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ویرایش:
نویسندگان: Brian Massumi
سری: Post-Contemporary Interventions
ISBN (شابک) : 0822328976, 9780822328827
ناشر: Duke University Press
سال نشر: 2002
تعداد صفحات: 338
زبان: English
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود)
حجم فایل: 3 مگابایت
در صورت تبدیل فایل کتاب Parables for the Virtual: Movement, Affect, Sensation به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب مثل برای مجازی: جنبش ، تأثیر ، احساس نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
اگرچه بدن کانون توجه بسیاری از نظریههای فرهنگی معاصر بوده است، مدلهایی که معمولاً به کار میروند از برجستهترین ویژگیهای وجود مجسم - حرکت، عاطفه و احساس - به نفع مفاهیم برگرفته از نظریه زبانشناختی غفلت میکنند. برایان ماسومی در «مثلهایی برای مجازی» بدن و رسانههایی مانند تلویزیون، فیلم و اینترنت را بهعنوان شکلگیریهای فرهنگی میبیند که بر روی ثبتهای متعدد حسی فراتر از دسترس تکنیکهای خواندن مبتنی بر مدلهای خطابی و نشانهشناختی استاندارد عمل میکنند. ماسومی با تجدید و ارزیابی تجربهگرایی رادیکال ویلیام جیمز و فلسفه ادراک هنری برگسون از طریق فیلتر فلسفه فرانسوی پس از جنگ دلوز، گاتاری و فوکو، منطق فرهنگی تنوع را به مسائل حرکت، عاطفه و احساس پیوند میدهد. او استدلال میکند که اگر چنین مفاهیمی به اندازه نشانهها و دلالتها بنیادی باشند، مجموعه جدیدی از مسائل نظری پدیدار میشوند و همراه با آنها راههای بالقوه جدیدی برای ازدواج نظریه علمی و فرهنگی وجود دارد. جایگزینی تقابل سنتی لفظی و مجازی با تمایزات جدید بین سکون و حرکت و بین واقعی و مجازی، تمثیلهایی برای مجازی با به کار بردن آنها در رسانههای فرهنگی به گونهای متنوع مانند معماری، هنر بدن، هنر دیجیتال استلارک، و حرفه بازیگری رونالد ریگان. نتیجه ترکیبی جذاب از نظریه فرهنگی، علم و فلسفه است که خود را در یک بحث متبلور و چند وجهی اثبات می کند. تمثیلهایی برای مجازی، دانشجویان و محققان فلسفه قارهای و انگلیسی-آمریکایی، مطالعات فرهنگی، علوم شناختی، هنر الکترونیک، فرهنگ دیجیتال، و نظریه آشوب، و همچنین کسانی که با «جنگهای علمی» و رابطه بین علوم انسانی مرتبط هستند، مورد توجه قرار خواهند گرفت. و علوم به طور کلی. بررسی ها: «این یک اثر فوقالعاده علمی و فکری است، دقیقترین نقد و فرمولبندی مجدد دکترین فرهنگ که در این سالها خواندهام. نثر معصومی وضوح خیرهکننده و گاه برشدهندهای دارد، و با این حال او به مسائل بسیار بزرگ میخورد. مردم برای مدت طولانی در حال خواندن و صحبت در مورد تمثیل های مجازی خواهند بود.\"- میگان موریس، نویسنده کتاب خیلی زود خیلی دیر: تاریخ در فرهنگ عمومی "آیا از کتاب هایی که وعده بازگرداندن "بدن" یا "جسم" را به فرهنگ می دهند ناامید شده اید؟ خب، شانس شما در شرف تغییر است. در این کتاب قابل توجه برایان ماسومی، ما را از تقاطع بین حرکت و احساس منتقل می کند. از طریق کاوشهای بینشآمیز عاطفه و تصویر بدن، به پیکربندی مجدد خلاقانه «پیوستار طبیعت-فرهنگ». نوشته تجربی و ماجراجویانه است، همانطور که میتوان از نویسندهای انتظار داشت که خلاقیت را متمایزترین ویژگی تفکر میداند. آشکار شدن ماسومی در سالهای آینده تأثیر عمدهای بر نظریه فرهنگی خواهد داشت.» – ویلیام کانولی، دانشگاه جان هاپکینز «بعد از برگسون، وایتهد، دلوز و گاتاری، اعتراض بزرگ تجربهگرای رادیکال علیه عینیتگرایی سادهلوحانه و ذهنیتگرایی سادهلوحانه دوباره طنینانداز شد و شگفتی را به رایجترین تجربیات روز بازگرداند. پس از خواندن برایان ماسومی، هرگز به سیناترا گوش نخواهید داد یا فوتبال تماشا نمیکنید. دوباره به همین ترتیب بازی کنید.\"-ایزابل استنگرز، دانشگاه آزاد بروکسل توصیف کتاب معصومی بهعنوان یک دستاورد درخشان کافی نیست. به ندرت میبینیم که متفکری سیاسی با چنین توجه دقیق به وجود روزمره انسان، ایدههای خود را توسعه دهد و معماری فکری سیال شگفتآوری را حول این سؤال اساسی ایجاد کند. واقعیت تجسم انسان به فعالیت تفکر میپردازد. انتقاد شدید معصومی از نظریهپردازیهای اجتماعی-ساختگرایانه و ذاتگرایانه از شیوههای تجسمیافته، سنت دلوزی فلسفه را برای دوران ما تجدید میکند.» - دیپش چاکرابارتی، دانشگاه شیکاگو
Although the body has been the focus of much contemporary cultural theory, the models that are typically applied neglect the most salient characteristics of embodied existence—movement, affect, and sensation—in favor of concepts derived from linguistic theory. In Parables for the Virtual Brian Massumi views the body and media such as television, film, and the Internet, as cultural formations that operate on multiple registers of sensation beyond the reach of the reading techniques founded on the standard rhetorical and semiotic models. Renewing and assessing William James’s radical empiricism and Henri Bergson’s philosophy of perception through the filter of the post-war French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. If such concepts are as fundamental as signs and significations, he argues, then a new set of theoretical issues appear, and with them potential new paths for the wedding of scientific and cultural theory. Replacing the traditional opposition of literal and figural with new distinctions between stasis and motion and between actual and virtual, Parables for the Virtual tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan’s acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multi-faceted argument. Parables for the Virtual will interest students and scholars of continental and Anglo-American philosophy, cultural studies, cognitive science, electronic art, digital culture, and chaos theory, as well as those concerned with the “science wars” and the relation between the humanities and the sciences in general. REVIEWS: "This is an extraordinary work of scholarship and thought, the most thorough-going critique and reformulation of the culture doctrine that I have read in years. Massumi's prose has a dazzling and sometimes cutting clarity, and yet he bites into very big issues. People will be reading and talking about Parables for the Virtual for a long time to come."— Meaghan Morris, author of Too Soon Too Late: History in Popular Culture "Have you been disappointed by books that promise to bring ‘the body’ or ‘corporeality’ back into culture? Well, your luck is about to change. In this remarkable book Brian Massumi transports us from the dicey intersection between movement and sensation, through insightful explorations of affect and body image, to a creative reconfiguration of the ‘nature-culture continuum.’ The writing is experimental and adventurous, as one might expect from a writer who finds inventiveness to be the most distinctive attribute of thinking. The perspective Massumi unfolds will have a major effect on cultural theory for years to come."—William Connolly, Johns Hopkins University "After Bergson, Whitehead, Deleuze, and Guattari, the great radical empiricist protest against naïve objectivism and naïve subjectivism resonates again, bringing wonder back into the most common day experiences. After reading Brian Massumi you will never listen to Sinatra or watch a soccer game the same way again."—Isabelle Stengers, Free University of Brussels "It is not enough to describe Massumi’s book as a brilliant achievement. Seldom do we see a political thinker develop his or her ideas with such scrupulous attention to everyday human existence, creating a marvelously fluid architecture of thought around the fundamental question of what the fact of human embodiment does to the activity of thinking. Massumi’s vigorous critique of both social-constructionist and essentialist theorizations of embodied practices renews the Deleuzian tradition of philosophy for our times."—Dipesh Chakrabarty, University of Chicago
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