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از ساعت 7 صبح تا 10 شب
ویرایش: [1 ed.]
نویسندگان: James Nagel
سری:
ISBN (شابک) : 9780817387174, 9780817313388
ناشر: University of Alabama Press
سال نشر: 2014
تعداد صفحات: 223
زبان: English
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود)
حجم فایل: 1 Mb
در صورت تبدیل فایل کتاب Race and Culture in New Orleans Stories : Kate Chopin, Grace King, Alice Dunbar-Nelson, and George Washington Cable به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب نژاد و فرهنگ در داستان های نیواورلئان: کیت شوپن، گریس کینگ، آلیس دانبار-نلسون و جورج واشنگتن کیبل نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
""Race and Culture in New Orleans Stories" "posits that the Crescent City and the surrounding Louisiana bayous were a logical setting for the literary exploration of crucial social problems in America. " Race and Culture in New Orleans Stories" is a study of four volumes of interrelated short stories set in New Orleans and the surrounding Louisiana bayous: Kate ChopinOCOs "Bayou Folk"; George Washington CableOCOs "Old Creole Days"; Grace KingOCOs "Balcony Stories"; and Alice Dunbar-NelsonOCOs "The Goodness of St. Rocque and Other Stories." James Nagel argues that the conflicts and themes in these stories cannot be understood without a knowledge of the unique historical context of the founding of Louisiana, its four decades of rule by the Spanish, the Louisiana Purchase and the resulting cultural transformations across the region, Napoleonic law, the Code Noir, the pla age tradition, the immigration of various ethnic and natural groups into the city, and the effects of the Civil War and Reconstruction. All of these historical factors energize and enrich the fiction of this important region. The literary context of these volumes is also central to understanding their place in literary history. They are short-story cyclesOCocollections of short fiction that contain unifying settings, recurring characters or character types, and central themes and motifs. They are also examples of the OC local colorOCO tradition in fiction, a movement that has been much misunderstood. Nagel maintains that regional literature was meant to be the highest form of American writing, not the lowest, and its objective was to capture the locations, folkways, values, dialects, conflicts, and ways of life in the various regions of the country in order to show that the lives of common citizens were sufficiently important to be the subject of serious literature. Finally, Nagel shows that New Orleans provided a profoundly rich and complex setting for the literary exploration of some of the most crucial social problems in America, including racial stratification, social caste, economic exploitation, and gender roles, all of which were undergoing rapid transformation at the end of the nineteenth century and the beginning of the twentieth."