Mathematics and Computation in Music: 5th International Conference, MCM 2015, London, UK, June 22-25, 2015, Proceedings

Front Matter....Pages I-XIV
Front Matter....Pages 1-1
A Structural Theory of Rhythm Notation Based on Tree Representations and Term Rewriting....Pages 3-15
Renotation from Optical Music Recognition....Pages 16-26
Front Matter....Pages 27-27
Foundations for Reliable and Flexible Interactive Multimedia Scores....Pages 29-41
Genetic Algorithms Based on the Principles of Grundgestalt and Developing Variation....Pages 42-51
Describing Global Musical Structures by Integer Programming on Musical Patterns....Pages 52-63
Improved Iterative Random Walk for Four-Part Harmonization....Pages 64-70
Front Matter....Pages 71-71
Location Constraints for Repetition-Based Segmentation of Melodies....Pages 73-84
Modeling Musical Structure with Parametric Grammars....Pages 85-96
Perfect Balance: A Novel Principle for the Construction of Musical Scales and Meters....Pages 97-108
Characteristics of Polyphonic Music Style and Markov Model of Pitch-Class Intervals....Pages 109-114
A Corpus-Sensitive Algorithm for Automated Tonal Analysis....Pages 115-121
Finding Optimal Triadic Transformational Spaces with Dijkstra’s Shortest Path Algorithm....Pages 122-127
A Probabilistic Approach to Determining Bass Voice Leading in Melodic Harmonisation....Pages 128-134
Front Matter....Pages 135-135
Hypergestures in Complex Time: Creative Performance Between Symbolic and Physical Reality....Pages 137-148
Generating Fingerings for Polyphonic Piano Music with a Tabu Search Algorithm....Pages 149-160
Logistic Modeling of Note Transitions....Pages 161-172
Evaluating Singer Consistency and Uniqueness in Vocal Performances....Pages 173-178
A Change-Point Approach Towards Representing Musical Dynamics....Pages 179-184
Front Matter....Pages 185-185
Structural Similarity Based on Time-Span Sub-Trees....Pages 187-192
Cross Entropy as a Measure of Musical Contrast....Pages 193-198
Front Matter....Pages 185-185
Symbolic Music Similarity Using Neuronal Periodicity and Dynamic Programming....Pages 199-204
Front Matter....Pages 205-205
Applications of DFT to the Theory of Twentieth-Century Harmony....Pages 207-218
Utilizing Computer Programming to Analyze Post-Tonal Music: Contour Analysis of Four Works for Solo Flute....Pages 219-230
Exact Cover Problem in Milton Babbitt’s All-Partition Array....Pages 231-236
Front Matter....Pages 237-242
Constructing Geometrical Spaces from Acoustical Representations....Pages 243-243
Geometry, Iterated Quantization and Filtered Voice-Leading Spaces....Pages 245-256
Using Fundamental Groups and Groupoids of Chord Spaces to Model Voice Leading....Pages 257-266
All-Interval Structures....Pages 267-278
Unifying Tone System Definitions: Ordering Chromas....Pages 279-290
A Categorical Generalization of Klumpenhouwer Networks....Pages 291-302
The Spinnen-Tonnetz: New Musical Dimensions in the 2D Network for Tonal Music Analysis....Pages 303-314
Front Matter....Pages 315-320
Probabilistic Segmentation of Musical Sequences Using Restricted Boltzmann Machines....Pages 321-321
Front Matter....Pages 323-334
Can a Musical Scale Have 14 Generators?....Pages 335-346
On the Step-Patterns of Generated Scales that are Not Well-Formed....Pages 347-347
Triads as Modes within Scales as Modes....Pages 349-360
Greek Ethnic Modal Names vs. Alia Musica’s Nomenclature....Pages 361-372
Back Matter....Pages 373-384
....Pages 385-390