مشخصات کتاب
Records ruin the landscape : John Cage, the sixties, and sound recording
ویرایش:
نویسندگان: Cage. John, Cage. John, Grubbs. David, Cage. John
سری:
ISBN (شابک) : 9780822355762, 0822355906
ناشر: Duke University Press
سال نشر: 2014
تعداد صفحات: 247
زبان: English
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود)
حجم فایل: 1 مگابایت
قیمت کتاب (تومان) : 71,000
میانگین امتیاز به این کتاب :
تعداد امتیاز دهندگان : 18
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توجه داشته باشید کتاب ضبط ها منظره را خراب می کنند: جان کیج ، دهه شصت و ضبط صدا نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
توضیحاتی در مورد کتاب ضبط ها منظره را خراب می کنند: جان کیج ، دهه شصت و ضبط صدا
توضیحاتی درمورد کتاب به خارجی
John Cage's disdain for records was legendary. He repeatedly
spoke of the ways in which recorded music was antithetical to
his work. In Records ruin the landscape, David Grubbs argues
that, following Cage, new genres in experimental and
avant-garde music in the 1960s were particularly ill suited to
be represented in the form of a recording. These activities
include indeterminate music, long-duration minimalism, text
scores, happenings,
live electronic music, free jazz, and free improvisation. How
could these proudly evanescent performance practices have been
adequately represented on an LP? In their day, few of these
works circulated in recorded form. By contrast, contemporary
listeners can encounter this music not only through a flood of
LP and CD releases of archival recordings but also in even
greater volume through Internet file sharing and online
resources. Present-day listeners are coming to know that era's
experimental music through the recorded artifacts of composers
and musicians who largely disavowed recordings. In Records Ruin
the Landscape, Grubbs surveys a musical landscape marked by
altered listening practices [Publisher description].
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Abstract:
John Cage's disdain for records was legendary. He repeatedly
spoke of the ways in which recorded music was antithetical to
his work. In this book, the author argues that, following
Cage, new genres in experimental and
avant-garde music in the 1960s were particularly ill-suited
to be represented in the form of a recording.
Read
more...
فهرست مطالب
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Landscape with Cage --
John Cage, recording artist --
The antiques trade: free improvisation and record culture --
Remove the records from Texas: online resources and impermanent archives.
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