Shakespeare and the Problem of Adaptation

Cover
Title
Copyright
Dedication
Contents
List of illustrations
Acknowledgements
Introduction: the problem of adaptation
1 Surviving performance: Shakespeare's contested works
	Identifying the dramatic work in text and performance
	Shakespearean performance and/as interpretation
	Textual production
	Pragmatic adaptation
2 Defining the work through production, or what adaptation is not
	Recognizing Hamlet
	Recognizing the Royal Shakespeare Company
3 Entangled in the present: Shakespeare and the politics of production
	Writing the present, exorcizing the past: Djanet Sears' Harlem Duet
	Dancing with art: Robert Lepage's Elsinore
4 Adapting media: ShakespeaRe-Told by the BBC
	Strategies of appropriation: Shakespeare's 'divorce comedies'
	Writing Shakespeare's Macbeth for television
	Mediated proximities, or much ado about 'noting'
	(Re)Telling Dream, building digital Britain
5 Textual origins
Notes
Bibliography
Index