Philosophy and Film: Bridging Divides

Cover
Half Title
Series
Title
Copyright
Contents
Preface
Acknowledgments
Introduction
Part I The Nature of Film
	1 (Collapsed) Seeing-In and the (Im-)Possibility of Progress in Analytic Philosophy (of Film)
	2 The World Viewed and the World Lived: Stanley Cavell and Film as the Moving Image of Skepticism
	3 The Morph-Image: Four Forms of Post-Cinema
	4 Deleuze’s Cronosigns
Part II The Film as Philosophy Debate
	5 The Bold Thesis Retried: On Cinema as Philosophy
	6 Film as Philosophical Thought Experiment: Some Challenges and Opportunities
	7 Are There Definite Objections to Film as Philosophy? Metaphilosophical Considerations
	8 Philosophical Dimensions of Cinematic Experience
Part III The Philosophical Value of Film
	9 Philosophical Experience and Experimental Film
	10 Filmmaking as Self-Writing: Federico Fellini’s 8½ (1963)
	11 Film and Ethics
Part IV Cinematic Experience
	12 Movies, Narration and the Emotions
	13 Predictive Processing and the Experimental Solution for the Paradox of Fiction
	14 The Lived Experience of Motion Pictures: A Phenomenological Approach to Cinema
Part V Interpreting Cinematic Works
	15 The Blade Runner Question: From Philosophy to Myth
	16 Race, Bodies and Lived Realities in Get Out and Black Panther
	17 Transnational Biopolitical Motives in Postmodern Cinema: Žižek and Badiou on Udi Aloni’s Forgiveness and Local Angel
Part VI Further Debates
	18 Cinema and Television: The Art and Industry of Joint Works
	19 Towards a Natural Screen Philosophy
	20 Metaphysical Alter-Egos: Matheson, Dunne and the View From Somewhere
Contributors
Authors / Filmmakers
Films / TV Series
Subject Index