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دسته بندی: سینما ویرایش: 5 نویسندگان: Harry C. Box سری: ISBN (شابک) : 1138391697, 9781138391697 ناشر: Routledge سال نشر: 2020 تعداد صفحات: 625 زبان: English فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود) حجم فایل: 28 مگابایت
در صورت تبدیل فایل کتاب Set Lighting Technician's Handbook: Film Lighting Equipment, Practice, and Electrical Distribution به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب کتاب راهنمای تکنسین روشنایی مجموعه: تجهیزات نورپردازی فیلم، تمرین و توزیع الکتریکی نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
این کتابچه راهنمای آموزشی دوستانه و عملی و مرجعی برای تکنسین
های نورپردازی در تولید تصاویر متحرک و تلویزیون است که جامع ترین
راهنمای موجود برای تنظیم نور است. این ترکیبی منحصر به فرد از
جزئیات کاربردی با درک تصویری بزرگ از نور، فناوری، ایمنی و حرفه
ای بودن را ارائه می دهد که برای هر فردی که نورپردازی فیلم را
انجام می دهد ضروری است.
ویرایش پنجم به تمام جنبه های نورپردازی و نورپردازی می پردازد.
دارای بخشهای گستردهای در کنترل چراغهای LED، علم رنگ،
سیستمهای کنترل روشنایی، سیستمهای بیسیم، سیستمهای کنترل
مبتنی بر اترنت، انرژی باتری و پروتکل مجموعه مدرن برای تولیدات
کوچک و بزرگ است. با تعداد سخاوتمندانه ای از تصاویر اصلی، این
کتاب استفاده از نور ملایم، تاثیر زوایای نور، و چگونگی ایجاد یک
طرح نورپردازی موثر در اطراف مسدود شدن بازیگران توسط گفر و DP را
نشان می دهد. این حجم دایرهالمعارفی دانش فنی با سالها تجربه
عملی و حس شوخ طبعی بسیار مورد نیاز است.
این متن ایدهآل برای تکنسینهای حرفهای نورپردازی در سراسر فیلم
و فیلم است. تلویزیون شامل کارگردانان نورپردازی، گفرها، DOPها، و
گروه های تقلب، و همچنین دانشجویان تولید فیلم و تلویزیون که در
حال تحصیل در زمینه نورپردازی، تکنیک های دوربین، تولید فیلم و
فیلمبرداری هستند.
این شامل یک وب سایت همراه اصلاح شده با منابع تکمیلی است. ، فرم
ها، چک لیست ها و تصاویر.
A friendly, hands-on training manual and reference for lighting
technicians in motion picture and television production, this
handbook is the most comprehensive guide to set lighting
available. It provides a unique combination of practical detail
with a big-picture understanding of lighting, technology,
safety, and professionalism, essential to anyone doing motion
picture lighting.
The fifth edition delves into every aspect of lighting and
features vastly expanded sections on controlling LED lights,
color science, lighting control systems, wireless systems,
Ethernet-based control systems, battery power, and modern set
protocol for productions small and large. With a generous
number of original images, the book illustrates the use of soft
light, the effect of lighting angles, and how the gaffer and DP
build an effective lighting plan around the blocking of the
actors. This encyclopedic volume of technical knowhow is
tempered with years of practical experience and a much-needed
sense of humor.
This is the ideal text for professional lighting technicians
across film and television including lighting directors,
gaffers, DOPs, and rigging crews, as well as film and
television production students studying lighting, camera
techniques, film production, and cinematography.
It includes a revamped companion website with supplementary
resources, forms, checklists, and images.
Cover Half Title Title Page Copyright Page Dedication Contents Preface Acknowledgments CHAPTER 1 Set basics: Your first barbecue Job descriptions of the lighting crew Director of photography Gaffer Best boy electric Lighting technicians Lighting control personnel Rigging crew The fixtures person (or department) Generator operator Grip department The company Production staff The director\'s team Script supervisor Camera department Sound department Locations Transportation Art department The general public Block, light, rehearse, tweak, shoot CHAPTER 2 Preproduction planning: The package, expendables, personal tools Preproduction planning Scouting locations Production meetings Wireless spectrum management meeting The load-in Prepping lights and stands The production van Expendable supplies Gels and diffusion Electrical expendables Tools and personal gear Tool belt Meters Other hand tools Personal gear CHAPTER 3 Lighting objectives Storytelling objectives Mood Naturalism Composition Time constraints Photographic objectives Light level Foot-candles F-stops and T-stops Factors affecting light levels Contrast, latitude, and the tonal value Spot meters Calibrated monitor Signal monitoring CHAPTER 4 Lighting strategies Motivating and reactive lighting Lighting faces Rembrandt cheek patch lighting Near- and far-side keys Side light Wrapping the key Front light Bottom light High in front or high to the side The lighting triangle Fill Eye light Backlights, kickers, and hair lights Lighting the acting positions Back cross keys Lighting the space and the background Ambience Backdrops CHAPTER 5 Manipulating light: Tools, techniques, and the behavior of light Falloff: your friend, the inverse square law Cuts and patterns Breakup patterns Cucaloris Branchaloris Tape on an empty frame Shading and selectively controlling brightness Movement Flicker effects: television screen, flame, and fire Other moving light effects Soft light Softness of light Linear light sources Bounce light Diffusion materials Diffusion on the fixture Fabric soft boxes Controlling soft light Flags and teasers Grids, egg crates, and louvers Lanterns CHAPTER 6 Color Color space Kelvin color temperature scale Shifting color up and down the color temperature scale Using MIRED units to calculate color shifts Correlated color temperature (CCT) Green/magenta axis Measuring color Colored light LED full-color Theatrical gels CHAPTER 7 LED lights Capabilities of LEDs Color options Phosphor white, daylight, or tungsten Remote phosphor Bi-color The reasons behind tunable-white and full-spectrum lights Full spectrum LED color control methods Lighting effects Dimming LEDs Dimming curves Bottom of the dimmer range The seven things every lighting technician should know about LEDs Control Soft light fixtures Rigging versatility with lightweight softlights Small \"face\" lights Larger full-featured heads Green/blue screens, backings, and translights ARRI SkyPanel® Establishing base settings Settings menus Light operation LED tubes Single- and bi-color tubes Full-color tubes Pixel tubes Ribbon and tiles Ribbon Power and control Soldering Other LED form factors Orbiter Automated fixtures Camera-mounted and small LEDs Ring lights Portable wall wash Punchy LEDs Architectural CHAPTER 8 Established lighting instruments Tungsten HMI and other metal halide arc lamps Fresnels Flood/spot control Tilt angle Fresnel beam Fresnel accessories 20k and 24k tungsten lights PAR lights PAR lamps PAR cans PAR arrays Axially mounted PAR fixtures Ellipsoidal reflector spotlights Dedolights Beam projectors Area lights and backing lights Space lights Backing lights Cyc strips Open-face lights Tungsten HMI \"open-face\" lights Tungsten soft lights CHAPTER 9 Operating HMI lights HMI lamps ARRIMAX Double-ended lamps Other notes about HMI lamps Normal HMI operation Striking DMX512-controlled ballasts UV protection and the safety loop circuit Color temperature Operating conditions Troubleshooting Power Cueing for HMIs CHAPTER 10 Stands and rigging Stands Baby stands Junior stands Offsets, side arms, extensions, and right angles Using stands Crank-up and motorized stands Grip stands Booms Rigging hardware Nail-on plates Set wall mounts Clamps Grids and greenbeds Other rigging hardware CHAPTER 11 Set protocol Set protocol Staging area Lighting the set Walkie-talkies Safeties Protecting sets and locations Teamwork Warnings Stingers and cabling Cables crossing the set Cables crossing work areas Stingers Preventing kick-outs Repatching 2k plugging policy Labeling stingers and power cords Coiling stingers and cable Circuit balance and capacity Overheating and short circuits Smoke, fire, and other bad smells Sprinkler systems Elevated work Ladders Parallels Working at height Aerial lifts (Condors and scissor lifts) Color correction on location Correcting commercial/industrial fluorescents Heat protection and gels Gelling windows Practical bulbs PH bulbs and photoflood bulbs MR-16 Mushroom floods Dimming practical lamps Wiring fixtures and outlet boxes The wrap Coiling feeder cable Inventory Replacing lamps Matching the lamp to the fixture Mercury Replacing tungsten and HMI lamps CHAPTER 12 Lighting control networks DMX512 DMX512 addressing The patch Fixture numbers The cheat sheet, fixtures, and universes DMX values and device personality General Device Type Format (GDTF) Multiple DMX512 universes Remote Device Management (RDM) Building wired DMX512 systems Deviations from the standard Data termination Capacity DMX cable Optical isolators and splitters DMX512 testing Loss of signal Ethernet, Art-Net, sACN, and RDMnet DMX over Ethernet Other Ethernet protocols RDMnet Advantages of Ethernet Lighting control apps Wi-Fi Wireless DMX To be or not to be wireless Wireless DMX transmitters and receivers Satellite™ and Constellation Bluetooth Mesh Wireless system management DMX controllers and lighting consoles Small controllers Consoles Console operations Pixel mapping CHAPTER 13 Electricity The fundamentals of electricity and electrical formulas Volts (electromotive force) Amperes (current) Watts (power) The power formula Resistance Ohm\'s law Parallel and series circuits How NOT to use electrical formulas AC vs. DC Power systems 240/120 single-phase, three-wire plus ground system 208/120 three-phase, four-wire plus ground system Single-phase derived from delta-connected, three-phase system 480/277 V three-phase system Electrical safety systems Control devices and polarity Overcurrent protection The current-carrying capacity of cable Types of feeder cable Equipment grounding System ground Generators Ground rods Bonding power sources CHAPTER 14 Power distribution equipment Components of a simple portable distribution system 208 V vs. 240 V systems Overcurrent protection and cable ampacity Protecting cable at its ampacity Step-down box The 400 percent rule Feeder runs Camlock connectors Reversed ground system Parallel cable Test jacks Camlock spiders Distribution centers Multi-pin connectors and receptacle boxes Stage pin (Bates) connectors Edison NEMA L6-20 and L6-30 PowerCON and TRUE1 Socapex Adapters Adapters for big lights DMX-controlled distribution and power with data CHAPTER 15 Dimming equipment Color temperature Dimming types and applications Household dimmers Variac dimmers Lunchbox dimmers and silent on-set dimmers Dimmers tailored for LEDs and small incandescent lamps Stand-alone dimmers Dimmer packs Dimmer racks Wireless DMX on-set dimmers Dimmer packs and racks Dimmer rooms Electronic dimmer designs Forward-phase control dimmers—SCR Reverse-phase control dimmers Sinewave dimmers Strand CD80 dimmer packs Installation and setup Troubleshooting ETC sensor dimmer system CHAPTER 16 Electrical rigging The role of the rigging gaffer Rigging paperwork Layers of an electrical system Hard-power layer Dimmer-circuit layer Control layer Cable and generator loading Sizing neutral conductors Sizing equipment grounding conductors Sizing grounding electrode and bonding conductors Rigging cable Protect your back Traffic areas Fire lanes Identifying cable, labeling circuits Lacing feeders Ventilating and separating runs Waterfalls Placement of distribution boxes The Gak package Root out bad contacts Testing the system before use Testing for short circuits Testing neutral and ground continuity and resistance Making the feeder connections Testing voltage Lugs and buss bars Knots for rigging Loop knots Binding hitches Other useful hitches Bends Strength of rope Rigging lights Rigging aerial lifts Cabling Condor duty CHAPTER 17 Working with electrical power Voltage drop and line loss Causes of voltage drop Allowable voltage drop Mitigating voltage drop Simple line loss calculations Single-phase voltage drop calculations Finding the voltage drop Finding cable gauge Finding the maximum current Finding the maximum length Three-phase voltage drop calculations Single-phase loads Three-phase loads Cable resistance Power factor Power factor correction Non-linear loads and harmonics Switch mode power supplies Harmonics Additive neutral current Skin effect and proximity effect Strategies for coping with large non-linear loads Measuring electricity AC Circuit Load Tester Circuit testers Testing continuity and testing for shorts Voltage meters Measuring amperage Wattmeter or power meter Power quality meter Measuring frequency (Hz rate) Circuit breaker finder Meter categories Electrical shocks and muscle freeze CHAPTER 18 Power sources Rechargeable batteries Battery types and mounts Voltage Current Battery capacity, run time, and charging Charge time Combining batteries with plates and power stations Options for powering lights with batteries Shipping and flying with batteries Battery chemistry and care Inverters Large battery packs Using available outlets Getting organized 240 V receptacles Putt-putts (small portable generators) Retrofits and alternative configurations Parallel generators and step-down transformers Running the generator Troubleshooting small generators How does a generator work? 240-to-120 V transformer Full-size generators Electrical configurations Control panel Generator placement Selecting a generator 480 V transformer Power (kVA) How transformers work Using a 480 V system Line drops from utility power Tie-ins Approach protection CHAPTER 19 Special circumstances and practices Shooting on moving vehicles Poor man\'s process and other techniques Lighting in and around water Working with electricity around water and damp environments GFCI protection GFCI devices Testing equipment Protecting equipment Lighting rain Underwater lighting Electricity in water Modern underwater fixtures The underwater lighting arsenal Features of underwater fixtures Surface support Lighting for matte photography Pure screen color and density Lighting the foreground CHAPTER 20 Specialty lighting equipment SoftSun Lighting balloons Lightning effects Lightning Strikes! Control units Power requirements Running Lightning Strikes! on generators Thundervoltz battery packs Automated lights Selecting moving lights Working with moving lights Remote pan and tilt for conventional lights Media servers and video projectors for lighting effects Xenon lights Follow spots Preparing the follow spot Operating the follow spot Black lights Black light fixtures Photographing with black light CHAPTER 21 LED color science and technology Systems for evaluating color rendering What\'s wrong with CRI? Extended CRI, CRI 15 TLCI-2012 and TLMF-2013 Spectral Similarity Index (SSI) What to watch for Why different cameras see the same colors differently Gamut Selecting the color space of a light Matching colors, ANSI E1.54 LED technology LED power supply, controller, driver, and dimming LED useful life APPENDIX A Photometric calculations and tables APPENDIX B Lamp tables APPENDIX C Flicker-free frame rates APPENDIX D Electrical tables APPENDIX E IP and NEMA equipment ratings APPENDIX F Equipment suppliers and manufacturers APPENDIX G Gels and diffusions APPENDIX H LED lights Glossary Index