Music Technology with Swing: 13th International Symposium, CMMR 2017, Matosinhos, Portugal, September 25-28, 2017, Revised Selected Papers

Front Matter ....Pages I-XIII
Front Matter ....Pages 1-1
 Automatic Recognition of Sound Categories from Their Vocal Imitation Using Audio Primitives Automatically Found by SI-PLCA and HMM  (Enrico Marchetto, Geoffroy Peeters)....Pages 3-22
 Automatic Estimation of Harmonic Tension by Distributed Representation of Chords  (Ali Nikrang, David R. W. Sears, Gerhard Widmer)....Pages 23-34
 Automatic Music Genre Classification in Small and Ethnic Datasets  (Tiago Fernandes Tavares, Juliano Henrique Foleiss)....Pages 35-48
 Music Genre Classification Revisited: An In-Depth Examination Guided by Music Experts  (Haukur Pálmason, Björn Þór Jónsson, Markus Schedl, Peter Knees)....Pages 49-62
 Exploring Trends in Trinidad Steelband Music Through Computational Ethnomusicology  (Elio Quinton, Florabelle Spielmann, Bob L. Sturm)....Pages 63-75
 k-Best Unit Selection Strategies for Musical Concatenative Synthesis  (Cárthach Ó Nuanáin, Perfecto Herrera, Sergi Jordá)....Pages 76-97
Front Matter ....Pages 99-99
 Groove on the Brain  (Peter Vuust)....Pages 101-110
 Finding Drum Breaks in Digital Music Recordings  (Patricio López-Serrano, Christian Dittmar, Meinard Müller)....Pages 111-122
 Drum Rhythm Spaces: From Global Models to Style-Specific Maps  (Daniel Gómez-Marín, Sergi Jordà, Perfecto Herrera)....Pages 123-134
 Modulated Swing: Dynamic Rhythm Synthesis by Means of Frequency Modulation  (Carl Haakon Waadeland, Sigurd Saue)....Pages 135-150
 A Hierarchical Harmonic Mixing Method  (Gilberto Bernardes, Matthew E. P. Davies, Carlos Guedes)....Pages 151-170
 Games Without Frontiers: Audio Games for Music Production and Performance  (Jason Hockman, Joseph Thibodeau)....Pages 171-183
Front Matter ....Pages 185-185
 Autonomous Composition as Search in a Conceptual Space: A Computational Creativity View  (F. Amílcar Cardoso)....Pages 187-198
 On Linear Algebraic Representation of Time-span and Prolongational Trees  (Satoshi Tojo, Alan Marsden, Keiji Hirata)....Pages 199-212
 Four-Part Harmonization: Comparison of a Bayesian Network and a Recurrent Neural Network  (Tatsuro Yamada, Tetsuro Kitahara, Hiroaki Arie, Tetsuya Ogata)....Pages 213-225
 On Hierarchical Clustering of Spectrogram  (Shun Sawada, Yoshinari Takegawa, Keiji Hirata)....Pages 226-237
 deepGTTM-III: Multi-task Learning with Grouping and Metrical Structures  (Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo)....Pages 238-251
 Analyzing Music to Music Perceptual Contagion of Emotion in Clusters of Survey-Takers, Using a Novel Contagion Interface: A Case Study of Hindustani Classical Music  (Sanga Chaki, Sourangshu Bhattacharya, Raju Mullick, Priyadarshi Patnaik)....Pages 252-269
Front Matter ....Pages 271-271
 Inscribing Bodies: Notating Gesture  (Emily Beattie, Margaret Schedel)....Pages 273-283
 Auditory Modulation of Multisensory Representations  (Alfred O. Effenberg, Tong-Hun Hwang, Shashank Ghai, Gerd Schmitz)....Pages 284-311
 Music and Musical Sonification for the Rehabilitation of Parkinsonian Dysgraphia: Conceptual Framework  (Lauriane Véron-Delor, Serge Pinto, Alexandre Eusebio, Jean-Luc Velay, Jérémy Danna)....Pages 312-326
 Investigating the Role of Auditory Feedback in a Multimodal Biking Experience  (Jon Ram Bruun Pedersen, Stefania Serafin, Francesco Grani)....Pages 327-337
 Considerations for Developing Sound in Golf Putting Experiments  (Benjamin O’Brien, Brett Juhas, Marta Bieńkiewicz, Laurent Pruvost, Frank Buloup, Lionel Bringnoux et al.)....Pages 338-358
Front Matter ....Pages 359-359
 Feel It in My Bones: Composing Multimodal Experience Through Tissue Conduction  (Peter Lennox, Ian McKenzie, Michael Brown)....Pages 361-386
 Enriching Musical Interaction on Tactile Feedback Surfaces with Programmable Friction  (Farzan Kalantari, Florent Berthaut, Laurent Grisoni)....Pages 387-401
 Assessing Sound Perception Through Vocal Imitations of Sounds that Evoke Movements and Materials  (Thomas Bordonné, Manuel Dias-Alves, Mitsuko Aramaki, Sølvi Ystad, Richard Kronland-Martinet)....Pages 402-412
 Exploration of Sonification Strategies for Guidance in a Blind Driving Game  (Gaëtan Parseihian, Mitsuko Aramaki, Sølvi Ystad, Richard Kronland-Martinet)....Pages 413-428
 DIGIT: A Digital Foley System to Generate Footstep Sounds  (Luis Aly, Rui Penha, Gilberto Bernardes)....Pages 429-441
Front Matter ....Pages 443-443
 Composing and Improvising. In Real Time  (Carlos Guedes)....Pages 445-453
 bf-pd: Enabling Mediated Communication and Cooperation in Improvised Digital Orchestras  (Luke Dahl, Florent Berthaut, Antoine Nau, Patricia Plenacoste)....Pages 454-467
 Visual Representations for Music Understanding Improvement  (Leandro Cruz, Vitor Rolla, Juliano Kestenberg, Luiz Velho)....Pages 468-476
 Melody Transformation with Semiotic Patterns  (Izaro Goienetxea, Darrell Conklin)....Pages 477-488
 The Comprovisador’s Real-Time Notation Interface (Extended Version)  (Pedro Louzeiro)....Pages 489-508
 JamSketch: Improvisation Support System with GA-Based Melody Creation from User’s Drawing  (Tetsuro Kitahara, Sergio Giraldo, Rafael Ramírez)....Pages 509-521
Front Matter ....Pages 523-523
 Mobile Devices as Musical Instruments - State of the Art and Future Prospects  (Georg Essl, Sang Won Lee)....Pages 525-539
 Augmenting Virtuality with a Synchronized Dynamic Musical Instrument: A User Evaluation of a Mixed Reality MIDI Keyboard  (John Desnoyers-Stewart, David Gerhard, Megan L. Smith)....Pages 540-557
 Toward Augmented Familiarity of the Audience with Digital Musical Instruments  (Olivier Capra, Florent Berthaut, Laurent Grisoni)....Pages 558-573
 Use the Force: Incorporating Touch Force Sensors into Mobile Music Interaction  (Edward Jangwon Lee, Sangeon Yong, Soonbeom Choi, Liwei Chan, Roshan Peiris, Juhan Nam)....Pages 574-585
 Sonifying Twitter’s Emotions Through Music  (Mariana Seiça, Rui (Buga) Lopes, Pedro Martins, F. Amílcar Cardoso)....Pages 586-608
Front Matter ....Pages 609-609
 Reflections on the Use of Musical Software in Compositional Processes for Light Art  (Charlotte Beaufort)....Pages 611-624
 SELFHOOD: An Evolutionary and Interactive Experience Synthesizing Images and Sounds  (Jonatas Manzolli, Artemis Moroni, Guilherme A. Valarini)....Pages 625-636
 Music(s), Musicology and Science: Towards an Interscience Network  (Sylvain Brétéché, Christine Esclapez)....Pages 637-657
 Reading Early Music Today: Between Reenactment and New Technologies  (Julien Ferrando)....Pages 658-665
 ArtDoc - An Experimental Archive and a Tool for Artistic Research  (Henrik Frisk)....Pages 666-676
Back Matter ....Pages 677-678