Somatic Voices in Performance Research and Beyond

Cover
Half Title
Series Page
Title Page
Copyright Page
Table of Contents
List of Figures
List of Online Material
List of Contributors
Acknowledgements
Series Foreword
Foreword: A Phonotechnics of Vocal Somaticity: An Autobiophonic Note
Introduction: Somatic Voice Studies
Part I: Vocalities in Somatic Studies
	1 Three Somatic Processes to Voice Through Movement: Breath, Exploration, Imagery
	2 Awakening Grace: Embodied Awareness in Vocal Training
	3 Never Just the Body: Etudes Between Voice and Dance
	4 On Voice Movement Integration (VMI) practice by Patricia Bardi: Awakening Resonance in the Moving Body
Part II: Voice Work, Somatics and the Diverse Self
	5 In Front of Me: Fitzmaurice Voicework® as a Transformative Practice
	6 Somatic Training and Resources for Body-Mind-Voice Integration: When Stage Fright “Comes to Visit”
	7 Voicing with Awareness: An Introduction to the Feldenkrais Method
	8 My Body is a Map, My Voice is the Path: (Trans)Racialized Somaticities and Roy Hart Voice Work
Part III: Vocal and Somatic Listening in Training
	9 (Re)Considering the Role of Touch in “Re-Educating” Actors’ Body/Voice
	10 Organic Voice: Vocal Integration Through Actor Training
	11 Dreaming Voice: A Dialogue
	12 Somatic Logos in Physiovocal Actor Training and Beyond
Part IV: Beyond the Somatic in Performance Research
	13 Mapping the Burden of Vocality: French Seventeenth-Century Vocal Lamentations, Japanese Meditation and Somatic Intra-Action
	14 Intensive Interaction: A Lesson On Queered Voicing From Children with Learning DisAbilities
	15 Vocal Resonance and the Politics of Intercorporeality
	16 The Somaesthetic In-Between: Six Statements on Vocality, Listening and Embodiment
Part V: Beyond this Book
	17 Beyond Our Somatic Voices
Index