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ویرایش: [4 ed.] نویسندگان: Tammy Donham, Amy Sue Macy, Clyde Philip Rolston سری: ISBN (شابک) : 100058514X, 0367721171 ناشر: CRC Press سال نشر: 2022 تعداد صفحات: 518 [519] زبان: English فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود) حجم فایل: 201 Mb
در صورت تبدیل فایل کتاب Marketing Recorded Music: How Music Companies Brand and Market Artists به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب بازاریابی موسیقی ضبط شده: چگونه شرکت های موسیقی هنرمندان را برند و بازاریابی می کنند نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
این نسخه چهارم موسیقی ضبط شده بازاریابی منبع ضروری برای کمک به شما در درک نحوه بازاریابی حرفه ای موسیقی ضبط شده است. این نسخه چهارم که برای انعکاس عصر دیجیتال، با فصلهای جدید در مورد رسانههای نوظهور، استریمینگ و برندسازی بهروزرسانی شده است، شامل استراتژیهایی برای هنرمندان مستقل و بدون امضا نیز میشود. موسیقی ضبط شده بازاریابی که به طور کامل برای منعکس کردن مسائل بازاریابی بینالمللی اصلاح شده است، با یک وبسایت همراه با منابع آنلاین اضافی، از جمله پاورپوینتها، آزمونها، و طرحهای درسی همراه است، که آن را به یک کتابچه راهنمای کاربردی برای دانشآموزان تبدیل میکند. به عنوان متخصصان مشتاق و با تجربه.
This fourth edition of Marketing Recorded Music is the essential resource to help you understand how recorded music is professionally marketed. Updated to reflect the digital era, with new chapters on emerging media, streaming, and branding, this fourth edition also includes strategies for independent and unsigned artists. Fully revised to reflect international marketing issues, Marketing Recorded Music is accompanied by a companion website with additional online resources, including PowerPoints, quizzes, and lesson plans, making it the go-to manual for students, as well as aspiring and experienced professionals.
Cover Half Title Title Copyright Contents List of Figures List of Tables About the Authors List of Contributors Acknowledgments Chapter 1 Introduction Why Artists Might Want to Sign With a Record Label Revenue Streams Music Everywhere The New Deal Publishing Touring and Merchandise Bibliography Chapter 2 Marketing Concepts and Definitions Selling Recorded Music Music Purchase vs. Music Consumption What Is Marketing? The Marketing Mix Product Product Positioning The Product Life Cycle Diffusion of Innovations and Adopter Categories Cognitive vs. Emotional Decisions Hedonic Responses to Music Pricing Strategies Cost-Based Pricing Competition-Based Pricing Value-Based (Demand) Pricing Crowdfunding Name Your Own Price Promotion Place Distribution Systems Types of Distribution Systems Retail Price and Positioning Are the Four Ps Dead? Summary Glossary Bibliography Chapter 3 Market Segmentation and Consumer Behavior Markets and Market Segmentation Market Segmentation Market Segments Geographic Segmentation Demographic Segmentation Multivariable Segmentation Psychographic Segmentation Personality Segmentation Behaviorial Segmentation Product Usage Benefits Sought Brand Loyalty User Status Generation-Z Target Markets Consumer Behavior and Purchasing Decisions Needs and Motives Converting Browsers to Buyers Conclusion Glossary Bibliography Chapter 4 Marketing Research Introduction Research in the Music Industry Types of Research Overarching Research Issues: Validity and Reliability The Research Process Syndicated Research Trade Association Research Custom Research Firms Conclusion Glossary Bibliography Chapter 5 Artist Branding Branding Basics What Is a Brand? Why Does Artist Branding Matter? History of Branding Artist Branding and Its Benefits Successfully Building a Strong Artist Brand Defining the Artist and Creating a Brand Identity Famous Logo and Brand Element Examples in Music Creative Elements – Best Practices Promoting and Building the Brand Maintaining and Protecting the Brand Successfully Leveraging the Artist’s Brand Examples of Artist Brand Partnerships The Role and Benefits of Corporate Partnerships in the Music Industry Linking Brands Finding the Right Brand Partner Defining the Audience The Process Cause Marketing With a Brand Artist-Owned Brand Opportunities Conclusion Glossary Bibliography Chapter 6 The U.S. Industry Numbers Sales Trends Sales Trends and Configuration Annual Sales Trends Genre Trends Demographic Trends Age Gender Market Share of the Majors Comparison of All and Current Albums Catalog Sales Conclusion Glossary Bibliography Chapter 7 Label Operations Label Operations Getting Started as an Artist Business Affairs Artists & Repertoire: How Labels Pick and Develop Artists Discovering Artists – The A in A&R Producers as A&R Scouts Attorneys and A&R Publishers and A&R Reality TV How Artists Get on A&R’s Radar Build a Social Media Presence Perform, Perform, Perform. Then Perform Some More Give Away Free Music Make Professional Connections Fitting In Repertoire – A&R After the Signing Conclusion Product Manager/Artist Development Creative Services Publicity Radio Promotion Digital Media/Marketing Independent Labels References Chapter 8 The Marketing Plan Who Gets the Plan? The Classic Business School Marketing Plan What’s in the Record Company Plan? Timing The Importance of Street Date Conclusion Glossary Appendix: Mending Broken Hearts – Indie Artist Marketing Plan Chapter 9 Music Distribution and Music Retailing Introduction Traditional Distribution The Big 3 Consolidation and Competition Universal Music Group Distribution Sony Music Distribution WEA Vertical Integration Big 3 Market Share Major Distribution Organizations Independent Distributors – The Aggregators Major Distribution-Owned Companies Independent Distribution Partners White Label Distribution Open Distribution Platforms Semi-Label Distribution Services A League of Its Own Music Distribution Flow Chart Music Supply to Retailers Retail Store Profiles Role of Physical Distribution How the Money Flows Independent Negotiation Representation Forecasting 360 Deals/Multiple Rights Deals Subscription vs. Ad-Supported Streaming: A Weighted Average Where the Money Goes Top 10 Revenue Generators Metadata Timeline Retail Considerations Purchasing Music for Physical Stores Inventory Management Turns and Returns Trade Associations Glossary References Chapter 10 Streaming The Business of Streaming Market Share The Business Model How Playlists Work Contributed by Charles Alexander Hype/Buzz/PR Streaming Music Consumption Existing Music Consumption Terrestrial Radio Spotify Apple Music Pandora Amazon Conclusion Glossary Bibliography Chapter 11 Radio The State of Radio The Value of Radio The Business The Radio Broadcasting Industry Radio Station Staffing Typical Radio Station Radio Audiences Radio Formats Targets of Radio Formats Radio Formats 80s Hits Active Rock Adult Contemporary Adult Hits Adult Standards/Middle of the Road Album Adult Alternative Album-Oriented Rock All News All Sports Alternative Children’s Radio Christian Adult Contemporary Classic Country Classical Comedy Country Easy Listening Educational Gospel Hot Adult Contemporary Jazz Mainstream Rock Modern Adult Contemporary New Country News Talk Information Nostalgia Oldies Pop Contemporary Hit Radio Religious Rhythmic Smooth Adult Contemporary Soft Adult Contemporary Southern Gospel Spanish Talk/Personality Urban Adult Contemporary Urban Contemporary Urban Oldies Variety World Ethnic What Is Important to Programmers? Ratings Research and Terminology Radio Programming Research The Changing Face of Radio Satellite Radio HD Radio Internet Radio Promotion and Airplay Radio Promotion The Relationship Between Promoter and Radio History and the Payola Laws Getting a Recording on the Radio Strategic Decisions Radio Promotion Tour Promotion Department Making a Data-Driven Case Independent Promoters Satellite Radio Promotion Glossary Appendix Bibliography Chapter 12 The Charts The History of Trade Magazines The Importance of Charts Creating the Charts Understanding the Billboard Charts Billboard Top 200 Chart Broadcast Data Systems and Billboard Charts Billboard Alternative National Airplay Chart Billboard Charts Are Largely Broken Into Several Categories Other Billboard Charts Award Designations Mediabase Spotify Charts YouTube iTunes/Apple Music Charts Amazon Charts Other Charts That Measure Popularity Additional Sources to Track Music A Deeper Dive Into Nielsen, MRC Data, and Important Terminology The Billboard Charts A Look at Music Connect Data The Charts Genre Percentages Glossary Bibliography Chapter 13 Publicity Introduction Publicity Defined History Label vs. Indie Publicists Tools of the Publicist The Press Kit and EPK Photos and Videos Press Release The Anatomy of a Press Release The Biography Press Clippings Publicity and Branding The Publicity Plan Budgets for Money and Time Outlets for Publicity What to Send Where to Send It Amazon.com and Wikipedia as Resources for Basic Information Television Appearances News Shows Talk-Entertainment Shows Award Shows Charities and Public Service Bad Publicity What to Do When Negative Publicity Occurs Conclusion Glossary Bibliography Appendix: Structure for a Press Release Chapter 14 Digital Marketing Social Media: Connecting With Fans Social Media vs. Social Media Marketing Super Fans Social Media Platforms Social Media Goals Social Media Best Practices Platform-Specific Best Practices The TikTok Algorithm The Snapchat Algorithm Twitter The Twitter Algorithm Live Streaming Social Media Management and Listening Tools Popular Social Media Management Tools Content Marketing What Is Content Marketing? Content Calendars Types of Content to Share When to Post Content Where to Share Curated Content vs. Content Creation Design Tools The SEO Benefits of Content Marketing SEO SEO Best Practices Website Design Blogging Email Marketing Why Email Benefits of Newsletters Choosing a Platform Top Email Marketing Tools Conclusion Glossary Bibliography Chapter 15 Paid Media Paid Media Basics Consumer Media Target Audience Media Strategy Media Options Search Engine Marketing Display Ads Social Media Ads Influencer Marketing Streaming Platforms Radio Additional Paid Media Opportunities Television Print Out-of-Home Billboards In-Game Direct Mail Mobile/Texting Trade Advertising How Advertising Effectiveness Is Measured Coordinating With the Other Departments Conclusion Appendix: Print Terminology Glossary Bibliography Chapter 16 Artist Support and Tour Sponsorship Artist Income Tour Support Tour Sponsorship Festival Sponsorship Products in the Music Branded Music The Benefits Soundtracks and Compilations Product Extensions and Retail Exclusives Artists in the Virtual World Glossary References Chapter 17 Merchandise Who, What, and When Merch Sells Why Does Tour Merchandise Sell? Designing Merch That Sells What Fans Want . . . That We Can Make Merchandise Decisions That Impact Sales Colors, Fit, and Sizing Designing Great Merch Who Makes Merch Event Merchandise Operations Decisions that Impact Profit and Sustainability Inventory Management Forecasting Demand and Revenue Forecast and Optimization Process Merchandise Sales on Tour What Else Makes a Difference in Tour Sales Selling Merchandise Online Increasing Average Order Size Increasing Order Volume Leveraging Offers Pre-Order Campaigns VIP Packages Protecting Brand Equity: Knockoffs and Unofficial Merchandise Making and Selling Music Merchandise Glossary References Index