارد درجه بندی شده برای Pianoforte
مشخصات کتاب
Standard Graded Course of Studies for the Pianoforte
ویرایش:
نویسندگان: Mathews. William Smythe Babcock.
سری:
ناشر:
سال نشر:
تعداد صفحات: [346]
زبان: English
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توضیحاتی درمورد کتاب به خارجی
Philadelphia: Theodore Presser, 1892-94. Standard graded course
of studies for the pianoforte in ten grades, 10 volumes — 346
p.
Subtitle: Standard graded
course of studies for the pianoforte in ten grades. Consisting
of Standard Etudes and Studies, arranged in progressive order.
Selected from the best composers for the cultivation of
technic, taste, and sight reading. Carefully Edited and
Annotated and Supplemented with Complete Directions for the
Application of Mason’s System of Technics in each grade for the
production of a modern style of playing. Compiled by W. S. B.
Mathews.
From The Piano Adventures
Teacher, December 2003 No. 3:
The name itself is impressive—William Smythe Babcock Mathews. So it’s not surprising that the ad in an 1891 Etude used superlatives to herald Theodore Presser’s newest publication. The Standard Graded Course of Studies for the Pianoforte was “Original. Successful. Thorough. Complete. Modern. Compact. The model of all others.” W.S.B. Mathews was no lightweight. He was determined to change the way piano was taught by the multitudes of those who capitalized on the popularity of the instrument that was then the showpiece of every American parlor. It was clear, however, that most piano teachers were lightweights, with little training in piano playing or in how to teach it. Mathews was indeed on a mission. He was not alone. Earlier, in 1876, Presser—together with Eben Tourjée, Galusha M. Cole, and William Henry Dana— called the first meeting of the organization that became the Music Teachers National Association [MTNA]. Mathews attended that meeting as the leading delegate from Illinois. As the organization developed, a sometimes quite acrimonious conflict erupted between groups who were then called the “High Priests” and the “ABC Teachers.” Those with considerable training and performing ability were the “High Priests.” The large number of independent teachers with modest backgrounds and abilities constituted the other group. There was never any doubt that Presser and Mathews were on the side of the “ABC Teachers.” Presser, through his publishing business and the Etude magazine, provided teachers with music, advice columns, and articles, as well as teacher discounts through a mail order business. Mathews wrote many of these articles, notably a regular column, begun in 1887, called “Letters to Teachers.” Presser had published William Mason’s Touch and Technic (see The Piano Adventures Teacher, “Family Tree,” August, 2003), and it was the popularity of these books that established Presser as the leading publisher of educational music. He had also been collecting exercises and pieces drawn from what he considered the best sources with a view to compiling this material into a systematic curriculum. Mathews became the final editor and author of the ten graded volumes of this series that became another Presser “hit.” The Standard Graded Course opened with two pages of advice on how to orient the student to the keyboard—finding the black-key groups, naming the keys, and learning the basic elements of notation and rhythm. The first exercises, therefore, needed no explanation ... The entire series was a no-frills approach intended to interlock with Mason’s Touch and Technic to form the solidly prepared pianist. Students at the turn of the 20th century were offered the best pedagogical material of the times. Mathews’s Standard Graded Course was clearly determined to “raise the standard.” The first six books are still available. That’s quite a record! Volume 1
very short pieces, mainly by Mathews
Volume 2
Lemoine: 2 Allegro, Op.37 No.1+2
Schmoll: Fable
Schmoll: The Sky-Lark
Weber: Bohemian Dance
Le Carpentier: Two-Voice Exercise, Op.59 No.?
Czerny: Allegro commodo
Le Couppey: Bourree, Op.17
Czerny: Allegretto
Lemoine: Study in Lightness
Lemoine: Study for Singing Touch
Unknown: Arpeggios and Chords in d minor
Burgmüller: Consolation, Op.100
Duvernoy: Study in Staccato Sixths
Duvernoy: Study in Legato Thirds
Gobbaerts: Wrist Study, Op.63 No.3
Bischoff: Folk Song with 2 Variations, Op.31 No.11
Krause: Melody Study, Op.4 No.?
Duvernoy: Scale Study, Op.176 No.9
Krause: Study in Finger Staccato, Op.4 No.11
Krause: Study in Finger Rhythm, Op.4 No.12
Hünten: Nocturne No.1, Op.181
Czerny: Allegro
Gurlitt: Song of Home, Op.50 No.?
Krug: Melody Study, Op.121 No.32
Le Carpentier: Study in Crossing Hands, Op.59 No.?
Lemoine: Study in heavy running Passages
Loeschhorn: Spring Morning, Op.84 No.40
Krug: Waltz of the Forest Sprite, Op.121 No.23
Kullak: Song with Variations
Volume 2 Supplement
Germer: A study for the Fifth Finger, Op.37 No.19
Kruckow: Danse a la Turque, Op.7 No.1
Ahrens: Prankish Boys, Op.10 No.6
Luther: Eine feste Burg
Haydn: Air from Piano Sonata in D major
Förster: The Sighing Wind, Op.96 No.8
Schmoll: Etude Polka
Kuhlau: Melody
Kuhlau: A pleasant Afternoon
Schmoll: On the Prairie
Vogel: Study in Broken Thirds
Gurlitt: Study in Broken Chords
Spindler: Going to Church, Op.356 No.8
Germer: Study in Syncopation, Op.37 No.11
Czerny: A Study in Double Notes
Vogel: Flight of the Swallows
Bertini: Aria, Op.29 No.2
Schmoll: Etude in C major
Volume 3
Vogt: Allegro moderato, Op.124
Gurlitt: Con moto, Op.50 No.?
Schmoll: Graziella Waltz
Ascher: Allegro vivace, Op.59
Döring: Allegro molto, Op.8 No.5
Lemoine: Allegretto quasi Allegro, Op.37 No.48
Loeschhorn: Allegretto, Op.65 No.21
Czerny: Molto Allegro
Stamaty: Allegro molto leggiero
Schmoll: The happy Gold-Fishes
Concone: Butterflies, Op.25
Krug: Allegretto con moto, Op.75 No.7
Loeschhorn: Etude
Biehl: Etude, Op.139 No.4
Krug: Andante con moto e legato, Op.75 No.?
Ehmant: Study in Thirds
Sachs: The Contest of Giants, Op.3
Le Couppey: Allegro moderato, Op.26
Schmoll: A little Duet
Brauer: Vivace, Op.15 No.9
Unknown: Gracefulness
Pescetti: Presto
Handel: Prelude
Volume 3 Supplement
Bertini: A Thought of Home
Schytte: The March to Parnassus, Op.68
Czerny: Arpeggio Study, Op.636
Concone: A Chromatic Fancy Piece, Op.30
Beethoven: Chord Study from Op.14 No.2
Weber: Album Leaf
Massenet: Longing, Op.10
Volume 4
Henselt: Love Song, Op.5
Nollet: Tempo giusto
Döring: Whispering Waves
Birkedal-Barfod: Chords and Leaps for the left Hand
Krause: Allegretto, Op.2 No.2
Heller: Allegro assai, Op.46 No.?
Schytte: Allegro vivace, Op.58 No.?
Janke: Moderato energico, Op.11
Handel: Air a la Bourree
Heller: Allegretto moderato, Op.46 No.5
Döring: Allegro agitato, Op.8 No.11
Unknown: Study in Staccato Octaves
Mendelssohn: Choral Octave Study, Op.35 No.1
Bach: Little Prelude
Volume 4 Supplement
Kirchner: On the Village Green, Op.71
Hause: Staccato Etude, Op.102
Jensen: Elfin Dance, Op.33 No.5
Ravina: Thistle-Down Fancies, Op.14
Bach: Prelude
Volume 5
Schytte: Moderato, Op.58 No.3
Döring: Moderato, Op.8 No.16
Döring: Moderato, Op.8 No.17
Hünten: Le Gracieux, Op.81 No.1
Czerny: Molto Allegro
Loeschhorn: Village Festival
Döring: Allegro, Op.8 No.18
Heller: Impromptu, Op.16 No.20
Bach: Invention No.8
Hollaender: Frühlingslied, Op.3 No.1
Handel: Allemande
Loeschhorn: Study in Octaves
Handel: Allegro from 'Suite VII'
Zilcher: Staccato Octaves
Wolff: The Flute Player, Op.141
Mendelssohn: Presto agitato
Saint-Saëns: Tempo di Minuetto
Schumann: Novelette, Op.99 No.9
Volume 6
Cramer: Allegro
Handel: Corrente
Krause: Allegro, Op.5 No.1
Haberbier: Gondellied, Op.53 No.2
Reinhold: Decision, Op.53 No.10
Moszkowski: Etude, Op.18 No.3
Bohm: Waltz Study, Op.229 No.2
Cramer: Allegro
Czerny: Allegro molto
Lemmens: Fanfare
Döring: 'Midst the Breakers
Ravina: Prestissimo, Op.50 No.5
Unknown: Angel's Serenade
Bach: Solfegietto
Paradies: Toccata
Clementi: Canon from Op.40
Bach: Invention
Rimsky-Korsakov: Novelette
Stojowski: Spinning Wheel
Larmande-Des Argus: Double Note Study
Orth: Allegro non troppo
Volume 7
Schütt: Etude Mignonne
Jensen: Allegretto scherzando from Op.32
Czerny: Octave Study
Haberbier: The Awakening of Spring, Op.53 No.3
Bach: Präludium in D major from 'Well-Tempered Clavichord'
Clementi: Study from 'Gradus ad Parnassum'
Cramer: Presto
Schumann: Allegro from 'Faschingsschwank aus Wien', Op.26 No.1
Cramer: Vivace
Bagge: A Wrist Study
Heller: Con moto & Allegro vivace
Chopin: Prelude, Op.28 No.3
Schmoll: Pluto's Revels, Op.123
Volume 8
Clementi: 2 Studies from 'Gradus ad Parnassum'
Handel: The Harmonious Blacksmith from 'Suite V'
Jadassohn: Scherzo, Op.35 No.3, ed. Maurits Leefson
Schytte: The Chariot Race
Beringer: Etude de Concert
Backer-Grøndahl: Etude de Concert, Op.11 No.3
Chopin: Prelude, Op.28 No.22
Schumann: Traumeswirren from 'Fantasiestücke', Op.12 No.7
Henselt: Frühlingslied, Op.15, ed. Thomas à Becket
Raff: Etude Melodique, Op.130 No.2
Moszkowski: Etincelles, Op.36 No.6
Bach: Fugue in D major from 'Well-Tempered Clavichord'
Volume 9
Seiss: Bravura Study, Op.10 No.2
Seeling: Study, Op.10 No.9
Leschetizky: Les deux Alouettes, ed. Constantin von Sternberg
Clementi: Study, ed. Carl Tausig
Mason: Toccata, Op.46 (Extract)
Chopin: Etude, Op.25 No.9
Henselt: Si oiseau j'etais, Op.2 No.6
Bach: Fugue in cis minor from 'Well-Tempered Clavichord'
Schumann: Grillen from 'Fantasiestücke', Op.12 No.4
Henselt: Orage, Op.5 No.1
Rachmaninoff: Prelude, Op.3 No.2, ed. Maurits Leefson
Godard: En Route, Op.107 No.12
Volume 10
Schulhoff: Thrill Study, Op.13, ed. Anthony Stankowitch
Liszt: The Nightingale
Chopin: Etude, Op.25 No.2
Bach: Fantasie in c minor, ed. Hans von Bülow
Chopin: Etude, Op.10 No.5
Schumann: Finale from 'Symphonic Etudes', Op.13
Chopin: Etude, Op.10 No.12
Liszt: Waldesrauschen
The name itself is impressive—William Smythe Babcock Mathews. So it’s not surprising that the ad in an 1891 Etude used superlatives to herald Theodore Presser’s newest publication. The Standard Graded Course of Studies for the Pianoforte was “Original. Successful. Thorough. Complete. Modern. Compact. The model of all others.” W.S.B. Mathews was no lightweight. He was determined to change the way piano was taught by the multitudes of those who capitalized on the popularity of the instrument that was then the showpiece of every American parlor. It was clear, however, that most piano teachers were lightweights, with little training in piano playing or in how to teach it. Mathews was indeed on a mission. He was not alone. Earlier, in 1876, Presser—together with Eben Tourjée, Galusha M. Cole, and William Henry Dana— called the first meeting of the organization that became the Music Teachers National Association [MTNA]. Mathews attended that meeting as the leading delegate from Illinois. As the organization developed, a sometimes quite acrimonious conflict erupted between groups who were then called the “High Priests” and the “ABC Teachers.” Those with considerable training and performing ability were the “High Priests.” The large number of independent teachers with modest backgrounds and abilities constituted the other group. There was never any doubt that Presser and Mathews were on the side of the “ABC Teachers.” Presser, through his publishing business and the Etude magazine, provided teachers with music, advice columns, and articles, as well as teacher discounts through a mail order business. Mathews wrote many of these articles, notably a regular column, begun in 1887, called “Letters to Teachers.” Presser had published William Mason’s Touch and Technic (see The Piano Adventures Teacher, “Family Tree,” August, 2003), and it was the popularity of these books that established Presser as the leading publisher of educational music. He had also been collecting exercises and pieces drawn from what he considered the best sources with a view to compiling this material into a systematic curriculum. Mathews became the final editor and author of the ten graded volumes of this series that became another Presser “hit.” The Standard Graded Course opened with two pages of advice on how to orient the student to the keyboard—finding the black-key groups, naming the keys, and learning the basic elements of notation and rhythm. The first exercises, therefore, needed no explanation ... The entire series was a no-frills approach intended to interlock with Mason’s Touch and Technic to form the solidly prepared pianist. Students at the turn of the 20th century were offered the best pedagogical material of the times. Mathews’s Standard Graded Course was clearly determined to “raise the standard.” The first six books are still available. That’s quite a record! Volume 1
very short pieces, mainly by Mathews
Volume 2
Lemoine: 2 Allegro, Op.37 No.1+2
Schmoll: Fable
Schmoll: The Sky-Lark
Weber: Bohemian Dance
Le Carpentier: Two-Voice Exercise, Op.59 No.?
Czerny: Allegro commodo
Le Couppey: Bourree, Op.17
Czerny: Allegretto
Lemoine: Study in Lightness
Lemoine: Study for Singing Touch
Unknown: Arpeggios and Chords in d minor
Burgmüller: Consolation, Op.100
Duvernoy: Study in Staccato Sixths
Duvernoy: Study in Legato Thirds
Gobbaerts: Wrist Study, Op.63 No.3
Bischoff: Folk Song with 2 Variations, Op.31 No.11
Krause: Melody Study, Op.4 No.?
Duvernoy: Scale Study, Op.176 No.9
Krause: Study in Finger Staccato, Op.4 No.11
Krause: Study in Finger Rhythm, Op.4 No.12
Hünten: Nocturne No.1, Op.181
Czerny: Allegro
Gurlitt: Song of Home, Op.50 No.?
Krug: Melody Study, Op.121 No.32
Le Carpentier: Study in Crossing Hands, Op.59 No.?
Lemoine: Study in heavy running Passages
Loeschhorn: Spring Morning, Op.84 No.40
Krug: Waltz of the Forest Sprite, Op.121 No.23
Kullak: Song with Variations
Volume 2 Supplement
Germer: A study for the Fifth Finger, Op.37 No.19
Kruckow: Danse a la Turque, Op.7 No.1
Ahrens: Prankish Boys, Op.10 No.6
Luther: Eine feste Burg
Haydn: Air from Piano Sonata in D major
Förster: The Sighing Wind, Op.96 No.8
Schmoll: Etude Polka
Kuhlau: Melody
Kuhlau: A pleasant Afternoon
Schmoll: On the Prairie
Vogel: Study in Broken Thirds
Gurlitt: Study in Broken Chords
Spindler: Going to Church, Op.356 No.8
Germer: Study in Syncopation, Op.37 No.11
Czerny: A Study in Double Notes
Vogel: Flight of the Swallows
Bertini: Aria, Op.29 No.2
Schmoll: Etude in C major
Volume 3
Vogt: Allegro moderato, Op.124
Gurlitt: Con moto, Op.50 No.?
Schmoll: Graziella Waltz
Ascher: Allegro vivace, Op.59
Döring: Allegro molto, Op.8 No.5
Lemoine: Allegretto quasi Allegro, Op.37 No.48
Loeschhorn: Allegretto, Op.65 No.21
Czerny: Molto Allegro
Stamaty: Allegro molto leggiero
Schmoll: The happy Gold-Fishes
Concone: Butterflies, Op.25
Krug: Allegretto con moto, Op.75 No.7
Loeschhorn: Etude
Biehl: Etude, Op.139 No.4
Krug: Andante con moto e legato, Op.75 No.?
Ehmant: Study in Thirds
Sachs: The Contest of Giants, Op.3
Le Couppey: Allegro moderato, Op.26
Schmoll: A little Duet
Brauer: Vivace, Op.15 No.9
Unknown: Gracefulness
Pescetti: Presto
Handel: Prelude
Volume 3 Supplement
Bertini: A Thought of Home
Schytte: The March to Parnassus, Op.68
Czerny: Arpeggio Study, Op.636
Concone: A Chromatic Fancy Piece, Op.30
Beethoven: Chord Study from Op.14 No.2
Weber: Album Leaf
Massenet: Longing, Op.10
Volume 4
Henselt: Love Song, Op.5
Nollet: Tempo giusto
Döring: Whispering Waves
Birkedal-Barfod: Chords and Leaps for the left Hand
Krause: Allegretto, Op.2 No.2
Heller: Allegro assai, Op.46 No.?
Schytte: Allegro vivace, Op.58 No.?
Janke: Moderato energico, Op.11
Handel: Air a la Bourree
Heller: Allegretto moderato, Op.46 No.5
Döring: Allegro agitato, Op.8 No.11
Unknown: Study in Staccato Octaves
Mendelssohn: Choral Octave Study, Op.35 No.1
Bach: Little Prelude
Volume 4 Supplement
Kirchner: On the Village Green, Op.71
Hause: Staccato Etude, Op.102
Jensen: Elfin Dance, Op.33 No.5
Ravina: Thistle-Down Fancies, Op.14
Bach: Prelude
Volume 5
Schytte: Moderato, Op.58 No.3
Döring: Moderato, Op.8 No.16
Döring: Moderato, Op.8 No.17
Hünten: Le Gracieux, Op.81 No.1
Czerny: Molto Allegro
Loeschhorn: Village Festival
Döring: Allegro, Op.8 No.18
Heller: Impromptu, Op.16 No.20
Bach: Invention No.8
Hollaender: Frühlingslied, Op.3 No.1
Handel: Allemande
Loeschhorn: Study in Octaves
Handel: Allegro from 'Suite VII'
Zilcher: Staccato Octaves
Wolff: The Flute Player, Op.141
Mendelssohn: Presto agitato
Saint-Saëns: Tempo di Minuetto
Schumann: Novelette, Op.99 No.9
Volume 6
Cramer: Allegro
Handel: Corrente
Krause: Allegro, Op.5 No.1
Haberbier: Gondellied, Op.53 No.2
Reinhold: Decision, Op.53 No.10
Moszkowski: Etude, Op.18 No.3
Bohm: Waltz Study, Op.229 No.2
Cramer: Allegro
Czerny: Allegro molto
Lemmens: Fanfare
Döring: 'Midst the Breakers
Ravina: Prestissimo, Op.50 No.5
Unknown: Angel's Serenade
Bach: Solfegietto
Paradies: Toccata
Clementi: Canon from Op.40
Bach: Invention
Rimsky-Korsakov: Novelette
Stojowski: Spinning Wheel
Larmande-Des Argus: Double Note Study
Orth: Allegro non troppo
Volume 7
Schütt: Etude Mignonne
Jensen: Allegretto scherzando from Op.32
Czerny: Octave Study
Haberbier: The Awakening of Spring, Op.53 No.3
Bach: Präludium in D major from 'Well-Tempered Clavichord'
Clementi: Study from 'Gradus ad Parnassum'
Cramer: Presto
Schumann: Allegro from 'Faschingsschwank aus Wien', Op.26 No.1
Cramer: Vivace
Bagge: A Wrist Study
Heller: Con moto & Allegro vivace
Chopin: Prelude, Op.28 No.3
Schmoll: Pluto's Revels, Op.123
Volume 8
Clementi: 2 Studies from 'Gradus ad Parnassum'
Handel: The Harmonious Blacksmith from 'Suite V'
Jadassohn: Scherzo, Op.35 No.3, ed. Maurits Leefson
Schytte: The Chariot Race
Beringer: Etude de Concert
Backer-Grøndahl: Etude de Concert, Op.11 No.3
Chopin: Prelude, Op.28 No.22
Schumann: Traumeswirren from 'Fantasiestücke', Op.12 No.7
Henselt: Frühlingslied, Op.15, ed. Thomas à Becket
Raff: Etude Melodique, Op.130 No.2
Moszkowski: Etincelles, Op.36 No.6
Bach: Fugue in D major from 'Well-Tempered Clavichord'
Volume 9
Seiss: Bravura Study, Op.10 No.2
Seeling: Study, Op.10 No.9
Leschetizky: Les deux Alouettes, ed. Constantin von Sternberg
Clementi: Study, ed. Carl Tausig
Mason: Toccata, Op.46 (Extract)
Chopin: Etude, Op.25 No.9
Henselt: Si oiseau j'etais, Op.2 No.6
Bach: Fugue in cis minor from 'Well-Tempered Clavichord'
Schumann: Grillen from 'Fantasiestücke', Op.12 No.4
Henselt: Orage, Op.5 No.1
Rachmaninoff: Prelude, Op.3 No.2, ed. Maurits Leefson
Godard: En Route, Op.107 No.12
Volume 10
Schulhoff: Thrill Study, Op.13, ed. Anthony Stankowitch
Liszt: The Nightingale
Chopin: Etude, Op.25 No.2
Bach: Fantasie in c minor, ed. Hans von Bülow
Chopin: Etude, Op.10 No.5
Schumann: Finale from 'Symphonic Etudes', Op.13
Chopin: Etude, Op.10 No.12
Liszt: Waldesrauschen
