Profane Imagery in Marginal Arts of the Middle Ages

Front matter (“Contents”, “Preface”, “Editorial”), p. i
	
Technical Aspects of the Misericord, p. xix
Hugh Harrison
	
Misericords as an Interpretative Tool in the Study of Choir Stalls, p. 3
Charles Tracy
	
Misericords and the World of Bruegel, p. 21
Elaine C. Block
	
Tutivillus, p. 47
Christa Grössinger
	
Where the Abbot Carries Dice: Gaming-Board Misericords in Context, p. 63
M. A. Hall
	
Flying Low Down Under: Representations of Winged Mammals Fowl, and Birds on English Misericords, p. 83
S. J. F. S. Philips
	
The Mermaid in the Church, p. 105
Terry Pearson
	
Romance among the Choir Stalls: Middle English Romance Motifs on English Misericords, p. 123
Jennifer Fellows
	
Misinterpretations in the Margins, p. 143
Paul Hardwick
	
Passionate Pilgrims: Secular Lead Badges as Precursors of Emblemata Amatoria, p. 157
Stefanie Stockhorst
	
Obscenity as the Woodworker’s Last Laugh, p. 185
Naomi Reed Kline
	
Looking for Fun in All the Wrong Places: Humour and Comedy in Moralizing Prints, p. 199
Diane G. Scillia

A Sacred Text Profaned: Seven Women Fight for the Breeches, p. 221
Walter S. Gibson

Iconographie des charniers, des ossuaires et des aîtres à travers la France médiévale, p. 239
Sylvie Bethmont-Gallerand
	
An Iconography of Shame: German Defamatory Pictures of the Early Modern Era, p. 263
Silke Meyer
	
The Lost Print Collection of Ferdinand Columbus (1488–1539), p. 285
Mark P. McDonald
	
Screening the Middle Ages: Costumes and Objects as Medieval Signifiers in The Adventures of Robin Hood (1938), p. 303
Brian J. Levy
	
Diabolus in musica dans les stalles médiévales: significations du désordre musical, p. 315
Frédéric Billiet
	
Review of Averting Demons by Ruth Mellinkoff, p. 339
Malcolm Jones
	
Resumés in French and English, p. 363
Sylvie Bethmont-Gallerand, Elaine C. Block
	
Back matter (“Appendix / List of photographs by site”, “The Authors”), p. 413