Reverse shots: indigenous film and media in an international context

Cover
Contents
List of Illustrations
Acknowledgements
PART I: DREAM MAKERS
	INTRODUCTION: Globalizing Indigenous Film and Media
	ONE: He Who Dreams: Reflections on an Indigenous Life in Film
PART II: DECOLONIZING HISTORIES
	TWO: Speakin’ Out Blak: New and Emergent Aboriginal Filmmakers Finding Their Voices
	THREE: Taking Pictures B(l)ack: The Work of Tracey Moffatt
	FOUR: The Journals of Knud Rasmussen: Arctic History as Post/Colonial Cinema
	FIVE: Australian Indigenous Short Film as a Pedagogical Device: Introducing Wayne Blair’s The Djarn Djarns and Black Talk
	SIX: \"Once upon a Time in a Land Far, Far Away”: Representations of the Pre-Colonial World in Atanarjuat, Ofelas, and 10 Canoes
PART III: MEDIATING PRACTICES
	SEVEN: Ka Whawhai Tonu Mātou: Indigenous Television in Aotearoa/New Zealand
	EIGHT: Superhighway across the Sky ... Aboriginal New Media Arts in Australia: A Remix and Email Conversation between Adam Szymanski and Jenny Fraser
	NINE: On Collectivity and the Limits of Collaboration: Caching Igloolik Video in the South
PART IV: DOCUMENTARY APPROACHES
	TEN: The Prince George Métis Elders Documentary Project: Matching Product with Process in New Forms of Documentary
	ELEVEN: \"Whacking the Indigenous Funny Bone”: Native Humour and Its Healing Powers in Drew Hayden Taylor’s Redskins, Tricksters, and Puppy Stew
	TWELVE: Situating Indigenous Knowledges: The Talking Back of Alanis Obomsawin and Shelley Niro
	THIRTEEN: \"I Wanted to Say How Beautiful We Are”: Cultural Politics in Loretta Todd’s Hands of History
PART V: OTHER PERSPECTIVES
	FOURTEEN: Filming Indigeneity as Flânerie: Dialectic and Subtext in Terrance Odette’s Heater
	FIFTEEN: Playing with Land Issues: Subversive Hybridity in The Price of Milk
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Bibliography
Index
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