Soviet Films of the 1970s and Early 1980s: Conformity and Non-Conformity amidst Stagnation Decay

Contents
List of figures
Contributors
Introduction
Part I: Violating norms in Soviet serio-comic genres of the Stagnation era
	1 Character doubles as a symptom in late Soviet cinema • Alexander Prokhorov and Elena Prokhorova
	2 Antiheroes from an Imagined West: The Very Same Munchhausen and The House that Swift Built • Rimgaila Salys
Part II: Unsettling intergenerational harmony, professional integrity, and moral superiority
	3 Teaching (by) violence: Antiheroines in Ilya Averbakh’s Other People’s Letters • Tatiana Mikhailova
	4 Aging kings on the Soviet screen: Disappointment and self-doubt in Stagnation-era cinema • Otto Boele
Part III: Dualism, conformism, and impotence
	5 The Soviet flâneur-turned-marathoner: The movement of character and the character of movement in Georgii Daneliia’s 1970s films • Raymond De Luca
	6 Unneeded men in a time of compliance: Split identity in Unfinished Piece for Mechanical Piano and Flights in Dreams and Reality • Marina Rojavin
Part IV: Auteur films: Through the lens of time, space, and allegory
	7 Getting to Know the Big Wide World: The shaggy, the vulgar, and the bumptious • Eugenie Zvonkine
	8 Deconstructing the Stalin myth: Unheroic heroes in the films of Aleksei German, Sr. • Tim Harte
Index