Secular Music and Sacred Theology

Cover
Frontmatter
Contents
Acknowledgments
Introduction: Theology of Popular Music as a Theological Exercise (Tom Beaudoin)
PART ONE: Theology through Artistry
	Chapter 1: To the Void: Karl Barth, Yves Klein, and Lou Reed’s Metal Machine Music
(David Dault)
	Chapter 2: Musical Space: Living “In Between” the Christian and the Artistic Callings
(Maeve Louise Heaney)
PART TWO: Theology through Community
	Chapter 3: More Than Music: Notes on “Staying Punk” in the Church and in Theology
(Michael J. Iafrate)
	Chapter 4: On the Road to the Promised Land: How the NAACP, the Black Church, and Rock Music Helped the Civil Rights Movement
(Mary McDonough)
	Chapter 5: Is God Absent on “Grey Street”?: Theodicy, Domestic Violence, and the Dave Matthews Band
(Gina Messina-Dysert)
PART THREE: Theology through Song
	Chapter 6: Secular Music and Sacramental Theology (Christian Scharen)
	Chapter 7: Erase This from the Blackboard: Pearl Jam, John Howard Yoder, and the Overcoming of Trauma (Myles Werntz)
	Chapter 8: Baptized in Dirty Water: Locating the Gospel of Tupac Amaru Shakur in the Post-Soul Context (Daniel White Hodge)
	Chapter 9: Tom Waits, Nick Cave, and Martin Heidegger: On Singing of the God Who Will Not Be Named
(Jeffrey F. Keuss)
Contributors