Point of View, Perspective, and Focalization: Modeling Mediation in Narrative (Narratologia)

Frontmatter
......Page 2
Contents......Page 6
Introduction......Page 8
Part I: Re-Specifications of Perspectives
......Page 16
The DNS of Mediacy......Page 18
Focalization: Where Do We Go from Here?......Page 48
Perspectivization and Focalization: Two Concepts—One Meaning? An Attempt at Conceptual Differentiation......Page 66
A Brief Introduction to an Enunciative Approach to Point of View......Page 86
Narrative and Stylistic Agency: The Case of Overt Narration......Page 106
Beyond Voice and Vision: Cognitive Grammar and Focalization Theory......Page 126
Plural Focalization, Singular Voices: Wandering Perspectives in “We”-Narration......Page 150
Part II: Some Special Aspects of Mediation
......Page 168
A Comparative Analysis of Indices of Narrative Point of View in Bulgarian and English......Page 170
Focalization, the Subject and the Act of Shaping Perspective......Page 190
Coming to Our Senses: Narratology and the Visual......Page 208
Part III: Transliterary Aspects of Mediation
......Page 226
Organizing the Perspectives: Focalization and the Superordinate Narrative System in Drama and Theater......Page 228
Focalization, Ocularization and Auricularization in Film and Literature......Page 250
Film Narratology: Who Tells? Who Shows? Who Focalizes? Narrative Mediation in Self-Reflexive Fiction Films......Page 266
Perspective in Contemporary Computer Games......Page 286
Authors
......Page 308