Pagans and Puritans: Protestant Classical Translation in Renaissance England

ABSTRACT
ACKNOWLEDGEMENTS
INTRODUCTION
CONVERTING OVID: TRANSLATION, RELIGION, AND ALLEGORY IN
ARTHUR GOLDING’S METAMORPHOSES
	2.1 Context: Protestant Opinions About Pagan Literature in the Tudor Period
	2.2 Context: Nationalism, Patronage, Dangerous Books, and Allegories
	2.3 Golding’s Interpretive Apparatus
	2.4 Examples from the Text
TRANSLATION AS ENSLAVEMENT: THOMAS DRANT, HORACE, AND JEREMIAH
	3.1 Metaphors of Translation and the Medieval Tradition
	3.2 Conquest: Real and Imagined
	3.3 Drant’s Captive Horace
	3.4 Drant’s Deference to Jeremiah
	3.5 Roman Conquerors Conquered
USEFUL ENEMIES AND UNLIKELY WITNESSES: HUTCHINSON’S DE RERUM NATURA AS A SOURCE FOR ORDER AND DISORDER
	4.1 Lightning and Useful Enemies
	4.2 A Warning Against “carnall reason”
	4.3 Hutchinson Ties Her Doctrinal Enemies to Lucretius
	4.4 Bitter Medicine and “Poisoning” the Well
	4.5 “The Uncomfortable shadow of death”
	4.6 Unlikely Witness for the Trinity
CONCLUSION
	5.1 Shakespeare
	5.2 Afterword
BIBLIOGRAPHY