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از ساعت 7 صبح تا 10 شب
ویرایش: [5 ed.]
نویسندگان: Jan Roberts-Breslin
سری:
ISBN (شابک) : 0367638304, 9780367638306
ناشر: Routledge/Focal Press
سال نشر: 2022
تعداد صفحات: 346
[347]
زبان: English
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود)
حجم فایل: 167 Mb
در صورت تبدیل فایل کتاب Making Media: Foundations of Sound and Image Production به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب ساخت رسانه: مبانی تولید صدا و تصویر نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
این کتاب با در نظر گرفتن فرآیندهای ضروری تولید رسانه، آنها را به اساسی ترین اجزا تجزیه می کند. دانش آموزان مفاهیم اولیه تولید رسانه - فریم، صدا، نور، زمان، حرکت، و توالی- را یاد خواهند گرفت و می توانند آنها را در هر رسانه ای که انتخاب می کنند، از فیلم و تلویزیون گرفته تا هنرهای زیبا و برنامه های آنلاین، به کار ببرند. آنها همچنین در محیط کار دیجیتال و ابزارهای مورد نیاز برای تولید رسانه در محیط دیجیتال امروزی به خوبی مستقر خواهند شد. این نسخه پنجم جدید بهطور کامل بهروزرسانی شده است و بهروزرسانیهایی در مورد فناوری و فرآیندها ارائه میشود. شامل اطلاعات جدیدی در مورد عکسبرداری با تلفن همراه، پیشرفت در دوربین های بدون آینه، درجه بندی رنگ، نکاتی برای ضبط صدای خوب، آموزش صمیمیت و موارد دیگر است. این کتاب که به طور کامل نشان داده شده است، شامل بحث های نوار کناری در مورد مسائل مرتبط در سراسر است. خوانندگان در محیط کار دیجیتال و ابزارهای مورد نیاز برای تولید رسانه امروزی به خوبی مستقر خواهند شد، بر اولویت محتوا و اهمیت رویکرد اخلاقی در ساخت رسانه تاکید شده است. دارای یک وبسایت همراه با تمرینهای تعاملی برای هر فصل است که به دانشآموزان امکان میدهد فرآیند تولید رسانهای را کشف کنند. ایده آل برای دانشجویان رسانه در دوره هایی از جمله تولید رسانه، تولید فیلم، تولید صدا و عکاسی.
Taking essential media production processes, this book deconstructs them into the most basic components. Students will learn the basic concepts of media production - frame, sound, light, time, motion, and sequencing - and be able to apply them to any medium they choose, from film and television to fine art and online applications. They will also become well-grounded in the digital work environment and the tools required to produce media in today\'s digital environment. This new fifth edition is fully updated throughout featuring updates on technology and processes. Included is new information on shooting with a cell phone, developments in mirrorless cameras, color grading, tips for recording good audio, intimacy training and much more. Fully illustrated, this book includes sidebar discussions of pertinent issues throughout. Readers will become well-grounded in the digital work environment and the tools required to produce media today, the primacy of content and the importance of an ethical approach to media making are emphasized. Features a companion website with interactive exercises for each chapter, allowing students to explore the process of media production. Ideal for media students on courses including media production, film production, audio production, and photography.
Cover Half Title Title Page Copyright Page Table of Contents Figures Tables About the Contributors Foreword: Ocean Space and the Marine Social Sciences Acknowledgements Section I Ocean Approaches, Ocean Perspectives 1 Introduction: Placing and Situating Ocean Space(s) Oceanic (Re)turns: Placing and Situating Route Laying: Outlining the Book Structure From Ocean Geographies to Ocean Spaces: Themes, Limitations and Potentials References Section II Ocean Frameworks, Ocean Knowledges 2 Mapping: Measuring, Modelling and Monitoring the Oceans Introduction Mapping Oceans, Building Empires Measuring Oceans, Making Resources Monitoring the Ocean, Creating Knowledge Modelling the Ocean, Making Predictions Conclusion References 3 Science: Histories, Imaginations, Spaces Introduction Imagining Vast Expanses The Shoreline, Shallows, and Seabed Discovering Vertical Dimensions of the Open Ocean Ships, Instruments, and Ocean Space Domesticating the Deep Sea Conclusion: Toward a Panoptic Ocean Space Notes References 4 Representation: Seapower and the Political Construction of the Ocean Introduction The Glorification of the ‘Smooth’ Sea: Empty Space and Mare Liberum The Limits of Smoothness: The Sea as a Space in Need of Security Smooth and Striated: The Sea as a Non-Zero-Sum Space and Collective Seapower Conclusion: Towards Neo-Modern Seapower? References 5 Empire: Towards Errant and Interlocking Maritime Spaces of Power Introduction Spatial Metaphors and Challenging Imperial Limits Interlocking Imperial Contexts and Mobilities: Ports, Ships, Militaries, Carceralities Maritime Anticolonialisms Contemporary Imperialisms and the Oceanic Conclusion Note References 6 Frontiers: Ocean Epistemologies – Privatise, Democratise, Decolonise Introduction Privatising Knowledge: Proprietary Data and the Deep Seabed Democratising Knowledge, Democratising Oceans Governance? Decolonising Knowledge: Unknowable and Unheard More-Than-Human Knowledges Conclusion Acknowledgements Notes References 7 Culture: Indigenous Maori Knowledges of the Ocean and Leisure Practices Introduction Oceanic Cultures: A Maori Worldview Matauranga Maori The Impact of European Colonisation Maori Associations With the Ocean Waka Hourua Waka Ama Heke Ngaru Discussion Conclusions and Future Considerations Notes References Section III Ocean Economies, Ocean Labour 8 Fishing: Livelihoods and Territorialisation of Ocean Space Introduction Territorialisation of Ocean Space (More-than-economic) Fishing Livelihoods Ocean Space and Fishing Livelihoods Discussion and Future Directions Note References 9 Planning: Seeking to Coordinate the Use of Marine Space Introduction The Emergence of Marine Spatial Planning The Spatialities of MSP in Practice Edging Towards New Approaches Conclusions References 10 Docking: Maritime Ports in the Making of the Global Economy Introduction A Brief History of Ports The Politics of Port Governance Notes References 11 Containers: The Shipping Container as Spatial Standard Introduction The Historical Development and Standardisation of the Container The Intertwined Spatiality of Transportation Infrastructures and the Container Conclusion Notes References 12 Seafarers: The Force That Moves the Global Economy Introduction Driving the Global Economy – Or Being Driven? Living a Sailor’s Life Conclusion Notes References 13 (De)growth: The Right to the Sea Introduction Constructing an Ocean of Economic Growth The Production and Re-Production of the Seascape From the Right to the City to the Right to the Sea Blue Growth and the EU’s Strategy: Production and Rights Conclusion: Towards Blue Degrowth? References 14 Resources: Feminist Geopolitics of Ocean Imaginaries and Resource Securitisation Introduction Framing Resources and Security Securing Ocean Territories, Resources Extending the Ocean Frontier – the Deep Sea Contestation – Securing Alternatives? Contestation Over Whose Security and What a Resource Is Notes References Section IV Ocean Histories, Ocean Politics 15 Security: Pragmatic Spaces and the Maritime Security Agenda Introduction The Oceans and the New Maritime Security Agenda Piracy and High-Risk Areas Insecurity, Capacity Building and New Maritime Regions Smuggling, Routes and Partnerships Maritime Domain Awareness and Areas of Interest Conclusion Acknowledgements Notes References 16 Navies: Military Security and the Oceans Introduction Origins Ruling the Waves: Sea Power and Maritime Strategy Volumetric Sea Power Changing Maritime Geographies From ‘Sea Power’ to ‘Maritime Security’ Future Directions Notes References 17 Discipline: Beyond the Ship as Total Institution Introduction Punishment and Its Contexts Deck Plans and the Built Environment Concealment, Indiscipline, and Resistance Conclusion Notes References 18 Protest: Contested Hierarchies and Grievances of the Sea Introduction Theorising Maritime Protest Maritime Protest at Sea Maritime Spaces and Connected Protest Onshore Protests of Maritime Grievances Conclusions Note References 19 Solidarities: Oceanic Spaces and Internationalisms From Below Introduction Theorising the Spaces of Maritime Solidarities Anti-colonial Internationalisms and Maritime Solidarities Maritime Labour, Dockers and Oceanic Constructions of Solidarity Maritime Solidarities, Anti-Militarism and the Spaces of the Ocean Conclusions Notes References 20 Migration: Security and Humanitarianism Across the Mediterranean Border Introduction The Mediterranean Mobility Conflict The Mediterranean as a Humanitarian Border Contesting the Humanitarian Border Conclusion Acknowledgements Notes References Section V Ocean Experiences, Ocean Engagements 21 Writing: Literature and the Sea Introduction: Material and Historical Poetics The Ocean as Genre: What We Read The Ocean as Method: How We Read The Inhabited Ocean: Literary Animals and Other Matter The Indian Ocean As/in Literature The Atlantic Ocean As/in Literature The Pacific Ocean As/in Literature Comparative Sea Studies As/in Literature Conclusion: Geography as Literature References 22 Imaginaries: Art, Film, and the Scenography of Oceanic Worlds Introduction Histories of Imaginaries Introducing Emma Critchley In Conversation With Emma Critchley: Perspectives On Ocean Space I Introducing Mariele Neudecker In Conversation With Mariele Neudecker: Perspectives On Ocean Space II Endings/Beginnings Notes References 23 Swimming: Immersive Encounters in the Ocean Neither Waving Nor Drowning New Natarographers Swimming Bodies, Spaces and Experiences Accretive Flows and Swimming Bodies Sea Moods and Immersive Encounter Moorings/unmoorings and the Role of Place Therapeutic Waterscapes Oceanic ‘Blue Bodies’ References 24 Surfing: The What, Where, How and Why of Wild Surfing The What of Surfing The Where of Surfing The What and Where of Surfing: Research Themes The How of Surfing: Bodies and Technologies Carnal Surfing and an Actor-Centred Perspective The Why of Surfing The Who of Surfing The Spread of Surfing Protecting Surf-Shore Spaces References 25 Sailing: The Ocean Around and Within Us Preamble A Brief Overview of Qualitative Research On Sailing Returning to the Preamble Auto-ethnography and ‘Knowing’ the Sea Examples of Recent Scholarship Sensations of a Solid Sea Skilful Engagement: Constrains and Affordances Sensing the Sea What Feels Right Moments of Grace The Sea: Connection and Separation Encountering Nature Through Sailing Concluding Thoughts On a Fluid Field References 26 Diving: Leisure, Lively Encounters and Work Underwater Introduction Diving for Leisure: From Tourism Management to Experiential Encounter Encountering the Non-Humans of Ocean Space Diving as Working Practice Conclusion References Section VI Ocean Environments, Ocean Worlds 27 Depth: Discovering, ‘Mastering’, Exploring the Deep Discovering the Deep Mastering the Deep Out of Our Depth? Conclusion: Unchartered Depths References 28 Life: Ethical, Extractive and Geopolitical Intimacies With Nonhuman Marine Life Introduction Metaphorical and Material Intimacies: Biopolitics and Ethics of Marine Life Resource Intimacies: Political Ecology and More-Than-Human Assemblages Geopolitical Intimacies: Militarising Marine Life Conclusion: Re-Coordinating Plural Oceans and Plural Lives References 29 Waves: The Measure of All Waves Introduction Waves and War The Wave Spectrum Putting Wave Science to Use Acknowledgements Notes References 30 Hydrosphere: Water and the Making of Earth Knowledge Introduction Geology, Semiotics, and Water From Global Hydrology to Geologic Hydrosphere From Hydrosphere to Global Water System Signs of the Hydrosphere References 31 Ice: Elements, Geopolitics, Law and Popular Culture Introduction Sea Ice: Properties, Distribution, and Ecologies Sea Ice and the Arctic Ocean Sea Ice Science and Cold War Geopolitics International Law and Sea Ice Popular and Indigenous Experiences and Meanings of Sea Ice Conclusion Notes References Filmography 32 Islands: Reclaimed – Singapore, Space and the Sea Introduction ‘Place Surrounded By Sea’ Making Space: Outwards, Upwards and Downwards Swelling Seas Heating Cities Land Into Sea, Sea Into Land Conclusion References Index