Postcolonial Cinema Studies

Cover
Postcolonial Cinema Studies
Copyright
Contents
Figures
Contributors
Acknowledgments
Introduction
Part I : Cinemas of empire
	Introduction to Part I
	Chapter 1: Italian Fascism’s empire cinema: Kif Tebbi, the conquest of Libya, and the assault on the nomadic
	Chapter 2: Blackface, faciality, and colony nostalgia in 1930s empire films
	Chapter 3: The socialist historical film
Part II : Postcolonial cinemas: Unframing histories
	Introduction to Part II
	Chapter 4: From otherness “over there” to virtual presence: Camp de Thiaroye – The Battle of Algiers – Hidden
	Chapter 5: Fraught frames: Fatima, L’Algérienne de Dakar and postcolonial quandaries
	Chapter 6: Postcolonial relationalities in Philippe Faucon’s Dans la vie
	Chapter 7: The postcolonial condition of “Indochinese” cinema from Việt Nam, Cambodia, and Laos
Part III : Postcolonial cinemas: postcolonial aesthetics
	Introduction to Part III
	Chapter 8: Spectral postcoloniality: Lusophone postcolonial film and the imaginary of the nation
	Chapter 9: The aesthetics of postcolonial cinema in Raul Ruiz’s Three Crowns of the Sailor
	Chapter 10: The postcolonial circus: Maurizio Nichetti’s Luna e l’altra
	Chapter 11: Postcolonial adaptations: gained and lost in translation
Part IV : Postcolonial cinemas and globalization
	Introduction to Part IV
	Chapter 12: Unpeople: postcolonial reflections on terror, torture and detention in Children of Men
	Chapter 13: Mira Nair’s Monsoon Wedding and the transcoded audiologic of postcolonial convergence
	Chapter 14: Nollywood in transit: The globalization of Nigerian video culture
	Chapter 15: Postface: An interview with Priya Jaikumar
Index