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دانلود کتاب MUSIC and CAPITALISM: Melody, Harmony and Rhythm in the Modern World
دانلود کتاب موسیقی و سرمایه داری: ملودی، هارمونی و ریتم در دنیای مدرن
مشخصات کتاب
MUSIC and CAPITALISM: Melody, Harmony and Rhythm in the Modern World
ویرایش: [1 ed.]
نویسندگان: Sabby Sagall
سری: Critical Political Theory and Radical Practice
ISBN (شابک) : 1137520949, 9781137520944
ناشر: Palgrave Macmillan
سال نشر: 2021
تعداد صفحات: 372
[368]
زبان: English
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود)
حجم فایل: 5 Mb
قیمت کتاب (تومان) : 54,000
در صورت تبدیل فایل کتاب MUSIC and CAPITALISM: Melody, Harmony and Rhythm in the Modern World به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب موسیقی و سرمایه داری: ملودی، هارمونی و ریتم در دنیای مدرن نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
توضیحاتی در مورد کتاب موسیقی و سرمایه داری: ملودی، هارمونی و ریتم در دنیای مدرن
توضیحاتی درمورد کتاب به خارجی
This book argues that the need for music, and the ability to produce and enjoy it, is an essential element in human nature. Every society in history has produced some characteristic style of music. Music, like the other arts, tells us truths about the world through its impact on our emotional life. There is a structural correspondence between society and music. The emergence of 'modern art music' and its stylistic changes since the rise of capitalist social relations reflect the development of capitalist society since the decline of European feudalism. The leading composers of the different eras expressed in music the aspirations of the dominant or aspiring social classes. Changes in musical style not only reflect but in turn help to shape changes in society. This book analyses the stylistic changes in music from the emergence of ‘tonality’ in the late seventeenth century until the Second World War.
فهرست مطالب
Acknowledgements Introduction Contents 1 The Necessity of Music Origins and Functions of Music Bibliography 2 The Late Baroque Style Part I: Musical Background Monody and the Basso Continuo The Italian Age Instrumental Music The Baroque Era—Musical Forms and Styles Part II: Composers Counterpoint Supremo: Johann Sebastian Bach (1685–1750) Bach’s Late Baroque Style Counterpoint: Four-Part Harmony The German Englishman: George Frideric Handel (1685–1759) Handel’s Late Baroque Style Bach and Handel A Man for All Seasons—Antonio Vivaldi (1678–1741) Vivaldi’s Late Baroque Style Part III: Social and Political Influences on the Late Baroque Style Rise of Bourgeois Towns Italy—Dominance and Decline Role of Patronage The Protestant Reformation Pietism: Ideological Expression of the Rise of Capitalism Bach’s Counterpoint and Melody Influence of ‘Zeitgeist’ on Handel German Enlightenment Social Aspects of Instrumentalism and Tonality Legacy of the Baroque Bibliography 3 The Classical Style Galant Music Part I: The Classical Style The Sonata Principle Classical Forms—Sonata Form Instruments Instrumentation and Musical Forms Solo and Chamber Music—1780–1800 Decline of the Continuo From the Harpsichord to the Fortepiano The Accompanied Keyboard Sonata Chamber Music for Strings String Trios String Quartets Music for Voice and Piano The Pre-Eminence of the Symphony and Concerto Part II: Composers The Liberated Servant—Joseph Haydn (1732–1809) Haydn’s Classical Style Overture to Revolution: Wolfgang Amadeus Mozart (1756–1791) Mozart’s Classical Style The Tragedy and Miracle of Ludwig Van Beethoven (1770–1827) Beethoven’s Classical Style Early Beethoven Middle Beethoven Opera Late Beethoven Part III: Social and Political Influences on the Classical Style From Feudalism to Capitalism Rise and Dominance of Vienna Social and Political Influences on Beethoven’s Late Style The European Political Context Social Origins Conclusion: Beethoven and Hegel Bibliography 4 The Romantic Style Part II: Romantic Composers Into the Dark German Forest—Carl Maria von Weber (1786–1826) Weber’s Romantic Style The Tragic Lyricism of Franz Schubert (1797–1828) Schubert’s Romantic Style Lieder: Instrumental Works: Piano Works: The Pictorial Romanticism of Hector Berlioz (1803–1869) Berlioz’s Romantic Style Searching for a Lost Paradise—Felix Mendelssohn (1809–1847) Mendelssohn’s Romantic Style The Sadness of Exile: Frederic Chopin (1810–1849) Chopin’s Romantic Style The Tormented Inner World of Robert Schumann (1810–1856) Schumann’s Romantic Style The Programmatic Drama of Franz Liszt (1811–1886) Liszt’s Romantic Style The Teutonic Mythology of Richard Wagner (1813–1883) Wagner’s Romantic Style The Rebellious Nationalism of Giuseppe Verdi (1813–1901) Verdi’s Romantic Style Late-Verdi: Verdi’s Nationalism: The Janus Figure of Johannes Brahms (1833–1897) Brahms’ Romantic Style The Mighty Slavophilism of Modest Mussorgsky (1839–1881) Mussorgsky’s Romantic Style The Russian Soul of Pyotr Ilyich Tchaikovsky (1840–1893) Tchaikovsky’s Romantic Style The Slavonic Romanticism of Antonin Dvorak (1841–1904) Dvorak’s Romantic Style Part III: Social and Political Influences on the Romantic Style Bibliography 5 The Modernist Styles Part I Part II Composers The Modernist ‘Angst’ of Gustav Mahler (1860–1911) Mahler’s Modernist Style The Post Wagernian Innovations of Richard Strauss (1864–1949) Strauss’s Modernist Style The Impressions and Symbols of Claude Debussy (1862–1918) Debussy’s Modernist Style The Atonal Wanderings of Arnold Schoenberg (1874–1951) Schoenberg’s Modernist Style The Modernist National Idiom of Charles Ives (1874–1954) Ives’s Modernist Style From the Heart of the Folk—Bela Bartok (1881–1945) Bartok’s Modernist Style The Revolutionary Russian: Igor Stravinsky (1882–1971) Stravinsky’s Three Styles Falling Foul of Socialist Realism: Sergei Prokoviev (1891–1953) Prokoviev’s Three Periods Middle Period: Late Prokoviev: Music for the People: Paul Hindemith (1895–1963) Hindemith’s Modernist Style The American Idiom of Aaron Copland (1900–1990) Copland’s Modernist Style The Warm Lyricism of Michael Tippett (1905–1998) Magnificent ‘Muddle’: Dimitri Shostakovitch (1906–1975) Shostakovich’s Modernist Style The Serial Bird Singing of Olivier Messiaen (1908–1992) The Modernist Style of Olivier Messiaen A People’s Guide to Modernism: Benjamin Britten (1913–1976) Britten’s Modernist Style Popular Music: Broadway and Jazz Part III: Social and Political Influences on the Modernist Styles Bibliography Glossary Index
