Mi Contra Fa: The Immoralisings of a Machiavellian Musician

1. Introito - 13
2. When is a Concerto not a Concerto? - 17
3. Music and Muddleheadedness - 18
4. The Amateurs, or Thick Skins and Thicker Hears - 41
5. Organic and Inorganic Form - 47
6. Sentimentality and Contemporaneity: with Especial Reference to Music
7. Leopold Godowsky as Creative Transcriber - 62
8. Yoga and the Composer - 71
9. Portmanteau Words: or those \"British\" Composers - 76
10. \"La Trahison des Clercs\": Music and War-Mongering - 80
11. The Decline of Music and Musical Taste in England - 89
12. The Way of the Virtuoso - 107
13. Cant and the Classics - 114
14. A Note on Ernest Chausson - 119
15. Beer and British Music - 125
16. Modern Popular Music as part of a Plan of Progressive Besotment - 128
17. Blanche Marchesi - 133
18. \"Il Gran Rifuto\" - 141
19. Bernard van Dieren - 149
20. The Great French Song Writers - 158
21. Petit Dialogue Philosophique - 168
22. Rachmaninoff and Rabies - 170
23. Karol Szymanovsky - 178 [Also spelled Szymanowski]
24. Open Letter to a Conductor - 188
25. Metapsychic Motivation in Music - 193
26. The Songs of Francis George Scott - 217
27. Piano Design - 224
28. Indian Music and Indian and Western Musical Criticism - 229
29. A Note on York Bowen - 235
30. The Physiognomy of Musicians; or, Composers out of Countenance - 240