مشخصات کتاب

Music at Hand : Instruments, Bodies, and Cognition

ویرایش: [1 ed.] 
نویسندگان: De Souza. Jonathan  
سری: Oxford studies in music theory 
ISBN (شابک) : 9780190271121, 0190271140 
ناشر: Oxford University Press 
سال نشر: 2017 
تعداد صفحات: 209 
زبان: English 
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود) 
حجم فایل: 4 Mb 

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توجه داشته باشید کتاب موسیقی در دست: ابزار، بدن و شناخت نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.

توضیحاتی در مورد کتاب موسیقی در دست: ابزار، بدن و شناخت



توضیحاتی درمورد کتاب به خارجی

From prehistoric bone flutes to pipe organs to digital synthesizers, instruments have been important to musical cultures around the world. Yet, how do instruments affect musical organization? And how might they influence players' bodies and minds?

Music at Hand explores these questions with a distinctive blend of music theory, psychology, and philosophy. Practicing an instrument, of course, builds bodily habits and skills. But it also develops connections between auditory and motor regions in a player's brain. These multi-sensory links are grounded in particular instrumental interfaces. They reflect the ways that an instrument converts action into sound, and the ways that it coordinates physical and tonal space. Ultimately, these connections can shape listening, improvisation, or composition. This means that pianos, guitars, horns, and bells are not simply tools for making notes. Such technologies, as creative prostheses, also open up possibilities for musical action, perception, and cognition.

Throughout the book, author Jonathan De Souza examines diverse musical case studies-from Beethoven to blues harmonica, from Bach to electronic music-introducing novel methods for the analysis of body-instrument interaction. A companion website supports these analytical discussions with audiovisual examples, including motion-capture videos and performances by the author. Written in lucid prose, Music at Hand offers substantive insights for music scholars, while remaining accessible to non-specialist readers. This wide-ranging book will engage music theorists and historians, ethnomusicologists, organologists, composers, and performers-but also psychologists, philosophers, media theorists, and anyone who is curious about how musical experience is embodied and conditioned by technology.

فهرست مطالب

Content: Cover
 Series
 Music at Hand
 Copyright
 Dedication
 Contents
 Acknowledgments
 About the Companion Website
 Introduction
 1. Beethoven's Prosthesis
 2. Sounding Actions
 3. Idiomaticity
 or, Three Ways to Play Harmonica
 4. Voluntary Self-​Sabotage
 5. Compositional Instruments
 6. Horns To Be Heard
 References
 Index

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