Sound Alignments: Popular Music in Asia's Cold Wars

Cover
Contents
Acknowledgments
Introduction / Michael K. Bourdaghs, Paola Iovene, and Kaley Mason
Part I. Routes
	1. Musical Travels of the Coconut Isles and the Socialist Popular / Jennifer Lindsay
	2. Vehicles of Progress: The Kerala Rikshawala at the Intersection of Communism and Cosmopolitanism / Nisha Kommattam
	3. East Asian Pop Music and an Incomplete Regional Contemporary / C. J. W.-L. Wee
Part II. Covers
	4. Searching for Youth, the People (Minjung), and “Another” West While Living Through Anti-Communist Cold War Politics: South Korean “Folk Song” in the 1970S / Hyunjoon Shin
	5. Cosmopolitanism, Vernacular Cosmopolitanism, and Sound Alignments: Covers and Cantonese Cover Songs in 1960s Hong Kong / Hon-Lun Yang
Part III. Fronts
	6. Sonic Imaginaries of Okinawa: Daiku Tetsuhiro’s Cosmopolitan “Paradise” / Marié Abe
	7. Cosmaharaja: Popular Songs of Socialist Cosmpolitanism in Cold War India / Anna Schultz
	8. Yellow Music Criticism During China’s Anti-Rightist Campaign / Qian Zhang
Afterword: Asia’s Soundings of the Cold War / Christine R. Yano
Bibliography
Contributors
Index
	A
	B
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	D
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	H
	I
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