Postcolonial Nation and Narrative III: Literature & Cinema: Cape Verde, Guinea-Bissau and São Tomé e Príncipe (Reconfiguring Identities in the Portuguese-Speaking World)

Cover
Contents
List of Figures
Introduction: Postcolonial Nation and Narrative, Cinema and Literature (Ana Mafalda Leite)
Part I African Cinema, National, Transnational, Decolonial and Lusophone?
	Lusophone Cinemas in Transnational Perspective (Paulo de Medeiros)
	African Cinema: A Transnational Cinema? The Decolonial Cinema of Flora Gomes (Ute Fendler)
	The ‘Sounds’ of Lusophony: The Question of Language in Two Films with Cape Verdean Themes (Ellen W. Sapega)
Part II Visual Narratives and Poetics
	Between Realities and Scenarios: Duty and Authority to Narrate the Nation between Images (Sheila Khan)
	José Carlos Schwarz’s Poetics and the Guinean Nation: Relations between Cinema, Literature, Music, Memory and History (Carmen Lúcia Tindó Secco)
	The Prayers of Mansata by Abdulai Sila: Performing the Postcolony (Elena Brugioni)
Part III The Films of Flora Gomes
	Flora Gomes: Resilient Hope on Scant Chances (Joana Passos)
	Authorial Features in African Cinema: The Case of the Guinean Flora Gomes (Jusciele Conceição Almeida de Oliveira / Mirian Tavares)
	Where Is Cabral? Postnational Culture and Liberation in Nha fala (Mark Sabine)
Part IV Leão Lopes’s and Pedro Costa’s Cape Verdean Cinema
	When the Chess Board Had Only White Pieces: A Study of Ilhéu de Contenda, the Book and the Film (Jane Tutikian)
	In Search of the White Father: Filming the Island of Fogo in the Cinema of Pedro Costa and Leão Lopes (Hilary Owen)
	Wreckage, Fragments and Non-Places: The Life of Cape Verdean Immigrants in Cavalo Dinheiro by Pedro Costa (Doris Wieser)
Part V Documentary Narratives on Cape Verde and São Tomé e Príncipe
	Intertwining Histories: Documentary Narratives on São Tomé and Cape Verde (Jessica Falconi)
	Zooming in on the Edges: Narratives of the Santomean Nation in the Documentaries of Ângelo Torres (Kamila Krakowska)
Part VI Postcolonial and Postnational Literature
	After Nationalism: Literary Configurations of Contemporary Postcolonialities in Cape Verde, Guinea-Bissau and São Tomé e Príncipe (Emanuelle Santos)
	‘Eva das Mil Pessoas’: Politics and Hyper-sexuality in Germano Almeida’s Eva (Luís Madureira)
Notes on Contributors
Index