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ویرایش: نویسندگان: John Davidson, Adrian Sanqui, Adrian Sanqui سری: ناشر: JD-Biz Corp Publishing سال نشر: 2013 تعداد صفحات: 0 زبان: English فرمت فایل : MOBI (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود) حجم فایل: 1 مگابایت
در صورت تبدیل فایل کتاب Learn to Draw - Faces and Portraits - For the Absolute Beginner به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب یاد بگیرید که قرعه کشی کنید - چهره ها و پرتره ها - برای مبتدی مطلق نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
Learn to Draw - Faces and Portraits - For the Absolute
Beginner
TABLE OF CONTENTS
Introduction: Drawing Tools
Basic Head Layout
Facial Features
• Eyes
• Nose
• Mouth
Measuring Via Eye Size
Front view
Quarter view
Side view/Profile
Basic head layout
There are few characteristics of a head that is relative to
almost everyone, this similarity in measurements will be your
guide if you are to construct a face when drawing a
portrait.
• The eyes are positioned below, above or right at the center
of the head’s perfect-center level. It is usually aligned with
the upper tip of the ear.
• The head’s space above and below the eyes’ location are
equal.
• The nose wings are usually aligned with the tear ducts, and
its nose ball is aligned with the ear lobes (this similarity
changes depending on the person’s age as the ears grow
bigger).
• Both tips of the mouth are nearly aligned with the center of
both eyes.
Although you will surely encounter a person that has a little
difference on these measurements, it would be easier for you to
identify his or her unique proportion value if you have the
knowledge about what is most usual.
The familiarity to different angles of the head is essential
when drawing faces.
Head shapes differ in every angle. The position of each facial
feature gradually changes as the head makes a quarter turn. And
as it turns further on one side, their sizes slightly change
and the features reveal their unseen angles, thus, totally
changing their shape.
A head facing in a perfect front view would have two equal
sides most of the time, while a head in a quarter angle view
shows the outline of the nose bridge which cannot be portrayed
perfectly when in front view. The lips would reveal its
thickness as it loses the exposure of its further tip. And the
further ear and eye will lose its exposure as the head turns
further on the side.
These natural gradual adjustments happen when the head moves
horizontally.
Unlike horizontal movements, when a head moves in a diagonal
direction it changes the diagonal thickness of the head
dynamically, thus, the facial features follow.
Each facial feature comes closer together as the head leans
further. The nostrils become totally exposed as the nose ball
clearly establish its distance from the plane (face
surface).
The thickness of the lower lip can be easily conveyed as it
overlaps the upper lip, and the eye shapes would appear
flat.
When the head moves downwards, the nose (depending on its
height) would overlap the lips, and the eyebrows (depending on
its thickness) would slightly overlap the eyes. The height of
the neck would be hidden as the top of the head becomes clearly
conveyed, totally changing or rather hiding the face’s
horizontal height.
The facial ridges of males are more defined and prominent
compared to females, especially the nose bridge, Brow Bridge
and the jaw line.
But there are few cases in which the shape of a man’s profile
looks more feminine than usual or vice-versa. In this case, you
have to rely on the facial features he or she have to clearly
portray his or her gender, such as thick eyebrows or any facial
hairs for men or pouty, glossy lips and long eyelashes for
women.